Lp BLUE CHEER Outside Inside - Re-Release - Akarma Ak 012 - STILL SEALED
$
28
$ 28
Sold For
Jun 20, 2024
Sold Date
Oct 9, 2021
Start Date
1
Number Of Bids
Germany
Country Of Seller
eBay
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Description
lp BLUE CHEER
Outside Inside
Country of release: Italy, 2018
Originally released: 1968
Label: Akarma
Catalog number: AK 012
Barcode: 8026575012110
Gatefold Cover/Gatefold Sleeve: Yes/ YES
Condition Record: mint
Condition Cover: mint
lp is still sealed / lp IS STILL SEALED !!!
(Photo from my own lp / Photo taken From my own copy)
Track Side 1:
1. Feathers From Your Tree (3:29)2. sun Cycle (4:12)
3. Just A Little Bit (3:24)
4. Gypsy Ball (2:57)
5. Come And Get It (3:13)
Track Side 2:
1. (I Can't Get No) Satisfaction (5:07)
2. The Hunter (4:22)
3. Magnolia Caboose Baby Fingers (1:38)
4. Babylon (4:22)
https://www.youtube.com/watch?v=7ulxKQ2u7AU&list=OLAK5uy_m_TidNsWIAjrvYxBZlIq3dCKGfAQ1geYo
https://www.youtube.com/watch?v=1b4DQcHJMkA
BLUE CHEER's debut album, Vincebus Eruptum, was widely and accurately described as " The loudest record ever made" when it FirstTheband apparently hadThe good senseTo realize thatFOR sheer brutal impact, there was little chance they could top it. So FOR their second lpA mere seven months later), rather than aimFOR something bigger and more decibel intense,BLUE CHEER decidedTo see how much polish they could addTo their formulaWithout blunting The skull-crushing forceof theirLive attack. While Vincebus Eruptum was cut in simple and straightforward form with minimal overdubs, Outsideinside found BLUE CHEER embracing TheofThe recording studio; Leigh Stephens overdubbed multiple guitar partsOn several tunes, whileThe mix sendsHIS leads flying aroundThe ROOM , though aggressive useof panning andThe monstrous, fuzzy growlofHIS tone gets cleaned upOn some tunes (check outThe wah-wah solosOn "Gypsy Ball"), although The results areSTILL as gentle as A chainsaw. The engineering is friendlier To Paul Whaley's drumming; HISSound as much as trash cansOn these sessions, thoughThe crude, phase shiftingOn "JustA Little Bit" remains gloriously amateurish. And if Dickie Peterson's bass SoundsTheSame , hey gotTo spend moreTimeOnHIS vocals here, and HIS blustery howl communicates better thisTime . The opening cut, "Feathers From Your Tree," also added AToThe mix (which is somehow audible throughThe dozensof amps), while "Babylon" is almost funky in its lead-footed approximationof an R&B groove, and "The Hunter" is A broad but playful exercise in sexual swagger that,if nothing else, providedA lyrical concept Kiss could useTo more profitable effect nine years later. But if Outsideinside is cleaner, tighter, and more ambitious than Vincebus Eruptum, it's STILLThe workofTheSameband , andBLUE CHEER Sound every bit as thunderousOn their sophomore effort. if anything, this lp captures ThePsychedelic sideof their musical personality with greater clarity thanThe blunt approachofThe debut; Outsideinside doesn'tSound trippy so much as righteously buzzed, and The speedy roarof thisTheMUSIC is big enough thatThe legend that partsof these were so loud they hadTo beRecorded outside seems not just plausible, but perfectly reasonable. (Mark Deming/allmusic.com)
Leigh Stephens - Guitar
Dick Peterson - bass, vocals
Paul Whaley - drums
Insured shipping within Germany (generally within 24 hours)
No further shipping costs from the second lp !!
ASK FOR COMBINED SHIPPING!!
More info or photos? Please ask
Need more info or photos? Please ask
BLUE CHEER's debut album, Vincebus Eruptum, was widely and accurately described as " The loudest record ever made" when it FirstTheband apparently hadThe good senseTo realize thatFOR sheer brutal impact, there was little chance they could top it. So FOR their second lpA mere seven months later), rather than aimFOR something bigger and more decibel intense,BLUE CHEER decidedTo see how much polish they could addTo their formulaWithout blunting The skull-crushing forceof theirLive attack. While Vincebus Eruptum was cut in simple and straightforward form with minimal overdubs, Outsideinside found BLUE CHEER embracing TheofThe recording studio; Leigh Stephens overdubbed multiple guitar partsOn several tunes, whileThe mix sendsHIS leads flying aroundThe ROOM , though aggressive useof panning and
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