HOT-WAX-COLLECTABLES

HOT-WAX-COLLECTABLES is a brand new store affiliated with CHOO & NELLIE'S COLLECTABLES, Trusted eBay Sellers since 2004.

Due to the volume and the speciality nature of our business we have decided to split our operation into two Stores.
HOT-WAX-COLLECTABLES  "we cater for Vinyl Recording Enthusiasts "
CHOO & NELLIES’S COLLECTABLES  
Will continue to offer an extensive range of Antique Curios and Jewellery, Retro Furniture, Musical Equipment, Books, Clothes and the just Plain Weird.

IMPORTANT INFORMATION & Policy

Information relating to the particular version being offered for sale is sourced from http://www.discogs.com/

Condition criteria is contained at the bottom of each listing with the relevant description highlighted in Blue.
Any other relevant notes will be in included in the eBay condition field and in the general listing.

Please note condition can be open to personnel interpretation and many items offered are now over 40 or more years old.

We tend to lean on the side of the conservative in our appraisal regarding condition  in our listings.
We strive to be open and fair in our dealings and if for some reason a buyer is not satisfied with the condition of their purchase we are happy to offer a full "no questions asked" refund.

Linda Ronstadt ?– Hasten Down The Wind

This is close to MINT!!!!

Note Sleeve EX+ Very Very light Wear on corners and opening 

Label:

Asylum Records ?– 7E-1072

Format:

Vinyl, LP, Album, Gatefold 

Country:

US

Released:

1976

Genre:

Rock

Style:

Country Rock, Pop Rock

Tracklist Hide Credits

A1 Lose Again 3:34

A2 The Tattler

Handclaps – Andrew Gold, Peter Asher

Mandolin, Arranged By [Strings] – Kenny Edwards

Violin – Charles Veal*, Ken Yerke*

3:56

A3 If He's Ever Near

Organ, Finger Cymbals – Andrew Gold

3:15

A4 That'll Be The Day

Handclaps – Linda Ronstadt

Wood Block – Peter Asher

2:32

A5 Lo Siento Mi Vida

Acoustic Guitar – Waddy*

Bass, Harmony Vocals – Andrew Gold

Harmony Vocals – Kenny Edwards

3:54

A6 Hasten Down The Wind

Double Bass – Richard Feves

Harmony Vocals – Don Henley

Tambourine – Andrew Gold

Viola – Charles Veal*, Paul Polivnick

2:40

B1 Rivers Of Babylon

Vocals – Andrew Gold, Kenny Edwards, Linda Ronstadt

0:52

B2 Give One Heart

Backing Vocals – Herb Pedersen, Peter Asher

Cowbell – Andrew Gold, Peter Asher

4:07

B3 Try Me Again

Backing Vocals – Pat Henderson, Becci Louis*, Sherlie Matthews

3:59

B4 Crazy

Piano – Clarence McDonald

3:58

B5 Down So Low

Choir – Bili Thedford, Clydie King, Gerry Garrett*, Jim Gilstrap, Pat Henderson, Becci Louis*, Ron Hickland*, Sherlie Matthews

4:08

B5 Someone To Lay Down Beside Me

Clavinet – Andrew Gold

4:28

Companies, etc.

Manufactured By – Elektra/Asylum/Nonesuch Records

Pressed By – Columbia Records Pressing Plant, Santa Maria

Recorded At – The Sound Factory

Mixed At – The Sound Factory

Credits

Acoustic Guitar – Andrew Gold (tracks: A1, A3, A5, B4)

Arranged By [Strings], Conductor – David Campbell (tracks: A1, A2, A6, B3, B6)

Art Direction – Kosh*

Backing Vocals – Andrew Gold (tracks: A1, A2, A4, B2), Karla Bonoff (tracks: A3, B6), Kenny Edwards (tracks: A1, A2, A4), Linda Ronstadt (tracks: A2, A3, B2, B6), Wendy Waldman (tracks: A3, B6)

Bass – Kenny Edwards (tracks: A1 to A4, A6, B2 to B6)

Cello – Dennis Karmazyn (tracks: A1, A6, B3, B6)

Concertmaster – Charles Veal* (tracks: A1, B3, B6)

Design – Kosh*

Drums – Michael Botts* (tracks: A1, A2, A4, B2, B4 to B6), Russell Kunkel* (tracks: A3, A5, A6)

Electric Guitar – Andrew Gold (tracks: A4, B2, B3), Dan Dugmore (tracks: A1, A2, B5, B6), Waddy* (tracks: A3, A4, A6, B2)

Electric Piano – Andrew Gold (tracks: A2, B2)

Mastered By – Bernie Grundman

Mixed By – Val Garay

Photography By – Ethan A. Russell*

Piano – Andrew Gold (tracks: A1, A6, B3, B5, B6)

Producer – Peter Asher

Recorded By – Val Garay

Shaker – Peter Asher (tracks: A2, B2)

Steel Guitar – Dan Dugmore (tracks: A5, B2, B3, B4)

Synthesizer – Andrew Gold (tracks: A1, A3)

Tambourine – Peter Asher (tracks: A2, A3)

Notes

Recorded March-June 1976 

Elektra/Asylum Records 

A division of Warner Communications Inc. 

(P) & (C) 1976 Elektra/Asylum Records 

Printed in the USA

CONDITION:

Mint:             The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

NEAR MINT (NM OR M-):

A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect.

NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off centre is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)

NM covers are free of creases, ring wear and seam splits of any kind.

Excellent:                The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. Cover condition acceptable for age.

Very Good:             The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

Good:          The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.

Fair:             The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.

Poor:        The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

Bad:             The record is unplayable or might even be broken, and is only of use as a collection-filler.

                                                 IMPORTANT INFORMATION & Policy

Information relating to the particular version being offered for sale is sourced from http://www.discogs.com/

Condition criteria is contained at the bottom of each listing with the relevant description highlighted in Blue.
Any other relevant notes will be in included in the eBay condition field and in the general listing.

Please note condition can be open to personnel interpretation and many items offered are now over 40 or more years old.

We tend to lean on the side of the conservative in our appraisal regarding condition  in our listings.
We strive to be open and fair in our dealings and if for some reason a buyer is not satisfied with the condition of their purchase we are happy to offer a full "no questions asked" refund.