Liz Phair - Whitechocolatespaceegg 1998 Original US Matador NM Shrink - Nice

$

32

Original 1998 US pressing on Matador Records, still in shrink.  Out of print and hard to find these days.  Bought new and stored upright in a 5 mil heavyweight polypro sleeve in a smoke-free environment.  Played only 2-3 times for digital archiving.  Great copy.   

• NM cover is clean with no markings and no seam splits, still in shrink.  Spine and edges are strong with no wear.  Corners are strong and sharp with no wear.  Very slight bottom right corner ding (photo).  Really nice cover.

• NM inner sleeve is clean with no markings, tears, creases or seam splits.  Corners are sharp and strong with no wear.  Very nice.

• NM vinyl is clean and glossy with very minimal sleeve scuffing on each side.  Very faint.  Played only 2-3 times for digital archiving.  Beautiful copy.

• From discogs:

TracklistHide Credits

A1 White Chocolate Space Egg Engineer – Ed TinleyGuitar, Bass, Drums – Jason ChaskoKeyboards, Programmed By – Randy Wilson (3)Lyrics By, Music By [Melody] – Liz PhairMixed By – Tom Lord-AlgeMusic By – Stoley*, J. Chasko*Producer [Music] – Jason ChaskoProducer [Vocals] – Liz PhairVocals – Liz* 4:35 A2 Big Tall Man Engineer – Blaise BartonGuitar, Bass, Drums, Piano, Backing Vocals – Jason ChaskoLyrics By, Music By [Melody] – Liz PhairMusic By – J. Chasko*Producer – Jason Chasko, Liz PhairVocals, Guitar, Piano – Liz* 3:49 A3 Perfect World Guitar – Nathan DecemberKeyboards, Violin – Scott LittMixed By – Victor JanacuaProducer – Scott LittVocals, Guitar – Liz* 2:15 A4 Johnny Feelgood Guitar – Jason ChaskoGuitar, Bass, Drums, Organ, Performer [Claps], Engineer – Brad WoodGuitar, Performer [Claps], Engineer – Ed TinleyKeyboards, Programmed By, Engineer – John HilerMixed By – Tom Lord-AlgeProducer – Brad WoodVocals, Guitar – Liz* 3:22 A5 Polyester Bride Bass, Drums, Backing Vocals, Engineer – Brad WoodGuitar – Jason ChaskoGuitar, Engineer – Ed TinleyGuitar, Vocals – Liz*Mixed By – Tom Lord-AlgeOrgan, Backing Vocals, Engineer – John HilerProducer – Brad Wood 4:05 A6 Love Is Nothing Bass, Drums, Organ – Scott BennettGuitar, Engineer – Ed TinleyMixed By – Tom Lord-AlgeProducer – Liz Phair 2:16 A7 Baby Got Going Acoustic Guitar, Bass, Harmonica, Drums, Backing Vocals – Scott LittGuitar [Electric] – Nathan DecemberLyrics By, Music By [Melody] – Liz PhairMixed By – Tom Lord-AlgeMusic By – S. Litt*Producer – Scott LittVocals, Guitar – Liz* 2:02 A8 Uncle Alvarez Bass [Acoustic] – LeRoy BachDrums, Keyboards, Engineer – Brad WoodGuitar, Engineer – Ed TinleyMixed By – Tom Lord-AlgePiano, Keyboards, Programmed By [Liquid Grooves' Loops], Engineer – John HilerProducer – Brad WoodVocals, Guitar – Liz* 3:52 B1 Only Son Bass – Tommy FurarEngineer – Chris SaboldGuitar, Drums – Jason ChaskoMixed By – Tom Lord-AlgeProducer – Scott LittVocals, Guitar – Liz* 5:09 B2 Go On Ahead Engineer – Ed TinleyOrgan, Drum Programming [Drum Machine], Engineer – Brad WoodProducer, Mixed By – Brad WoodVocals, Guitar – Liz* 2:53 B3 Headache Drums – Jason ChaskoGuitar – Nathan DecemberKeyboards [Bass Keyboard], Keyboards, Programmed By – Scott LittMixed By – Tom Lord-AlgeProducer – Scott LittVocals, Guitar – Liz* 2:53 B4 Ride Guitar, Drums, Bass – Jason ChaskoKeyboards, Programmed By – Scott LittMixed By – Tom Lord-AlgeProducer – Scott LittVocals, Guitar – Liz* 3:04 B5 What Makes You Happy Bass, Drums, Engineer – Brad WoodGuitar – Jason ChaskoGuitar, Engineer – Ed TinleyGuitar, Keyboards, Engineer – John HilerMixed By – Tom Lord-AlgeProducer – Brad WoodVocals, Guitar – Liz* 3:36 B6 Fantasize Bass – Mike MillsBongos – Bill Berry (2)Engineer – Dave Schiffman*Guitar – Nathan December, Peter Buck, Scott McCaugheyMixed By – Tom Lord-AlgeProducer – Scott LittTechnician [Treatments] – Scott LittVocals, Guitar – Liz* 1:55 B7 Shitloads Of Money Accordion – Troy NiedhartEngineer – Ed TinleyGuitar, Bass, Drums – Scott BennettMixed By – Tom Lord-AlgeProducer – Liz PhairVocals, Guitar – Liz* 3:39 B8 Girls' Room Mixed By – Scott LittProducer – Scott LittVocals, Guitar – Liz* 1:46

Companies etc

• Phonographic Copyright (p) – Matador Records (2)
• Copyright (c) – Matador Records (2)
• Recorded At – Chicago Trax Recording Studio
• Recorded At – Louise's Clubhouse
• Recorded At – Velvet Shirt Studios
• Recorded At – Chicago Recording Company
• Recorded At – Ocean Way Recording
• Mixed At – South Beach Studios
• Mixed At – Louise's Clubhouse
• Mixed At – Velvet Shirt Studios
• Mastered At – Sterling Sound

Credits

• Art Direction – Frank Longo, John Mathias (3), Liz Phair, Mark O
• Engineer [Additional], Technician [Assistance] – Al Sanderson*, Brad Kopplin, Chris Sabold, Dave Schiffman*, Julie Last, Matt Juda, Victor Janacua
• Management [For Mcghee Entertainment] – Scott McGhee
• Mastered By – Ted Jensen
• Photography By – Katrin Thomas
• Songwriter – Liz Phair (tracks: A3 to A6, A8 to B8)

Notes

A1 & A2: Recorded at Chicago Trax. Mixed at South Beach Studios. 
A3 & B8: Recorded and Mixed at Louise's Clubhouse. 
A4 to A6, A8, B5 & B7: Recorded at Velvet Shirt Studios. Mixed at South Beach Studios. 
A7, B3 & B4: Recorded at Louise's Clubhouse. Mixed at South Beach Studios. 
B1: Recorded at Chicago Recording Co. Mixed at South Beach Studios. 
B2: Recorded and Mixed at Velvet Shirt Studios. 
B6: Recorded at Ocean Way. Mixed at South Beach Studios. 

Mastering at Sterling Sound. 

Sony/ATV Tunes LLC and Civil Days Music (ASCAP) 
? © 1998 Matador Records

Barcode and Other Identifiers

• Barcode: 7 44861 01911 4
• Matrix / Runout (Run-out Side A): OLE-191·1-A-RE1 STERLING
• Matrix / Runout (Run-out Side B): OLE-191-1-B STERLING

I am a lifelong vinyl collector (49 years old) and just starting to sell off my very large collection.  Much tender loving care has gone into this collection.  I have digitally archived all my albums.  These are what I listen to, so most of my LPs bought new have had very few spins.  All have been stored upright in 5 mil heavyweight polypro sleeves in a smoke-free environment.  Many more rare and hard to find collectibles to be listed.  Stay tuned!

Grading is visual only and conservative (using Ebay categories):
Mint (I almost never use this grade unless it's sealed) means perfect Near Mint means just shy of perfect Excellent means light wear, or a couple light marks Very Good Plus means more significant wear but nothing serious, or more than a couple light marks and/or a few hairlines Very Good has more serious wear but it's definitely not garbage, has marks and hairlines

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Always shipped securely in proper LP mailer with reinforced cardboard inserts and record outside of jacket to prevent seam splits.
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