Lp Tomorrow's Gift (2lp) (re) - Long Hair Music Lhc 164 - Sealed
$
44
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Description
2 lp TOMORROW'S GIFT
TOMORROW'S GIFT
Country of release: Germany, 2016
Original released: 1971
Label: Long Hair Music
Catalog number: LHC164
Barcode: 4035177001648
Fold cover / gatefold sleeve: Yes / YES
Includes 4 PAGES insert
Condition Records : mint
Condition Cover: mint
lp is still welded / lp IS STILL SEALED
Photo from my own lp / Photo take From my personal copy
Tracks Side 1:
1. Riddle In A Swamp (8:03)
2. Prayin ' To Satan (5:08)
3. One of The Narrow Minded Thoughts (3:27)
Tracks Side 2:
1. Tenacle Gnag (2:55)
2. The First Seasons After The Destruction (13:01)
Tracks Side 3:
1. How You Want ToLive (7:24)
2. Gray Aurora (1:50)
3. Ants (2:51)
4. Breeds There A Man (3:17)
Tracks Side 4:
1. KING In A Nook (4:25)
2. Sandy Concert (8:06)
3. Enough To Write ATwo (1:58)
4. Second Song (0:27)
Listen At YouTube: https://www.youtube.com/watch?v=jcmabziScYQ
https://www.youtube.com/watch?v=kglHo-N229w
https://www.youtube.com/watch?v=J4Ry7zigFBU
https://www.youtube.com/watch?v=4a1dvh5_dzk
https://www.youtube.com/watch?v=GT6L6jNwCdw
https://www.youtube.com/watch?v=B1BSzxm1LvE
Fantastic Kraut-Prog band FromSound few acts were producing in ealy-70's.The initial steps foundTOMORROW'S GIFT covering tracksFrom tne famous British / American Rock bandsof late-60's and materialFrom The late-69 '/ 70'Can be heard inThe '' Pop & Blues Festival 1970 '' and ''LOVE And Peace '' compilations, but atTheSameTimeThe band was preparingFOR its debut, writing and recording original songs. TOMORROW'S GIFT's self-titled double LP debut was The First AlbumTo be releasedOnThe short-lived yet legendary Plus label in 1970 withA 6-piece line-upof Ellen Meier (vocals), Wolfgang Trescher (flute), Carlo Karges (guitars, percussion), Bernd Kiefer (bass), Gerd Paetzke (drums), Manfred Rürup (keyboards).
These talented Germans Sound like Aband strugglingTo stay calm withThe ordinary Psych / Blues / Hard Rock style, which was pretty popular in 1970, and simultaneously tryingTo pushThe limitsof Rock MUSICToA next level. The album yet contains The basic elements ofThe powerful grooves,The mindblowing guitar solos,The tremendousEnergyofThe rhythm section, The dominant Hammond organ parts andThe sharp riffs, while nextTo thesisYou getA singer whoSoundsA lot like JANIS JOPLIN. But things are actually way more complicated. Along with The basic rockin 'passages Youof driving flutes with both Kraut and symphonic leanings, Classical-inpired keyboard textures (even some lovely clavinet appears inOne track), massive sudden breaks, elaborate and refined interplays and impressive changing tempos. The daring Face ofThe group does not stop here. The longer tracks even contain The fundamental color ofLong , powerful and pounding jams, basedOn furious,Psychedelic grooves with guitars and organ inThe forefront and yet another solid performance byThe tireless rhythm section.
Among The best ever Kraut Rock debuts. A fascinating mix of PsychedelicTo satisfy evenThe most demanding proghead out there. An instant and highly recommended purchase. (apps79 /progarchives.com)
Ellen Meyer - vocals
Wolfgang Trescher - Flute
Carlo Karges - guitar, percussion
Bernd Kiefer - bass guitar
Gerd Paetzke - drums
Manfred Rürup - keyboards
Shipping within Germany (insured with GLS - generally within 24 hours) 6.00 euros
No further shipping costs from the second lp !
More information or photos? Please ask
Need more info or photos? Please ask
These talented Germans Sound like Aband strugglingTo stay calm withThe ordinary Psych / Blues / Hard Rock style, which was pretty popular in 1970, and simultaneously tryingTo pushThe limitsof Rock MUSICToA next level. The album yet contains The basic elements ofThe powerful grooves,The mindblowing guitar solos,The tremendousEnergyofThe rhythm section, The dominant Hammond organ parts andThe sharp riffs, while nextTo thesisYou getA singer whoSoundsA lot like JANIS JOPLIN. But things are actually way more complicated. Along with The basic rockin 'passages Youof driving flutes with both Kraut and symphonic leanings, Classical-inpired keyboard textures (even some lovely clavinet appears inOne track), massive sudden breaks, elaborate and refined interplays and impressive changing tempos. The da
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