M- Original Fifty Foot Hose CAULDRON Limelight Records VTG VINYL LP PSYCH PROG

$

69

This Auction Is For This Original Vintage 1967 Vinyl 33 1/3 LP Record
by Fifty Foot Hose "Cauldron" Limelight Records LS 86062
Grades -- Vinyl Record: M- Label: M- Cover: VG

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This Auction Is For This Original Vintage 1967 Vinyl 33 1/3 LP Record
by Fifty Foot Hose "Cauldron" Limelight Records LS 86062

Grades
Record: M- Very Nice Record, High Gloss

Label: M- Bright & Clean, Shows No Spindle Marks

Cover: VG+ Bright Colors, Shows Rounding or Bumbing at Corners, Shows Signs of Ring Wear, Top and Bottom Show a 2" Cello Tape Repair at gate, Back Cover Upper Left Corner Shows Black Marker Most Likely Blotting Out a Name (?), Botton Seam at Center Does Show Signs of a Split but Record Does Not Come Through, Does Have a Slight Musty Odor

Fifty Foot Hose "Cauldron" 1967 Limelight Records LS 86062

Track List Side 1

1. And After
2. If Not This Time
3. Opus 777
4. The Things That Concern You
5. Opus 11
6. Red The Sign Post
7. For Paula
8. Rose

Track List Side 2
1. Fantasy
2. God Bless The Child
3. Cauldron

Cork Marcheschi - Audio Generators, Echolette, Squeeky Box, Siren, Ringing Oscillator Circuits, Microphone, Thermeman Speaker
David Blossom - Guitar, Electronically Prepaired Guitar, Piano Electronically Prepared, , Thumb Piano
Larry Evans - Guitar, Vocals
Kim Kimsey - Drums, Percussion
Terry Hansley - Electric Bass
Nancy Blossom - Vocals Solos and Vocals

Fifty Foot Hose was one of the most unusual '60s San Francisco psychedelic bands, partly being they are not really that psychedelic. Like a few other acts of the time they were trying to fuse the contemporary sounds of rock with electronic instruments and avant-garde compositional ideas. 68's Cauldron the lone results from the ambitious enterprise, which still remains unknown to all but the hardcore collectors.

picture a female vocalist screaming over a fuzzed out, feedback drenched guitar. Or whispered, spoken words over a repetitive, discordant drone. Or agony filled singing over melodic lead bass lines, syncopated drums and an array of electronic noises including a theramin, oscillator and something called an echolette. Sometimes they sounded like a straightforward garage band with a jazzy feel. Other times they invoked some sort of eerie, hallucinatory movie soundtrack. Above all, though, they rocked as hard as any punk band currently around. They even did a beautiful cover of Billie Holiday's "God Bless The Child."

Although an erratic work, it was intriguing for its mix of jazzy psychedelic rock tunes with electronic sound effects that anticipated future models of synthesizers, but sounded fiercer and more primitive. Marcheschi constructed his own electronic instrument from a combination of elements like theremins, fuzzboxes, a cardboard tube, and a speaker from a World War II aircraft bomber.

Fifty Foot Hose were filled out by guitarist David Blossom and his vocalist wife Nancy, who brought both psychedelic and jazz influences to the band, and a kimsey Evans and Hansley musicians who had played with Marcheschi in other acts. A home demo successfully demonstrated their fusion of electronic effects and songs that were loosely in tune with the San Francisco psychedelic vibe, which led to a deal with Limelight, a subsidiary of Mercury that focused more upon experimental or progressive music than conventional rock and pop outings.

Cauldron was perhaps more interesting for its experimental textures than the sometimes routine compositions -- eerie electronic swoops and jolts swam through the background and foreground of the tracks, enhanced by techniques like putting instruments through an FM transmitter. The jazzier and spookier tunes worked better than the bluesier hard rock items, yet it was an admirably risk-taking effort. But, ultimately, a pretty uncommercial one -- although they got some live work in San Francisco, the album was heard by few at its time of release.

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FOX MUSIC vinyl records album lp cd

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Vinyl Record Care and Maintenance
Cleanliness is absolutely mandatory if the optimum sound capability of the vinyl record is to be realized. A clean record will not only sound better, but last longer. It has been shown that repeated playing of dirty records can cause permanent damage to the vinyl. Preservation of valuable or irreplaceable records requires careful cleaning. Further more, stylus wear is greatly accelerated by playing dirty records, and with cartridges costing what they do these days, playing soiled records can lead to significant and unneeded expense.

Vinyl Records, What is a Vinyl Record??
Vinyl records were introduced and marketed as the unbreakable record, unlike its shellac counterpart of days gone by, that would break at the drop of a hat and becomes more brittle over time. Vinyl records are made from polyvinyl chloride (PVC) which has been proven to be a most stable material for sound recording. As a practical matter, vinyl records provide excellent sound quality when treated with care.Vinyl Records were the music source of choice for radio stations for decades, and the switch to digital music libraries by radio stations has not produced a noticeable improvement in sound quality..., as a note most radio stations severely reduce the dynamic range of their broadcasts and the allowed frequency bandwidth for a radio station is less than the bandwidth on a well-made record. Casual ears cannot detect a difference in quality between a CD and a clean new LP.

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Storing Your Collectible Vinyl Records

Store your collectible vinyl records in our "poly sleeves" and protect them from dust, dirt, finger oils, and other airborne pollutants. Our polyethylene bags hold size and thickness tolerances and have passed the Photo Activity Test certifying that they are safe for long term storage.

Using a poly sleeve on the outer record cover keeps dust off the records and also protects
the graphics of your lps album cover or 7" picture sleeves. The artwork and the graphics that
cover your vinyl records are often just as valuable, if not more valuable than the records themselves.

Our polyethylene outer record sleeves are archival and will not cause
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Sleeves used for storing audio records should not have any plasticizers, additives or PVC in them.
All the materials have been lab and time tested for their superior storage qualities.

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Unless noted, every record is an original issue for the label and catalog number given. Here is a brief explanation of our grading system, followed by an overview of abbreviations you may encounter for cover and or label.

• SS Still Sealed - in factory-fresh condition
• M Mint - I don't use this grade.
• M- Mint Minus - a near perfect, probably unplayed record
• VG+ Very Good Plus close to like new with only superficial signs of use that don't affect play. Only well cared for records will grade out to VG+. Will satisfy all but the most demanding collector.

• VG Very Good - a used, reasonable copy. There will be obvious signs of wear and the possibility of light surface noise between tracks or during quiet passages, but still quite nice.
• VG- Very Good Minus - significant wear and marks and usually quite noticeable surface noise.
• G+ Good Plus. In the record world, 'Good' is not good! From here on down (Fair, Poor), we're talking about beat-up records.

• co = drill hole in label or jacket (or saw mark/cut corner on cover)
• cw = cover wear
• dj = promotional issue 45
• djt = dj timing strip (12" x 4" white sticker on cover detailing titles and playing time)
• es = electric stereo (the record industry's attempt at giving stereo-like sound characteristics to mono recordings)
• lbl = label
• ps = picture sleeve (for 45's)
• pc = picture cover (hard cover usually 45rpm Eps)
• re = reissue

• sl = slight
• sm= small
• tobc = tag on back cover
• tol = tag on label
• wlp = white label promo
• woc = writing on cover
• wol = writing on label
• #ol = number on label
• oc = on cover
• obc = on back cover
• promo stamp = usually gold embossed notice on jacket indicating that item intended for promotional use
• split seams, 4" split, 8" taped seam, etc... = all refer to cover damage

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