MILES DAVIS SORCERER N/M ORIG 1967 COLUMBIA MONO LP 1A

$

112

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·       MILES DAVIS - SORCERER - ORIGINAL 1967 COLUMBIA MONO LP CL-2732

·       ORIGINAL US PRESSING

·       VERY RARE MONO PRESSING, MANY TIMES RARER THAN STEREO

·       ORIGINAL RED AND WHITE “360 SOUND”  COLUMBIA MONO LABEL

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/-1A'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Sorcerer, the third album by the second Miles Davis Quintet, is in a sense a transitional album, a quiet, subdued affair that rarely blows hot, choosing to explore cerebral tonal colorings. Even when the tempo picks up, as it does on the title track, there's little of the dense, manic energy on Miles Smiles -- this is about subtle shadings, even when the compositions are as memorable as Tony Williams' "Pee Wee" or Herbie Hancock's "Sorcerer." As such, it's a little elusive, since it represents the deepening of the band's music as they choose to explore different territory. The emphasis is as much on complex, interweaving chords and a coolly relaxed sound as it is on sheer improvisation, though each member tears off thoroughly compelling solos. Still, the individual flights aren't placed at the forefront the way they were on the two predecessors -- it all merges together, pointing toward the dense soundscapes of Miles' later '60s work. It's such a layered, intriguing work that the final cut, recorded in 1962 with Bob Dorough on vocals, is an utterly jarring, inappropriate way to end the record, even if it's intended as a tribute to Miles' then-wife, Cicely Tyson (whose image graces the cover).

 (EXCERPT FROM AN ONLINE REVIEW BY STEPHEN THOMAS ERLEWINE, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

MILES NEEDS NO INTRODUCTION. IF YOU ARE INTO ABSOLUTE BEAUTY OF ABSOLUTE SOUND, THIS CLASSIC "QUINTET" 1967 ALBUM IS FOR YOU. ON THIS ONE, MILES IS BACKED BY THE TIGHT COMBO COMPRISING OF SOME OF THE MOST COMPETENT, CREATIVE MUSICIANS EVER ASSEMBLED IN ONE PLACE (WAYNE SHORTER, TENOR; HERBIE HANCOCK, PIANO; RON CARTER, BASS AND TONY WILLIAMS, DRUMS). ON THIS ALBUM, MILES INITIATES CHANGES IN TRADITIONAL, MORE FORMAL MUSICAL STRUCTURES WHICH WOULD CULMINATE IN A FREE-FORM SPACE FUNK JAZZ FUSION OF 'BITCHES BREW' SOME TWO YEARS LATER. A MOVE TO GREATER GROUP IMPROVISATION, SHIFTING TIME SIGNATURES AND INCREASED CHROMATICISM IS PALPABLE. MISS IT NOW AND WEEP LATER! TRACK LISTING: Prince of Darkness - Pee Wee - Masqualero - The Sorcerer - Limbo - Vonetta - Nothing like you. …

For additional historical or discography information on this album, including track listing ►click here

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THIS IS A NO-RESERVE AUCTION!

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)            The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Mono pressing of this title is much rarer, and by far more  preferable to its stereo counterpart. We think that the mix is more natural, humane, "organic" and that the mixes are somewhat different than on the stereo version. We estimate that stereo copies of this album outnumber mono pressings by a ratio of at least 10:1.

(d)          The record is STILL in its original inner, perforated plastic baggy, which has - apparently with success - shielded the record from the harmful impact of elements over many years!

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS ABOUT VERY GOOD (VG).

The following flaws or imperfections are noted on the cover:

-        Cover has all three seams (top, bottom and spine) partially split,  as follows:

-        Top seam: between 4 and 6 inches  / 10 to 15 centimeters.

-        Bottom seam: between 4 and 6 inches  / 10 to 15 centimeters.

-        Spine: between 1 and 2 inches  / 2.5 to 5 centimeters.

-         Cover has some visible fraying/tattering on all three seams

-        Cover has a visible "wrinkle"(crease)  in one of the corners.

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-         The cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows some light yellowing on back side, apparently from aging.

-         Cover has all four corners slightly worn / dinged / bent.

-         The cover has a few tiny scratch marks on the back side (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No stamps

-        No peel-off marks

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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