MOONDOG s/t LP NEW VINYL Men With Beards 180g Experimental Jazz

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25

Store Categories HIP HOP FUNK / SOUL DUB/REGGAE/DANCEHALL EXPERIMENTAL/IDM DOWNTEMPO DUBSTEP/GRIME SERATO CONTROL VINYL HOUSE TECHNO INDYTRONIC SYNTHWAVE/80'S/INDUSTRIAL UK BASS/FUTURE GARAGE/UKF WONKY GLITCH HOP AMBIENT/DRONE BATTLE BREAKS/ACAPELLAS DISCO ELECTRO/BREAKS GHETTO TECH/JUKE/FOOTWORK HIPSTER JUMP OFF PROGRESSIVE/TRANCE DRUM N' BASS BREAKCORE ROCK POP PUNK METAL JAZZ MOONDOG s/t / LP NEW VINYL / Men With Beards

Theme was first recorded in 1952, following a period of buying up old instruments and working out the parts, and then finally dubbing them all in - reeds, brass, percussion and strings. It is not only a theme, but, it is my theme, a sort of musical signature ... Stamping Ground is in D Minor, in the vein of Lament I, but the melodic line works itself into a canon, or the melodic line is a canon, and revels itself as such as the piece progresses ... Symphonique #3(Ode to Venus) is a twelve-part canon with a four-bar coda. With an implied reference to Tchaikovsky´s "None But the Lonely Heart," it creates a very lush, impassioned contrapuntal texture, full of the joys and sorrows of love ... Symphonique #6 (Good for Goodie), dedicated to Benny Goodman, is in the swing style, though classically conceived. The form is called a ground, that is, a theme played over and over in the bass. Counting the ground, this piece is in seventeen-part counterpoint - every eight bars a new part comes in, and, once in, keeps repeating its eight bars to the end. The first added part is for Goodie, and that part is played in the highest register of the clarinet on the last repeat, up high like Benny plays ... Minisym #1: Minisym refers to either the orchestra or to a composition, like saying that a symphony plays a symphony. It has three short movements, each with a middle section or trio ... Lament I (Bird´s Lament) was written in honor of Charlie Parker, on hearing of his death. It is a chaconne, a four-bar accompaniment that is repeated over and over with a free melodic line over it, played by an alto sax, Bird´s instrument, with an obligato played on a baritone sax. Bird used to stop by my door-way back in 1951-2 and talk about music. One night I met him in Times Square and shook a shaking hand, not realizing that would be the last time we would meet ... Witch of Endor is part of a ballet that I wrote for Martha Graham. It begins and ends in 5/4 time, dances by the witch. The trio consists of three parts: I. The witch´s prophecy of Saul´s death; 2. An idealized depiction of the battle on the mountain, and Saul, realizing he is losing it, decides to take his own life by falling on his own sword, held by a soldier; 3. The death of Saul ... Symphonique#1 (Portrait of a Monarch) is a symphonic synthesis, a musical portrait of Thor the Nordoom, Emperor of Earth, a fictitious person but nonetheless factual. By means of having a monopoly on the world´s gold supply, he rules from behind the scene, by means of agents and double agents. It opens vigorously, imperiously, depicting bis absolute power; then comes the section showing his jocular side, a robust good humor; then a return to the towering strength of his personality, closing with a long chord, diminishing to a whisper, for he is one who knows peace and calm, the peace and calm of one who crushes all opposition to his will ...

1. Caribea
2. Lullaby
3. Tree Trail
4. 'Death When You Come To Me, May You Come To Me Swiftly; I Would Rather Not Linger, Not Linger'
5. Big Cat
6. Frog Bog
7. To A Sea Horse
8. Dance Rehearsal
9. Surf Session, Part 1
10. Surf Session, Part 2
11. Surf Session, Part 3
12. 'Trees Against The Sky, Fields Of Plenty, Rivers To The Sea: This, And More, Spreads Before Me'
13. Tap Dance
14. Oo Debut
15. Drum Suite
16. Street Scene

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