MARS BONFIRE, Faster Than The Speed Of Life PROMO USA Exc- LP FREE SHIPPING
  $   30

 


$ 30 Sold For
Sep 30, 2025 Sold Date
Sep 28, 2025 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

Mars Bonfire – Faster Than The Speed Of Life  Label: Columbia – CS 9834 Format: Vinyl, LP, Album Country: US Released: 1969 Genre: Rock, Blues Style: Acid Rock A1 Faster Than The Speed Of Life A2 Born To Be Wild A3 Sad Eyes A4 Lady Moon Walker A5 Tenderness A6 She B1 Ride With Me,Baby B2 How Much Older Will We Grow B3 So Alive With Love B4 In Christina's Arms B5 Night Time's For You Mastered At – Customatrix Pressed By – Columbia Records Pressing Plant, Pitman Liner Notes – Bil Keane Producer – Ted Glasser Written-By – M. Bonfire*, M. Cavett* (tracks: B5)

USA FIRST PRESSING VINYL ALBUM WITH ORIGINAL INNER SLEEVE.

SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR. PROMO TIMING STRIP.   INNER SLEEVE VERY GOOD+ WITH NO SEAM SPLITS.

DISC: EXCELLENT MINUS. NO SCRATCHES, JUST A FEW LIGHT HAIRLINES. CLEAN LABELS.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are clearer, the music tends to sound more ‘alive’ and vibrant and you 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.


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