MARION WILLIAMS, Standing Here Wondering Which Way WHITE LABEL PROMO USA EXC- LP
  $   22

 


$ 22 Sold For
Mar 29, 2018 Sold Date
Mar 5, 2018 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

  Marion Williams ?– Standing Here Wondering Which Way To Go Label: Atlantic ?– SD 8289 Format: Vinyl, LP, Album, Promo  Country: US Released: 1971 Genre: Funk / Soul Style: Gospel, Soul TracklistHide Credits A1 He Ain't Heavy, He's My Brother Written-By – Bobby Russell*, Bobby Scott 4:52 A2 Standing Here Wondering Which Way To Go Written-By – Thomas A. Dorsey 3:26 A3 Turn! Turn! Turn! Written-By – Pete Seeger 2:40 A4 This Generation Shall Not Pass Written-By – Dallas Frazier 3:24 A5 My Sweet Lord Written-By – George Harrison 4:00 B1 Heaven Help Us All Written-By – Ronald Miller 3:24 B2 Make Peace With Yourself Written-By – John Murtaugh, Spencer Michlin 2:43 B3 Wicked Messenger Written-By – Bob Dylan 3:50 B4 Put Your Hand In The Hand Written-By – Gene McClellan* 5:00 B5 Danger Zone Written-By – Percy Mayfield 3:05 B6 Hare Krishna Arranged By – Marion Williams 2:45 Credits Backing Vocals – The Dixie Hummingbirds Bass – Andrew White, Jerry Jemmot* Drums – Bernard Purdie Guitar – David Spinozza Organ – Paul Griffin Piano – Hank Jones, Joe Zawinul, Keith Jarrett, Ray Bryant Producer – Joel Dorn, Roberta Flack Vocals – Marion Williams  

USA WHITE LABEL PROMO PRESSING VINYL ALBUM WITH ORIGINAL WHITE INNER SLEEVE.

SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR. PROMO STICKER.   INNER SLEEVE HAS MIDDLE SEAM SPLITS.

DISC[S]: EXCELLENT MINUS. NO SCRATCHES, JUST A FEW LIGHT HAIRLINES. CLEAN LABELS BUT A FEW FINGERPRINT SPOTS.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.

On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.  



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