MOTHERS OF INVENTION ? WE'RE ONLY IN IT FOR THE MONEY ? EX 68 Verve insert ZAPPA
$
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Original stereo east coast press of their third album (with the insert), an uncontested masterwork of pure genius. As with the previous two albums it is a concept album, satirizing left and right-wing politics (particularly the hippie subculture) as well as Sgt. Pepper's Lonely Hearts Club Band. It was conceived as part of a project called No Commercial Potential, which produced three other albums: Lumpy Gravy, Cruising With Ruben And The Jetsand Uncle Meat. It was controversial from the minute it was submitted to Verve, and was subject to censorship upon its release. This initial pressing was soon followed by an even more censored version, which this copy is a fine example of. The first version was censored in the following ways:
Harry, You're A Beast - the "Don't come in me" section was partially forwards, partially backwards, and shuffled as well, and is likely Zappa's own work.
Mother People- "Better look around before you say you don't care / Shut your f***in' mouth about the length of my hair / How would you survive / If you were alive / S***ty little person?" were cut out, and replaced with the "Lemme take a minute and tell you my plan" section from earlier in the song. These cut lines were presented backwards at the end of side one (as "Hot Poop"), but with "f***in'" edited out. This is also likely to be Zappa's own work.
Concentration Moon- "Also, at the same time, I get to work with the Velvet Underground, which is as s***ty a group as Frank Zappa's group" was cut from Gary Kellgren's whispering. Some copies escaped without this edit, and it is different on the heavily-censored versions. Likely a last-minute Verve edit.
This second issue was also censored in these additional ways:
Who Needs The Peace Corps?- the "kick the s*** out of me on the street" bit was censored.
Absolutely Free- the word "balling" was censored from "I don't do publicity balling for you anymore".
Absolutely Free- the words "flower power sucks" were cut (although, the echoes of the word "sucks" can still be heard under the ensuing verse).
Let's Make The Water Turn Black- the lines "And I still remember Mama with her apron and her pad / Feeding all the boys at Ed's Cafe" were cut, as someone at the label thought "pad" referred to a sanitary napkin.
Hot Poop- the backwards "Mother People" verse was cut, so it is reduced to Kellgren's whispering and a single snork (different from the regular version).
Artist: THE MOTHERS OF INVENTION
Year: 1968
Label: Verve
Catalog Number: V6-5045
Mono/Stereo/Quadro: stereo
Country: USA
Dead Wax Numbers: V6-5045 SIDE-1 MGS-1250-REV / V6-5045 SIDE-2 MGS-1251-REV (hand-etched) plus block 'S' Bloomfield stamp on both sidesWeight: 133 grams
Cover Format: gatefold. wraparound outerslick with paste-on inner panel
Cover Condition: EX (sharp, crisp, vivid and tight, nearly perfect edges & corners, light shelf wear, insert is pristine)
Vinyl Condition:
EX (perfect gloss, some light surface hairlines that don't produce sound, couldn't be much nicer overall)Label Condition: some light spindle marks
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Everything is strictly graded using the classic Goldmine Standards that we have been applying since 1983:
M (rarely ever used unless still sealed)/ NM / EX / VG+ / VG / VG- / G+ / G (please see bottom of auction for specific grading information).
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We visually grade all records using the classic Goldmine Standard, to which we have added EX (as have many others), but we do not use any other variant from the classic scale. No NM- or EX+ (which are both EX), EX- VG+++ or Near Excellent (which are all VG+), or any such other nebulous grades here! We feel that nearly every collector will be more than pleased with anything listed EX or above in our auctions; they will all be top-shelf, archive quality items which will play M- throughout. A VG+ record will truly satisfy all but the most critical curator. On the very rare occasion we actually grade an opened LP as straight MINT, we can guarantee you’ll never find a nicer copy anywhere!
We will play-grade any LP if there is any reason to do so; any questionable mark, scuff or noteworthy artifact of any kind will be sampled to determine its true significance (which may obviously impact the grade ). We will also gladly play-grade anything upon request; if you are curious about the actual pressing characteristics or any have other questions about its actual performance please feel free to ask.
MINT : Absolutely perfect.
This record looks like it has just left the plant, with no flaws whatsoever. It appears unhandled and unplayed, with no marks of any sort. Usually only sealed or (sometimes) unplayed LPs will warrant this grade.
The cover does not appear to have had a record inside it; there is no wear or distraction of any kind.
NM : Virtually flawless, top copy.
The record is virtually identical to the moment it was opened, but may have a few faint paper, packaging or pressing scuffs which will produce no sound whatsoever and are very hard to see without critical inspection. It was very carefully handled and played, likely only once or twice.
The cover is as close to perfect as can be expected given its age. There may be minor impressions due to the outer edge of the vinyl (no ring wear), the lightest possible corner bumps, or a few tiny laminate creases (mainly on imports), but no wear or whitening of any kind whatsoever.
EX : A beautiful specimen, which will please most critical collectors and not need to be upgraded.
The record has no scratches or significant blemishes, and will play NM throughout. It retains 100% of the gloss, sheen and luster, but may have a handful of faint superficial scuffs, hairlines or light spindle marks which will not produce any sound whatsoever.
The cover is nearly perfect. There may be the absolute faintest suggestion of ring wear or possibly a light touch of dulling on the corners (nothing wrinkled or obtrusive in any way), but no notable seam or spine wear, writing or sign of tape anywhere.
VG+ : Plays perfectly nearly all of the time, with only a few minor distractions.
The record still retains nearly all of the gloss, sheen and luster, but there may be a handful of inaudible superficial marks or scuffs, a mild scattering of light hairlines (which would only be faintly audible between tracks or in some very quiet passages), or a few stray marks which may mildly sound for a few revolutions. Each flaw is very minor, barely noticeable to the naked eye, and will not detract from the enjoyment in any way.
The cover is still very clean and crisp, but may look slightly more aged and have a few minor flaws such as small unobtrusive writing, minor wear to the seams and spine (no splits), slightly worn corners, very light ring wear or minor creasing. No flaw is at all distracting in and of itself.
VG : A nice play copy, which will perform without much significant distraction.
The record appears well played, but still has the majority of the luster. It will not have been abused, though there will be some audible sound defects which will not overpower the dynamics of the music, such as mild surface noise in the quietest sections, a handful of stray isolated pops and clicks (which are brief and occasional), or possibly some very mild groove wear; still no skips, repeats, or anything deep or seriously pronounced. It will play through quite nicely most of the time, with very minimal distraction.
The cover looks somewhat used and shows some mild wear. There may be some minor seam splitting, ring wear (which still doesn’t overwhelm the cover), discreet writing (not large magic marker), or mild yellowing due to air contaminants. It is still nice, just a few notable flaws away from VG+.
We will never sell anything less than VG, so the rest of the scale is unnecessary. We absolutely detest groove wear, so we will almost never list anything lacking the overwhelming majority of the luster, sheen and gloss. Anything of significance will always be noted.
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