MARLENE DIETRICH 1933 Paris Johnny Peter Mein Blondes Baby/ ALLEIN in einer G78

$

25

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This is my FIRST WEEK of 2 weeks of great auctions –– I can hold your records and bill you after the close of the second week on Nov 11..

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International shipping: approx postage 1x10"=$25: 1x12"=$35: 10"Album 4 Rec=50$: 12" Album 2 Rec=50$
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Marlene Dietrich in her famous 1933 Paris recording session with Peter Kreuder and his Orch

"Mein Blondes Baby" w Kreuder at the Piano is a joyful song dedicated to her daughter Maria Elisabeth

Allein in einer Grossen Stadt w the Kreuder Orchestra is a dark song about loneliness and sexual desire in the anonymous city

And Marlene singing very graphic torch songs. (Hear Marlenes rapture over JONNY !!!) I looked them up once, and they were recorded in Germany before Marlene went to Hollywood

Jonny:

Let me narrate some of the lyrics:

"Jonny, when its your birthday,

I will stay with you all night.

Jonny, I dream so much about you

will you come to me

in the afternoon at 3 thirty three.

Jonny, when your strong arms embrace me

Jonny, Jonny ..."

What then follows is her exstactic rapture, supported by a very suggestive sax. Other than May West's sounds in "I like the man who takes it slow" ,

there is nothing comparable on the record.

Peter is about wrongfully dumping a pet-boyfried:

How could I do the idiocy to dump my good Peter, who never did me any wrong?

When I said: "Peter I was unfaithful" Peter said:"I am happy if you enjoyed it."

When I called him at night loud and raw on the telephone:"Peter I have no cigarettes!" "Don't worry, Schatz, I'll bring them right on". 

But I strayed to other men, said Adieu to Peterchen, who never did me anywrong.

Peeter, Peeter, please come back to me. You were my best piece.

Peeter, Peeter, I was so mean to you,  once I realized what I lost".

3x10" 78 Rpm records issued in US by VOX Records w original album and notes

Condition: EXCELLENT  minus rare scuffs Plays very quiet rare spots of fuzzy distortion. Album solid, edges rubbed.

Kreuder was an assistant to Friedrich
Hollaender at the end of the twenties; he may
be the piano player in the screen test for ”The
Blue Angel” as it is surely not Friedrich
Hollaender.
Kreuder did compose a lot of filmmusic in the
thirties for german film comedies. As he was
not in danger he felt no need to emigrate;
however he went to Hollywood for some time in
the early thirties but came back disappointed.
Peter Kreuder stayed in contact with Marlene at
least till 1937 when he was in Paris to record
songs with her. Herbert Grenzebach of
Telefunken records, who previously
supervised the recordings of “Jonny” and
“Peter” at Ultraphon 1931, tried to re-establish
the contact to Marlene in 1936. In a letter dated
May 4th 1936 he proposed to record songs for
Telefunken with Peter Kreuder. It is interesting
to note that he writes: “If you should not come
Allein in einer großen Stadt (1933: 01) and
Mein blondes Baby (1933:07) were published
on Polydor 530 001; but what was the flip side
of Ja so bin ich (1933: 02)? Was it Wo ist der
Mann (1933: 03)?
Assez (1933 : 04) and Moi je m‘ennui
(1933 :06) came out again on Polydor.

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