Lp THE DAMNATION OF ADAM BLESSING Second Damnation (re) red vinyl -svart Sre 146
$
33
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Description
lp THE DAMNATION OF ADAM BLESSING
Second damnation
Limited Edition of 200 copies In red vinyl
Country of release: Finland, 2018
Original released: 1970
Label: Svart Records
Catalog number: SRE146
Barcode: 6430065583981
Fold cover / gatefold sleeve: Yes / YES
Includes lyrics sheet
Condition Record: mint (Unplayed)
Condition Cover: mint
Tracks Side 1:
1. No Way (3:17)
2. Death Of A Virgin (3:40)
3. Driver (3:25)
4. Everyone (4:10)
5. Back To The River (5:20)
Tracks Side 2:
1. Money Tree (4:48)
2. Ba-Dup (3:20)
3. New York City Woman (5:54)
4. In The Morning (6:13)
5. Smile (1:27)
Listen At YouTube: https://www.youtube.com/watch?v=iekNCwwBEoo
THE DAMNATION OF ADAM BLESSING's second lp (sometimes attributed in discographies ToA harder rock direction than their 1969 self-titled debut. The result was A more stylistically consistent, yet overall less interesting effort that was closer ToThe defaultof competent, but below-top-of-the-line early Midwestern hard rock bands, lacking someofThe pop influences that were amongThe most interesting attributesof their prior album. It's not totally run-of-the-mill, though, since ADAM BLESSING was OneofThe best singers inThe style, and sinceThe group were more adept at background vocal harmonies than almost any other similar bandsofThe era. " Death Of AToA lesser extent) "Everyone," actuallySound closerToThe likesof Moby Grape and some of Quicksilver's more song-driven material than Midwestern hard rock; this and some other tracks are graced with some particularly exceptional bass playing by Ray Benich. Cuts like "Driver" and "Back To Theof their approach, though, relyingOn pile-driving blues-rockish riffs and pummeling drums, boringly soOnThe overlong "InTheMorning . "(Richie Unterberger / allmusic.com)
ADAM BLESSING - vocals
Ray Benich - bass
Bill Schwark - drums
Bob Kalamasz - Guitar
Jim Quinn- Guitar
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THE DAMNATION OF ADAM BLESSING's second lp (sometimes attributed in discographies ToA harder rock direction than their 1969 self-titled debut. The result was A more stylistically consistent, yet overall less interesting effort that was closer ToThe defaultof competent, but below-top-of-the-line early Midwestern hard rock bands, lacking someofThe pop influences that were amongThe most interesting attributesof their prior album. It's not totally run-of-the-mill, though, since ADAM BLESSING was OneofThe best singers inThe style, and sinceThe group were more adept at background vocal harmonies than almost any other similar bandsofThe era. " Death Of AToA lesser extent) "Everyone," actuallySound closerToThe likesof Moby Grape and some of Quicksilver's more song-driven material than Midwestern h
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