MOTORHEAD

THE LOST TAPES

LIVE IN NORWICH

18TH OCTOBER 1998

LIMITED EDITION (2250 COPIES), PREVIOUSLY UNRELEASED LIVE ALBUM PRESSED ON DOUBLE TRANSPARENT BLUE VINYL

RECORD STORE DAY LIMITED EDITION RELEASE 2022

BRAND NEW/UNPLAYED/SEALED

BMG RECORDS

BARCODE: SEE ABOVE

CAT NO: SPOON63

RELEASED IN 2022

THE RECORD WILL BE POSTED IN A PROTECTIVE PVC COVER IN A DEDICATED RECORD MAILER FOR SAFE TRANSIT

THE PICTURES SHOWN IN THE LISTING ARE OF THE ACTUAL ITEM FOR SALE

I DO NOT USE MISLEADING STOCK PHOTOS

FREE UK POSTAGE

THANKS FOR LOOKING

INFORMATION BELOW KINDLY PROVIDED BY DISCOGS

The Löst Tapes Vol. 2 (Live In Norwich 1998)

More images

Label: BMG – BMGCAT557DLPX, Murder One – BMGCAT557DLPX Series: The Löst Tapes – Vol. 2 Format: 2 x Vinyl, LP, Album, Record Store Day, Limited Edition, Blue Transparent Country: Europe Released: 23 Apr 2022 Genre: Rock Style: Rock & Roll

Tracklist

Hide Credits A1 Bomber Written-By – Clarke*, Kilmister*, Taylor* Written-By – Clarke*, Kilmister*, Taylor* A2 No Class Written-By – Clarke*, Kilmister*, Taylor* Written-By – Clarke*, Kilmister*, Taylor* A3 I'm So Bad (Baby I Don't Care) Written-By – Kilmister*, Burston*, Campbell*, Taylor* Written-By – Kilmister*, Burston*, Campbell*, Taylor* A4 Over Your Shoulder Written-By – Kilmister*, Burston*, Dee*, Campbell* Written-By – Kilmister*, Burston*, Dee*, Campbell* A5 Civil War Written-By – Kilmister*, Ax*, Dee*, Campbell* Written-By – Kilmister*, Ax*, Dee*, Campbell* A6 Take The Blame Written-By – Kilmister*, Dee*, Campbell* Written-By – Kilmister*, Dee*, Campbell* B1 The Chase Is Better Than The Catch Written-By – Clarke*, Kilmister*, Taylor* Written-By – Clarke*, Kilmister*, Taylor* B2 Nothing Up My Sleeve Written-By – Kilmister*, Burston*, Gill*, Campbell* Written-By – Kilmister*, Burston*, Gill*, Campbell* B3 Born To Raise Hell Written-By – Kilmister* Written-By – Kilmister* B4 Shine Written-By – Robertson*, Kilmister*, Taylor* Written-By – Robertson*, Kilmister*, Taylor* B5 Love For Sale Written-By – Kilmister*, Dee*, Campbell* Written-By – Kilmister*, Dee*, Campbell* C1 Dead Men Tell No Tales Written-By – Clarke*, Kilmister*, Taylor* Written-By – Clarke*, Kilmister*, Taylor* C2 Sacrifice Written-By – Kilmister*, Burston*, Dee*, Campbell* Written-By – Kilmister*, Burston*, Dee*, Campbell* C3 Too Late Too Late Written-By – Clarke*, Kilmister*, Taylor* Written-By – Clarke*, Kilmister*, Taylor* C4 Orgasmatron Written-By – Kilmister*, Burston*, Gill*, Campbell* Written-By – Kilmister*, Burston*, Gill*, Campbell* C5 Stone Dead Forever Written-By – Clarke*, Kilmister*, Taylor* Written-By – Clarke*, Kilmister*, Taylor* D1 Going To Brazil Written-By – Kilmister*, Burston*, Campbell*, Taylor* Written-By – Kilmister*, Burston*, Campbell*, Taylor* D2 Killed By Death Written-By – Kilmister*, Burston*, Gill*, Campbell* Written-By – Kilmister*, Burston*, Gill*, Campbell* D3 Iron Fist Written-By – Clarke*, Kilmister*, Taylor* Written-By – Clarke*, Kilmister*, Taylor* D4 Ace Of Spades Written-By – Clarke*, Kilmister*, Taylor* Written-By – Clarke*, Kilmister*, Taylor* D5 Overkill Written-By – Clarke*, Kilmister*, Taylor* Written-By – Clarke*, Kilmister*, Taylor*

Companies, etc.

• Record Company – BMG UK
• Licensed To – BMG Rights Management (UK) Limited
• Phonographic Copyright ℗ – Belle Vue Sunshine Touring Inc.
• Copyright © – Belle Vue Sunshine Touring Inc.
• Pressed By – Schallplattenfabrik Pallas GmbH – 59568
• Pressed By – Schallplattenfabrik Pallas GmbH – 59569
• Published By – Motor Music Ltd.
• Published By – Warner Chappell Music Ltd.
• Recorded At – University Of East Anglia
• Mastered At – Boleskine House
• Lacquer Cut At – Schnittstelle (2)
• Designed At – The Studio, BMG

Credits

• Bass Guitar, Vocals – Ian "Lemmy" Kilmister*
• Consultant – Mick Stevenson, Robert Kiewik
• Design, Layout – Joe Waghorn
• Drums – Mikkey Dee
• Guitar, Vocals – Phil Campbell
• Lacquer Cut By – Jana*
• Management – Alex Adamson, Shelly Berggren, Singerman Entertainment, Steffan Chirazi, Steve Luna, Todd Singerman
• Mastered By – Andrew Alekel
• Photography By – Al Pulford (2), Robert John (4)
• Project Manager – Alex Adamson, Miles Hackett, Sara Meneghini, Steffan Chirazi

Notes

Record Store Day 2022.
RSD Exclusive Release, according to recordstoreday.com limited to 2250 copies.
Live at the University of East Anglia, Norwich, 18th October 1998.

Matte gatefold sleeve.
Black paper die cut inners.
Hype sticker applied to shrink-wrap.
The barcode appears as a sticker but is actually part of the print.

Barcode and Other Identifiers

• Barcode: 4050538707762
• Label Code: LC 06448
• Rights Society: GEMA / BIEM
• Other (LP1 cat#): BMGCAT557DLPX-1
• Other (LP1 cat#): 4050538707779
• Other (LP2 cat#): BMGCAT557DLPX-2
• Other (LP2 cat#): 4050538707786
• Matrix / Runout (Side A Stamped and hand etched, variant 1): BMGCAT557DLPX A -59568- I
• Matrix / Runout ( Side B Stamped and hand etched, variant 1): BMGCAT557DLPX B -59568- F
• Matrix / Runout (Side C Stamped and hand etched, variant 1): BMGCAT557DLPX C -59569- I
• Matrix / Runout (Side D Stamped and hand etched, variant 1): BMGCAT557DLPX D -59569-
• Matrix / Runout (Side A Stamped and hand etched, variant 2): -59568- F BMGCAT557DLPX A Jana at schnittstelle
• Matrix / Runout (Side B Stamped and hand etched, variant 2): -59568- I BMGCAT557DLPX B Jana at schnittstelle
• Matrix / Runout (Side C Stamped and hand etched, variant 2): -59569- I BMGCAT557DLPX I C Jana at schnittstelle
• Matrix / Runout (Side D Stamped and hand etched, variant 2): -59569- BMGCAT557DLPX D Jana at schnittstelle

 

Mint (M) The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint. Excellent (EX) The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. Very Good (VG) The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable Good (G) Te record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc Fair (F) The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced. Poor (P) The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing Bad (B) The record is unplayable or might even be broken, and is only of use as a collection-filler

•