MENDELSSOHN Scotch Symphony, PETER MAAG, London S.O. LP NM/NM London Blue Back
  $   46

 


$ 46 Sold For
Jun 10, 2018 Sold Date
May 30, 2018 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

Mendelssohn*, London Symphony*, Peter Maag ?– "Scotch" Symphony / The Hebrides Overture

Label:

London Records ?– CS 6191, London Records ?– CS.6191

Format:

Vinyl, LP, Stereo 

Country:

US

Released:

Dec 1960

Genre:

Classical

Style:

Romantic

Tracklist

A1 Overture "The Hebrides" (Fingal's Cave) Op. 26

Symphony No. 3 In A Minor, "The Scotch" Op. 56

A2 Introduction And Allegro Agitato

B.a Scherzo Assai Vivace

B.b Adagio Cantabile

B.c Allegro Guerriero And Finale Maestoso

Companies, etc.

Recorded At – Kingsway Hall

Mastered At – Decca Studios

Record Company – The Decca Record Company Limited

Credits

Composed By – Mendelssohn*

Conductor – Peter Maag

Engineer [Uncredited] – Kenneth Wilkinson

Mastered By – E (24)

Orchestra – London Symphony Orchestra*

Painting [Cover] – Eduard Magnus

Producer [Uncredited] – Ray Minshull

Sleeve Notes – Scott Goddard (2)

Notes

Red/silver 'grooved' wideband label


Pale blue back cover, aka 'blueback'


(On labels:) "Full Frequency Stereophonic Sound" in a wide silver band

(On labels:) ffss logo at 12 o' clock

(On labels:) "Made in England" at bottom 

(On back cover:) Printed in U.S.A.

(On back cover:) Boxed "RIAA Curve"

(On front cover:) Panoramic "Stereophonic" logo


First cat# on sleeve; second cat# on labels


Recorded 21-22 April 1960

Barcode and Other Identifiers

Matrix / Runout (Runout side 1, stamped): ZAL-4811-1E

Matrix / Runout (Runout side 2, stamped): ZAL-4812-1E

Matrix / Runout (Matrix on label, side 1): ZAL.4811 [Printed upside down]

Matrix / Runout (Matrix on label, side 2): ZAL.4812 [Printed upside down]


GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.


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