MASSIVE ATTACK 'BLUE LINES' WBRLP 1 WILD BUNCH RECORDS 1991 UK STEREO ISSUE

	£		33
	$		43

Massive Attack ?

Blue Lines

Tracklist 

• Recorded At –
  
•  Coach House Studios
•  Eastcote Studios
•  Cherry Bear Studios
•   Abbey Road Studios
•  Hot Nights
• Mixed At – 
• Matrix Studios
•  Konk Studios
•  Roundhouse Studios
•  Coach House Studios

Credits

• Arranged By [Additional Arrangement] – Neneh Cherry (tracks: B4)
• Arranged By [Strings Arranged & Conducted By],  – Wil Malone (tracks: B1)
• Artwork, Design – 3d-del Naja*, Michael-Nash*
• Backing Vocals – Mikey General (tracks: B4)
• Bass Guitar – Paul Johnson (11) (tracks: A3)
• Engineer – Kevin Petri* (tracks: A3, A5)
• Engineer [Mix Eng]
  
• Chuck New* (tracks: A2, B3), 
• Jeremy Allom (tracks: A1, A3, A4, A5, B1, B2, B4)
• Engineer [Strings Eng] – Hayden  (tracks: B1)
• Executive-Producer – Booga Bear
• Leader – Gavin Wright* (tracks: B1)
• Management – The Cherry Bear Organisation
• Mixed By – Johnny Dollar*, Massive Attack
• Other [Blame] – Judy
• Photography By [Back Cover] – Jean Baptiste-Mondino*
• Photography By [Single Faces] – Eddie Monsoon
• Producer – Johnny Dollar*, Massive Attack
• Written-By –
•  A. Thaws* (tracks: A3, A5, B2), A. Vowles* (tracks: A1 to A3, A5 to B4), 
• W. Cobham* (tracks: A1), C.J. Williams* (tracks: A2, A5), F.E. Simon* (tracks: B3), 
• G. Marshall* (tracks: A1 to A3, A5 to B4), G. Redmond* (tracks: B3),
  
•  H. Andy* (tracks: A2, B4), J. Simon* (tracks: B3), J. Sharp* (tracks: B1, B3),
  
•  L. Brownlee* (tracks: B3), N. Cherry* (tracks: B4), R. Del Naja* (tracks: A1 to A3, A5 to B4),
•  S. Nelson* (tracks: B1, B3), W. Badarou* (tracks: B2), W. de Vaughn* (tracks: A4)

Notes

• Barcode (Text, Front Under Sticker): 5 012983 111111
• Matrix (Label: A-Side): WBRLP 1-A
• Matrix (Label: B-Side): WBRLP 1-B
• Matrix (Runout: A-Side): WBR LP 1 A-1J-1-2
• Matrix (Runout: B-Side): WBR LP 1 B-1U-1-1-3

PLEASE BE AWARE THAT MOST OF THE
RECORDS ON SALE HAVE NOT BEEN PLAY-GRADED
IF THEY HAVE, ANY OBSERVATIONS WILL
 BE MENTIONED IN THE LISTINGS

Condition:
***please see end of listing
    for grading system definitions
          before ordering***

Cover:- EXCELLENT

MATT FRONT AND GLOSSY BACK, SINGLE SLEEVE (SEE PHOTOS)

Vinyl:- VERY GOOD +

Noticeable light surface marks and light scratches.

Labels:- EXCELLENT

Insert:-

Comes complete with custom card

inner sleeve with credits

(see photos)

 
WE WANT YOU TO BE HAPPY
 WITH YOUR PURCHASE
IF, FOR WHATEVER REASON, YOU ARE NOT HAPPY WITH THE RECORD
 (EVEN IF YOU DECIDE YOU DON'T LIKE THE MUSIC!)
PLEASE CONTACT ME TO RETURN THE RECORD
 FOR A FULL REFUND PLUS RETURN POSTAGE.
**THE RETURN ADDRESS IS ALWAYS ON THE BACK OF THE PACKAGING**



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Please note that my sales will be posted recorded and must be signed for on arrival.
The cost of this is the current Royal Mail charges whether Domestic or International


SIGNED FOR POSTAGE + PACKING IS OFFERED ON THIS ITEM
PRICES AS FOLLOWS:-

U.K. £4.50  E.U. / UKRAINE £11.50  REST OF THE WORLD** £15.50
**INCLUDES:-
 AUSTRALIA - BRAZIL - CANADA - JAPAN - KOREA - NEW ZEALAND - USA

please note that
***GENEROUS COMBINED POSTAGE WILL BE OFFERED
FOR MULTIPLE ORDERS***

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All items will be posted in custom made mailers in plastic sleeves and using two card liners.

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PLEASE NOTE THAT THE PHOTOGRAPHS DISPLAYED
ARE OF THE ACTUAL ITEM LISTED FOR SALE ABOVE
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My records are described according to The Record Collector's grading system.

This was originated by The Record Collector to assist people buying or selling records.

Their seven standard condition categories and a description of what each one means are given below.

I hope you find this helpful.

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT: The records shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

POOR: The record will not play properly due to scratches, bad surface noise etc. The cover and contents will be badly damaged or partly missing.

Bad: The record is unplayable or might even be broken and is only of use as a collection-filler.