MAD MAX BEYOND THUNDERDOME Film Score OST LP (+Poster) Maurice Jarre Tina Turner

	£		30
	$		40

British issue of the film soundtrack to 'Mad Max Beyond Thunderdome' (1985). The score was composed and conducted by Maurice Jarre and the songs performed by Tina Turner. This is the gatefold release with poster.

Maurice Jarre / Tina Turner ?– Mad Max Beyond Thunderdome (Original Motion Picture Soundtrack) (1985)
Special Deluxe Package issued in a gatefold sleeve with folded colour poster.

Condition (refer also to notes at bottom):
Vinyl – VG-EX. A wonderfully clean surface with just a few scuffs on side A and one hairline on side B. No other obvious scuffs or marks. Played just pre-listing and sound quality is great. No skipping, jumping or sticking.
Outer sleeve (cover) – VG. Front is clean and unmarked. A few things like creases in from the spine edge. Corners are lightly nicked and dented. Spine is creased with damage at the top and bottom and some dropout in the centre. Aperture is clean and unworn. Rear outer gate shows only light scuffs and lower corners are dented and worn. Top edge has a 3cm split in centre. Aperture show somewhere with a few nicks along the edge. Inner gate is clean with no obvious marks. Just a few nicks in the right corners.
Inner sleeve – EX. Original. Off-white paper with rounded corners. No folding or creasing.
Poster – EX. Clean with no tears creases or folds. Superb.


Label: Capitol Records EJ 24 0380 1
Format: Vinyl, LP, Album, Gatefold, Poster
Country: UK
Released: 1985
Genre: Rock, Stage & Screen, Electronic, Pop, Easy Listening
Style: Soundtrack, Acoustic, Score, Pop Rock, Instrumental


Track listing:
A1. Tina Turner – We Don't Need Another Hero (Thunderdome)   6:07
A2. Tina Turner – One Of The Living   5:48
A3. Tina Turner – We Don't Need Another Hero (Thunderdome) (Instrumental)   6:30

B1. Maurice Jarre – Bartertown   8:28
B2. Maurice Jarre – The Children   2:11
B3. Maurice Jarre – Coming Home   15:10

Manufactured By – Capitol Records, Inc.
Phonographic Copyright (p) – Capitol Records, Inc.
Copyright (c) – Capitol Records, Inc.
Pressed By – Capitol Records Pressing Plant, Jacksonville
Recorded At – CTS Studios
Mastered At – Precision Mastering

Concertmaster – Barry Griffith (tracks: B1 to B3)
Didgeridoo – Charles MacMahon (tracks: B1 to B3)
Management – Roger Davies Management (tracks: B1 to B3)
Mastered By – SM
Ondes Martenot – Cynthia Millar (tracks: B1 to B3), Dominique Kim (tracks: B1 to B3), Jeanne Loriod (tracks: B1 to B3)
Orchestra – The Royal Philharmonic Orchestra (tracks: B1 to B3)
Other [Assistant To Maurice Jarre] – Christopher Palmer (tracks: B1 to B3)
Producer, Conductor – Maurice Jarre (tracks: B1 to B3)
Recorded By – Dick Lewzey (tracks: B1 to B3)
Recorded By [Assistant] – Tim Pennington (tracks: B1 to B3)


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Postage and packaging FREE to UK.

Will post worldwide.
Europe (Royal Mail International Standard) – £7.
Europe (Royal Mail International Tracked and Signed) – £12
N and S America, USA, Canada (Royal Mail International Standard) – £9.50
Asia, Australia, Japan (Royal Mail International Standard) – £11.50

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Please see my other soundtrack listings.

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ITEM CONDITION - items are graded according to Record Collector definitions - see below:

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.