PLEASE READ THE ITEM DESCRIPTION CAREFULLY BEFORE BIDDING/PURCHASING (BUYER RESPONSIBLE FOR FOLLOWING/READING THE DESCRIPTION ACCURATELY)

COVER: VG+ GF DJ STICKER ON COVER

VINYL:  VG+

RECORDS/CD’s ARE VISUALLY GRADED (SEE KEY BELOW) AND I DO MY BEST TO GRADE THEM ACCURATELY.  IF THERE IS A PROBLEM, PLEASE CONTACT ME.

SHIPPING:

U.S.  $4.  EA. ADDITIONAL $1.25
CANADA $14.  EA. ADDITIONAL $3 (UP TO 4 POUNDS)
INTERNATIONAL: $19.  EA. ADDITIONAL $7 (UP TO 4 POUNDS)

RECORD GRADING:

MINT (M) ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT (NM) ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS (VG++ or EX) The record or cover that all but the most particular collector would say looks outstanding. Cover may have insignificant manufacturers defect such as notch hole or cut corner. 
VERY GOOD PLUS (VG+)---- The record has been handled and played infrequently or very carefully.  On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptable  for most collectors.  Cover has most of its original gloss and has been well taken care of.  Minor seam splits may be acceptable.
VERY GOOD (VG) ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, non-feelable marks that might or will affect the sound as mild occasional surface noise or periodic pops/clicks. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
VERY GOOD- (VG- or G+) Record will show signs same as VG with heavier wear including noticeable groove wear and feelable marks that will likely pop or click.  Popping or clicking will be most evident through quieter passages.  Record should play all the way through, but may skip. 
GOOD (G) ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping, but may skip. Several cover flaws will be apparent, but should not obliterate the artwork.  Filler copy until a better one can be found.
POOR (P) ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Only the rarest of records should ever be graded as Poor while the others should go to the trash heap.

KEY:
WOL --- Writing on label
WOJ --- Writing on jacket
WLP --- White label promo
GPS or GSP --- Gold promo stamp
PH---Punch Hole / Pin Hole
EW--- Edgewear
SS---Seam Split
RW---Ringwear
CO--- Cut Out / Cut Corner
NH---Notch Hole
SHK --- Partial Shrink Wrap
GF---Gatefold Cover

Moondog (2) ?– Moondog

Label: Columbia Masterworks ?– MS 7335 Format: Vinyl, LP, Album, Reissue
Country: US Released:   Genre: Jazz, Classical Style: Big Band, Contemporary

Tracklist

A1 Theme 2:35 A2 Stamping Ground 2:36 A3 Symphonique #3 (Ode To Venus) 5:51 A4 Symphonique #6 (Good For Goodie) 2:45
Mini-Sym #1 5:45 B1a I - Allegro B1b II - Andante Adagio B1c II - Vivace
- B2 Lament I, "Bird's Lament" 1:42
Witch Of Endor 6:29 B3a I - Dance B3b II - Trio B3b1 A. Adagio (The Prophesy) B3b2 B. Andante (The Battle) B3b3 C. Agitato (Soul's Death) B3c III - Dance (Reprise)
- B4 Symphonique #1 (Portrait Of A Monarch) 2:36

Companies, etc.

• Manufactured By – Columbia Records
• Printed By – Uni-Pak
• Published By – Archimedes Music
• Published By – Skiff Music Corp.

Credits

• Baritone Saxophone – Wally Kane
• Bass – Alfred Brown, George Duvivier, Louis Hardin, Ron Carter
• Bass Clarinet – Ernie Bright*
• Bassoon – Don Macourt*, George Berg, Jack Knitzer, Joyce Kelly, Ryohei Nakagawa, Wally Kane
• Cello – Charles McCracken, George Ricci
• Clarinet – George Silfies, Jimmy Abato, Phil Bodner
• Composed By [All Selections], Liner Notes – Louis Hardin
• Contrabass – Joe Tekula
• Design [Album Design] – Ron Coro
• Engineer [Engineering] – Arthur Kendy, Fred Plaut
• English Horn – Henry Shuman*, Irving Horowitz
• Flugelhorn [Flügelhorn] – Joe Wilder
• Flute – Andrew Lolya, Harold Bennett
• French Horn – Brooks Tillotson, James Buffington*, Ray Alonge, Richard Berg (3)
• Percussion – Bob Rosengarden*, Dave Carey*, Elayne Jones, Jack Jennings
• Photography By [Cover] – Don Hunstein
• Photography By [Inside] – Fred Lombardi
• Piccolo Flute – Harold Jones (2), Hubert Laws
• Producer – James William Guercio
• Producer [Associate Producer For Poseidon Productions] – Alfred Brown
• Tenor Vocals [Tenore] – Eugene Becker, Raoul Poliakin
• Trombone [Bass] – Paul Faulise
• Trombone [Tenor] – Buddy Morrow, Charles Small*, Tony Studd
• Trumpet – Alan Dean, Joe Wilder, Mel Broiles*, Teddy Weiss
• Trumpet [Bass] – Danny Repole
• Tuba – Bill Stanley, Don Butterfield
• Tuba [Tenor] – Bill Elton, Bill Stanley, John Swallow, Phil Giardina
• Viola – David Schwartz, Emanuel Vardi, Eugene Becker, Raoul Poliakin
• Violin – Aaron Rosand, Paul Gershman

Notes

All copyrights are administred by Archimedes Music (ASCAP), a Division of James William Guerico Enterprises, Inc., except Theme (Archimedes Music/Skiff Music Corp. [ASCAP]).
Library of Congress catalog card number R72-750723 applies to MS 7335.
Cover photo/inside photos: Columbia Records Photo Studio
Manufactured by Columbia Records
Unipak U.S. patent no. 3,426,960
Printed in U.S.A.

Gatefold sleeve