MFSL Alexis Korner Sealed Mobile Fidelity Original Master Recording Audiophile
$
50
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Description
MFSMFSL-1-075 - In The Court Of The Crimson King - KMFSL King Crimson Sealed Mobile Fidelity Original Master Recording Audiophiling Crimson [1982] L-1-075 - In The Court Of
MOBILE FIDELITY SOUND LAB
ORIGINAL MASTER RECORDINGS
These LP’s are one of the most sought after collectors items ever produced. They paid homage to a wide variety of music and did it with style. To own one of these LP’s is to hold a true masterpiece of reproduction.
ARTIST: Alexis Korner's Blues Incorporated
TITLE: R & B from the Marquee
LABEL: Mobile Fidelity Sound Lab
VINYL: Sealed
SLEEVE: NM
STILL SEALED quality recording – LIMITED
EDITION RELEASE MFSL 1-265
The Mobile Fidelity titles are becoming more
difficult to obtain, so take the opportunity
to add this one to your collection.
LIMITED EDITION
#0922
IN ORDER TO SUPPORT MY BEATLES HABIT IT IS TIME TO LIST SOME OF THE DUPLICATES IN MY COLLECTION.
NO TEARS, CUTS OR SPLITS TO THE GATEFOLD SLEEVE. THE OUTER THICK POLY BAG IS SEALED AND THE PERFORATIONS ARE STILL FULLY INTACT. ONE SMALL PUSHE AT THE BOTTOM RIGHT CORNER.
A STILL SEALED QUALITY MOBILE FIDELITY VINYL THAT WOULD BE A GREAT ADDITION TO YOUR COLLECTION. THIS IS A GOOD LOOKING COPY!
RECORD WILL BE SECURELY PACKAGED FOR SHIPPING.
R&B from the Marquee was an album by Alexis Korner's Blues Incorporated released in November 1962 on Decca Records. Blues Incorporated was a British R&B band in the early 1960s, which was led by Alexis Korner and featured various musicians. Although never very successful commercially, it was extremely influential on the development of British rock music in the 1960s and later.
Alexis Andrew Nicholas Koerner was born in Paris to an Austrian Jewish father and a half-Turkish half-Greek mother, and spent his childhood in France, Switzerland and North Africa. He arrived in London in 1940 at the start of World War II. One memory of his youth was listening to a record by black pianist Jimmy Yancey during a German air raid. Korner said, "From then on all I wanted to do was play the blues."
After the war, he played piano and guitar (his first guitar was built by friend and author Sydney Hopkins, who wrote Mister God, This Is Anna), and in 1949 joined Chris Barber's Jazz Band where he met blues harmonica player Cyril Davies. They started playing together as a duo, formed the influential London Blues and Barrelhouse Club in 1955, and made their first record together in 1957. Korner made his first official record on Decca Records DFE 6286 in the company of Ken Colyer's Skiffle Group. His talent extended to playing mandolin on one of the tracks of this rare British EP, recorded in London on 28 July 1955. Korner brought many American blues artists, previously unknown in Britain, to perform.
TRACK LISTING
"Gotta Move"
"Rain is Such a Lonesome Sound"
"I Got My Brand On You"
"Spooky But Nice"
"Keep Your Hands Off"
"I Wanna Put a Tiger in Your Tank"
"I Got My Mojo Working"
"Finkle's Cafe"
"Hoochie Coochie"
"Down Town"
"How Long, How Long Blues"
"I Thought I Heard That Train Whistle Blow"
PLEASE SEE MY OTHER AUCTIONS FOR
ADDITIONAL QUALITY RECORDINGS.
ALL BIDS WILL BE CANCELLED BY THOSE WHO HAVE THEIR FEEDBACK LISTED AS PRIVATE.
PLEASE SUBMIT ALL QUESTIONS AT LEAST 24 HOURS
PRIOR TO THE END OF THE AUCTION
GRADING
Record conditions are determined using the tried and true "Goldmine" grading scale found in Tim Neely's Goldmine Record Album Price Guide. For your reference the grades are reprinted here:
Mint (M): Absolutely perfect in every way - certainly never played, possibly even still sealed. Should be used sparingly as a grade, if at all.
Near Mint (NM or M-): A nearly perfect record. Many dealers won't give a grade higher than this, implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. An LP jacket should have no creases, folds, seam splits or any other noticable similar defect. No cut-out holes, either. And of course, the same should be true of any other inserts, such as posters, lyric sleeves and the like. Basically, an LP in Near Mint condition looks as if you just got it home from a retail store and removed the shrink wrap. Near Mint is the highest price listed in all Goldmine price guides. Anything that exceeds this grade, in the opinion of both buyer and seller, is worth significantly more than the highest Goldmine book value.
Very Good Plus (VG+): Generally worth 50 percent of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that don't affect the sound are OK. The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. LP inner sleeves will have some slight ring wear, lightly turned-up corners, or a slight seam split. An LP jacket may also have slight signs of wear and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable. A synonym used by some collectors and dealers for "Very Good Plus" is "Excellent."
Very Good (VG): Generally worth 25 percent of the Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a Very Good disc. Surface noise will be evident on playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However it will not have all of these problems at the same time, only two or three of them.
Good (G), Good Plus (G+): Generally worth 10-15 percent of the Near Mint value. Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white). A jacket or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object.
As no two individuals will grade the same record the same way, I put an honest effort on all grading. As grading is an approximation, please view and consider each selection carefully. Realize that vinyl listed as used is so and verify the grading it is given before placing a bid. All grades given are visual unless otherwise noted as I do try to play grade the record if time permits.
If the record is STILL SEALED then I have no way of verifying the condition of the disc itself and can not guarantee its playability other than noting it is in a sealed state.
SHIPPING & INSURANCE
USA BIDDERS ONLY
Item will be shipped to winning
bidders address only.
NO EXCEPTIONS!
**PayPal Payment Only**
**Winning bidder must submit
Payment within 7 DAYS of the sale
NO EXCEPTIONS
IF THE ABOVE TERMS ARE NOT ACCEPTABLE
IN ANY WAY, PLEASE REFRAIN FROM BIDDING.
I am selling off some of my I
price rating