MINTY ORIGINAL EMI EUROPE QUEEN 1989 THE MIRACLE VINYL LP BOHEMIAN RHAPSODY
  $   79

 


$ 79 Sold For
Mar 17, 2019 Sold Date
Feb 27, 2019 Start Date
1 Number Of Bids
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Description

QUEEN 1989 THE MIRACLE EUROPE NM/NM

 

RECORD GRADING NEAR MINT /MINT (It’s that good!)                    

SLEEVE GRADING NEAR MINT BEAUTIFUL (SEE PICTURES).  

CUSTOM PICTURE INNER SLEEVES WITH LYRICS IN NM CONDITION          

EUROPE (HOLLAND/GERMANY) 

ORIGINAL 1ST PRESSING EDITION              

Playgraded on professional equipment with an AT150MLX cartridge. Incredible punchy and detailed sound.  This is the best sounding pressing much better that USA Capitol,  this was mastered by the much respected Townhouse Studios in London, where the album was recorded.

REALLY AMAZING FULL AND DETAILED SOUND! FINAL COPY!

All records from (My own Collection) previously handled with great care.

Feel free to ask any condition, content or label questions

NOTE TO RECORD COLLECTORS : All vinyl is cleaned in an ultrasonic cleaning machine and then stored in new plastic inner and outer sleeves for comfort, protection and convenience. Record is packed in a sturdy cardboard mailer with the vinyl removed from the jacket to prevent shipping damaged. Any question let me know please.

More info:

Queen ?– The Miracle

Label:  Parlophone ?– 7 92357 1, Parlophone ?– 064-79 2357 1

Format: Vinyl, LP, Album

Country: Europe

Released: 1989

Genre: Rock

Style: Pop Rock

Tracklist

A1   Party      2:25

A2   Khashoggi's Ship  2:45

A3   The Miracle    5:00

A4   I Want It All  4:40

A5   The Invisible Man 3:57

B1   Breakthru      6:04

B2   Rain Must Fall       4:20

B3   Scandal  4:42

B4   My Baby Does Me  3:22

B5   Was It All Worth It      5:43

Companies, etc.

Phonographic Copyright (p) – Queen Productions Ltd.

Phonographic Copyright (p) – Raincloud Productions Ltd.

Copyright (c) – Queen Productions Ltd.

Copyright (c) – Raincloud Productions Ltd.

Marketed By – EMI

Distributed By – EMI

Manufactured By – EMI

Printed By – EMI Services Benelux B.V.

Licensed To – EMI Records Ltd.

Distributed By – EMI Pathé Marconi S.A.

Distributed By – EMI Electrola GmbH

Recorded At – Olympic Studios

Recorded At – The Town House

Recorded At – Mountain Studios

Mastered At – The Town House

Credits

Artwork [Quantum Graphic Paintbox Operator] – Richard Baker (14)

Coordinator [Studio Equipment Co-ordination] – Brian Zellis, Martin P. Groves*

Design [Album Sleeve Design] – Richard Gray (2)

Engineer [Album Engineered By] – David Richards

Engineer [Assistant] – Andrew Bradfield, Andy Mason, Angelique Cooper, Claude Frider, John Brough, Justin Shirley-Smith

Management – Jim Beach (2)

Mastered By – Gordon Vickary*, Kevin Metcalf*

Other [Make-up] – Paul Kennington

Photography By [Original Photography] – Simon Fowler (2)

Producer, Arranged By – David Richards

Producer, Written-By, Arranged By – Queen

Programmed By [Computer Programming] – Brian Zellis

Notes

Catalogue numbers:

7 92357 1 - cover artwork (backside & spine), etching

064-79 2357 1 - label artwork

 

Info on labels:

ST 33

? 1989 Original Sound Recordings Made By Queen Productions Ltd./ Raincloud Productions Ltd. Under Exclusive License To EMI Records Ltd.

Made in EEC

 

Info on covers:

Marketed, manufactured and distributed by EMI, Printed in Holland by EMI Services Benelux B.V., Uden

En France: distribution exclusive EMI Pathé Marconi S.A., Deutschland: EMI Electrola GmbH, Köln

 

? 1989 Original Sound Recordings Made By Queen Productions Ltd./ Raincloud Productions Ltd. Under Exclusive License To EMI Records Ltd.

© 1989 Queen Productions Ltd./ Raincloud Productions Ltd.

Barcode and Other Identifiers

Rights Society: GEMA/STEMRA

Label Code (On back sleeve): LC 0542

Label Code (On labels): LC 0299

Barcode: 0077779235711

Matrix / Runout (Side A runout stamped, variant 1): 792357 1-A1

Matrix / Runout (Side B runout stamped, variant 1): 792357 1-B1

Matrix / Runout (Side A runout stamped, variant 2): 7923571-A3

Matrix / Runout (Side B runout stamped, variant 2): 7923571-B2

Other (On back of sleeve): 064

Other (On back of sleeve, France): PM 240

 

ABOUT THE RECORD:

As the album arrived on May 22, 1989, Mercury announced that he was ready to break the tour-album-tour cycle that had long consumed the band. Queen, for the first time, didn't hit the road to support their newest studio project.

Sales, in particular in the U.K., remained robust. The Miracle topped the charts there, going platinum. In the states, Queen earned another Top 25 showing. The album's lead single, "I Want It All" added another signature anthem to their catalog on its way to the No. 3 on Billboard's mainstream rock singles chart – and the top spot in England.

Meanwhile, the layered, typically complex nature of The Miracle provided little in the way of overt clues as to what really lay ahead for Queen. Though often bogged down by the sleek synthy sheen of its day, the project found Queen again deftly melding pop, arena rock and light opera themes. All of the familiar bombast was there. "Anthems," as Roger Taylor told the Seattle Post-Intelligencer in 1989, "are our business."

Reviews at the time praised both Mercury (Rolling Stone said he "has never sounded better") and May, who adds some classic crunch to tracks like "Khashoggi's Ship" and "Was It All Worth It" – the latter of which draws a direct line back to their intricately conceived '70s triumphs. Newsday said May's runs were "as flashy and supple as ever."

In a show of solidarity, every song on The Miracle was credited to the entire band, a first. "Party," the album-opening cut, even featured a rare segment with May on the mic; he shared the bridge vocal with Mercury on "I Want It All," as well. All four of their names are embedded in lyrics for "The Invisible Man." Then there was the album's striking cover image, a combining of all four member's faces into one gestalt portrait.

Four more singles followed "I Want It All" but, with no tour to prop them up, they were mostly met with declining interest. "Breakthru" reached No. 7 in their native England, "The Invisible Man" climbed to No. 12, and "Scandal" went to No. 25. The album's title track actually just missed the U.K. Top 20. None, however, charted in the U.S.

 

 

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RECORDS (VINYL) GRADES :

SS(STILL SEALED) Sealed at factory and never opened. Disc is assumed to be undamaged and mint, but this cannot be proven until the album is actually opened and the disc examined.

M(MINT) Perfection, no flaws, defects, marks or otherwise indications of being handled or played. Any scuffs, hairline scratches or other marks disqualify discs from this category. I do not use this grade, as even the act of inserting the disc or removing it from the paper sleeve may cause scuff marks on the vinyl.

NM or M-(NEAR MINT or MINT MINUS) This is highest grade that I will assign to opened, handled records. The vinyl is virtually flawless, bright and shiny. Avery minor, barely visible scuff or two may be permitted, but not scratched The disc should play with no audible noise. The label is bright,clean and unmarked.

EX or VG++ (EXCELLENT or VERY GOOD ++) Disc plays near perfectly,but may have minor paper scuffs that do not interfere with the sound quality.There can possibly be a hairline scratch or two but nothing that is obvious or affects play. Vinyl is bright and shiny; label is clean and unmarked.

VG+(VERY GOOD PLUS) Some visible surface wear, very minor scratches and scuffs,but minimal impact on the sound quality. Vinyl will still have good luster;labels may have minor imperfections:(Slightly warped ,small labels or initials,etc.) but otherwise clean.

VG(VERY GOOD) Vinyl will have noticeable scratches or scuffs that cause minor surface noises, but don't overpower the music. There  will be no skips. Vinyl may appear somewhat dull and grayish. Labels may have small tears, tape marks,larger writing, etc.but still easily legible. slightly warped, There may be wear or deformation of the spindle hole.

G(GOOD) Well-played, dull, grayish vinyl with deeper scratches and wear causing distracting surface noise (hisses,pops, cracks and other nasties ). The record will still play through without any skips. Labels may be significantly defaced or damaged.

F(FAIR) P (POOR) Unless the record is particularly rare, I would not try to sell a record in this condition. There will be major noise, surface damage, deep scratches, and skips. Attempting to listen to these discs will be painful.These discs are basically trash unless a collector desires one to fill a space in a collection until a better one comes along. W writing on label, sticker or any remaining adhesive to the label

ALBUM COVER GRADES

SS(STILL SEALED) Album is still in the factory-applied shrink-wrapping.

M(MINT) Absolutely perfect; no corner dings, marks, tears, dents, impressions from the disc, or other flaws. Cover should appear as if a record has never been inside.

NM or M-(NEAR MINT or MINT MINUS)Very minor signs of wear or cover impressions. Artwork is as close to perfection as possible.

EX or VG++ (EXCELLENT or VERY GOOD ++) Minor disc impression or slight corner creases, no wrinkles, puckers, seam splits or writing on the cover. Artwork is clean and unworn and there is no ink wear.

VG+(VERY GOOD PLUS) Cover is but may have minor writing or marks and may shows light wear. There may be just the of ring wear, where the area disc has created a raised on the cover that resulted in the ink wearing off the paper.There may be slight discoloration or staining, minor seam wear, but no splits or tears.Corners may have small creases or fraying.

VG(VERY GOOD) Covers are worn and used. Seams may be starting to split or may have been unobtrusively repaired with clear tape. PAPER COVER WITH BREAK DOWN AND FLAKED EDGES. There is moderate ring wear, but the artwork is still attractive. There may be yellowing or discoloration and there may be larger writing, labels, or marks.Corners may have damage or creases and there may be scratches or gouges that otherwise damage the artwork.

G(GOOD) Several (but not all of the following flaws will apply : Seam splits,marker writing, major seam splits,significant ring wear, damaged corners,tears, cuts, gouges, masking or duct tape seam repairs, or other flaws and damage. Again, probably only useful to fill a collection until something better can be found.

F(FAIR) P (POOR) Trash, usable only to keep the record off the floor. Writing on label, sticker or any remaining adhesive to the label.

 

I grade very conservative so there are no surprises. However if you disagree and are not pleased i refund 100% no questions asked. Buy with confidence.

 

 

 

Thank you and Happy listening!

 

 

 

 

 


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