MILES DAVIS Someday My Prince Will Come COLUMBIA 6-eyes

$

105

MILES DAVIS

~Someday My Prince Will Come~

COLUMBIA~6-eyes~STEREO

CS8456~NM-/NM-

Up for your Consideration is this Used 33-1/3 LP Jazz  Album by “MILES DAVIS” Titled “Someday My Prince Will Come”  …Originally released in 1961 on COLUMBIA Record Label --with a product number of CS8456  …on STEREO Pressing ...LP Vinyl Condition: NM-… Album is in excellent condition and shows only A FEW TINY visible SLEEVE MARKS , NO signs of wear or damage that will affect sound quality …The original luster is intact, and the vinyl shines and sparkles almost like new…Plain Paper Sleeve...Labels Condition: NM- …has the COLUMBIA 6-Eyed Stereo on Red & Black Label …reads: “STEREO ßCBS àFIDELITY” (in white on black back ground (with 6 black squares, with 6 white eyes… 3 on each side of label)”…(in white print at the bottom) Reads: “COLUMBIA-MARCAS REG. PRINTED IN U.S.A.” ….. Album Cover Condition: NM- … Very little Shelf ware …Front Reads: “ßSTEREOà” “COLUMBIA RECORDS”…Back is nice has a little shelf ware but clean …Reads; ”THIS COLUMBIA STEREOßà FIDELITY RECORDING IS DESIGNED FOR USE ON 33-1/3 RPM STEREOPHONIC REPRODUCERS” at bottom reads; ''COLUMBIA- MARCAS REG. PRINTED IN U.S.A.”  …Over all based on the Album Cover and the Vinyl this 33-1/3 Album is in NM-/NM-  Condition … I have listed a rating chart below... I inspect everything under bright spot light and state what I see... Please look at all of the pictures since they are a part of the description also... and please look at my feedback it speaks for it's self…All of my LP’s come with a clear plastic protective sleeve and are mailed with the Vinyl outside the Sleeve in a new standard size heavy Album Mailing Box that holds up to 3-4 Albums…I love to combine to save you money on shipping… thank you for looking and good luck on your bidding…”IN GOD WE TRUST…<><

Record has been visually graded

M:

RECORD: Never Played Sealed Record

COVER:   Never Opened

NM-:

RECORD: Album is in excellent condition and shows no visible signs of wear or damage that will affect sound quality.

COVER:   Very little if any ware

VG++

RECORD: Some signs of being played the vinyl may have light visual marks NO scratches, There could be slight surface sound

COVER:   Slight wear, very faint record or label ring very minor shelf ware the cover may have minor seam splitting

VG+:

RECORD: Obviously been played with noticeable surface marks & the occasional light scratch but record should play without skipping or repeating.

COVER:   Noticeable shelf wear, small tear in seams, possible writing, stains, label or record ring.

VG and below: Let’s be honest: sound quality is low and the cover may be in very poor shape.

I only sell albums rated VG+ and above unless a record is so rare that its presence in the collection transcends

The poor quality of the vinyl or cover, plus: In my terminology Scratches are feeler type and marks or scuffs are just cosmetic and inaudible.

+ (PLUS) / - (MINUS): Slightly up or down in condition as appears in the comments above

Song List 

  1  Someday My Prince Will Come Churchill, Morey 9:06

  2  Old Folks Hill, Robison 5:17

  3  Pfrancing Davis 8:33

  4  Drad Dog Davis 4:51

  5  Teo Davis 9:35

  6  I Thought About You Mercer, Vanheusen 4:55

  7  Blues No. 2 Davis 7:08

  8  Someday My Prince Will Come Churchill, Morey 5:34

Personnel

Paul Chambers Bass

Jimmy Cobb Drums

John Coltrane Sax (Tenor)

Miles Davis Composer, Trumpet

Philly Joe Jones Drums

Wynton Kelly Piano

Hank Mobley Sax (Tenor)

 HISTORY

After both John Coltrane and Cannonball Adderley left Miles Davis' quintet, he was caught in the web of seeking suitable replacements. It was a period of trial and error for him that nonetheless yielded some legendary recordings (Sketches of Spain, for one). One of those is Someday My Prince Will Come. The lineup is Davis, pianist Wynton Kelly, bassist Paul Chambers, and alternating drummers Jimmy Cobb and Philly Jo Jones. The saxophonist was Hank Mobley on all but two tracks. John Coltrane returns for the title track and "Teo." The set opens with the title, a lilting waltz that nonetheless gets an original treatment here, despite having been recorded by Dave Brubeck. Kelly is in keen form, playing a bit sprightlier than the tempo would allow, and slips flourishes in the high register inside the melody for an "elfin" feel. Davis waxes light and lyrical with his Harmon mute, playing glissando throughout. Mobley plays a strictly journeyman solo, and then Coltrane blows the pack away with a solo so deep inside the harmony it sounds like it's coming from somewhere else. Mobley's real moment on the album is on the next track, "Old Folks," when he doesn't have Coltrane breathing down his neck. Mobley's soul-stationed lyricism is well-suited to his soloing here, and is for the rest of the album except, of course, on "Teo," where Coltrane takes him out again. The closer on the set, "Blues No. 2," is a vamp on "All Blues," from Kind of Blue, and features Kelly and Chambers playing counterpoint around an eight bar figure then transposing it to 12. Jones collapses the beat, strides it out, and then erects it again for the solos of Davis and Mobley. This is relaxed session; there are no burning tracks here, but there is much in the way of precision playing and a fine exposition of Miles' expansive lyricism.

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