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MOZART

Piano Concertos 12xLP Box Set

Daniel Barenboim & the English Chamber Orchestra

HMV SLS 5031

with 12 page booklet

CONDITION-

BOX-VG-light wear

VINYL-Near Mint-In fantastic glossy clean condition-look mostly unplayed, just some very faint finger marks in places

Piano Concerto No. 1 In F Major, K. 37
A1 1: Allegro
A2 2: Andante - Cadenza (Barenboim) - Tempo I
A3 3 Rondo - Cadenza (Barenboim) - Tempo I

Piano Concerto No. 2 In B Flat Major, K. 39
A4 1: Allegro Spiritoso - Cadenza ( Barenboim) - Tempo I
A5 2: Andante
A6 3. Molto Allegro

Piano Concerto No. 3 In D Major, K. 40
B1 1: Allegro Maestoso - Cadenza (Mozart) - Tempo I
B2 2: Andante
B3 3. Presto

Piano Concerto No. 4 In G Major, K. 41
B4 1: Allegro - Cadenza (Barenboim) - Tempo I
B5 2: Andante
B6 3: Molto Allegro - Cadenza (Barenboim) - Tempo I

Piano Concerto No. 5 In D Major, K. 175
C1 1: Allegro - Cadenza (Mozart) - Tempo I
C2 2: Andante Ma Un Poco Adagio - Cadenza (Mozart) - Tempo I
C3 3: Allegro - Cadenza (Barenboim) - Tempo I

Piano Concerto No. 6 In B Flat Major, K. 238
D1 1: Allegro Aperto - Cadenza (Mozart) - Tempo I
D2 2: Andante Un Poco Adagio - Cadenza (Mozart) - Tempo I
D3 3: Rondeau (Allegro) - Cadenza (Mozart) - Tempo I

Piano Concerto No. 8 In C Major, K. 246 "Lützow"
E1 1: Allegro Aperto - Cadenza (Mozart) - Tempo I
E2 2: Andante - Cadenza (Mozart) - Tempo I
E3 3: Rondeau (Tempo Di Menuetto)

Piano Concerto No. 9 In E Flat Major, K. 271
F1 1: Allegro - Cadenza (Mozart) - Tempo I
F2 2: Andantino - Cadenza (Mozart) - Tempo I
F3 3: Rondeau (Presto) - Cadenza (Mozart) - Tempo I

Piano Concerto No. 11 In F Major, K. 413
G1 1: Allegro - Cadenza (Mozart) - Tempo I
G2 2: Larghetto - Cadenza (Mozart) - Tempo I
G3 3: Tempo Di Menuetto

Piano Concerto No. 12 In A Major, K. 414
H1 1: Allegro - Cadenza (Mozart) - Tempo I
H2 2: Andante - Cadenza (Mozart) - Tempo I
H3 3: Allegretto - Cadenza (Mozart) - Tempo I

Piano Concerto No. 13 In C Major, K. 415
I1 1: Allegro - Cadenza (Mozart) - Tempo I
I2 2: Andante
I3 3: Allegro - Adagio - Allegro

Piano Concerto No. 14 In E Flat Major, K. 449
J1 1: Allegro Vivace - Cadenza (Mozart) - Tempo I
J2 2: Andantino
J3 3: Allegro Ma Non Troppo

Piano Concerto No. 15 In B Flat Major, K. 450
K1 1: Allegro - Cadenza (Mozart) - Tempo I
K2 2: Andante
K3 3: Allegro - Cadenza (Mozart) - Tempo I

Piano Concerto No. 16 In D Major, K. 451
L1 1: Allegro - Cadenza (Mozart) - Tempo I
L2 2: Andante
L3 3: Allegro Di Molto - Cadenza (Mozart) - Tempo I

Piano Concerto No. 17 In G Major, K. 453
M1 1: Allegro - Cadenza (Mozart, Arr. Barenboim) - Tempo I
M2 2: Andante - Cadenza (Mozart) - Tempo I
M3 3: Allegretto

Piano Concerto No. 18 In B Flat Major, K. 456
N1 1: Allegro Vivace - Cadenza (Mozart) - Tempo I
N2 2: Andante Un Poco Sostenuto
N3 3: Allegro Vivace - Cadenza (Mozart) - Tempo I

Piano Concerto No. 19 In F Major, K. 459
O1 1: Allegro - Cadenza (Mozart) - Tempo I
O2 2: Allegretto
O3 3: Allegro Assai - Cadenzas (Mozart) - Tempo I

Piano Concerto No. 20 In D Minor, K. 466
P1 1: Allegro - Cadenza (Beethoven, Arr. Edwin Fischer) - Tempo I
P2 2: Romanze
P3 3: Rondo (Allegro Assai) - Cadenza (Barenboim) - Tempo I

Piano Concerto No. 21 In C Major, K. 467
Q1 1: Allegro Maestoso - Cadenza (Barenboim) - Tempo I
Q2 2: Andante
Q3 3: Allegro Vivace Assai - Cadenza (Barenboim) - Tempo I

Piano Concerto No. 23 In A Major, K. 488
R1 1. Allegro - Cadenza - Tempo I
R2 2. Adagio
R3 3. Allegro Assai

Piano Concerto No. 22 In E Flat Major, K. 482
S1 1: Allegro - Cadenza (Barenboim) - Tempo I
S2 2: Andante
T1 1: Rondo -( Allegro) - Cadenza (By Edwin Fisher) - Abbreviated
T2 2: Concert Rondo In D Major, K. 382

Piano Concerto No. 24 In C Minor, K. 491
U1 1: Allegro
U2 2: Larghetto
U3 3: Allegretto

Piano Concerto No. 25 In C Major, K. 503
V1 1: Allegro Maestoso - Cadenza (Barenboim) - Tempo I
V2 2: Andante
V3 3: Allegretto

Piano Concerto No. 26 In D Major, K. 537 "Coronation"
W1 1: Allegro - Cadenza (Wanda Landowska) - Tempo I
W2 2: Larghetto
W3 3: Allegretto

Piano Concerto No. 27 In B Flat Major, K. 595
X1 1: Allegro - Cadenza (Mozart) - Tempo I
X2 2: Larghetto
X3 3: Allegro - Cadenza (Mozart) - Tempo I

In cooperation with audite, Lucerne Festival presents outstanding concert recordings of artists who have shaped the festival throughout its history. The aim of this edition is to rediscover treasures — most of which have not been released previously — from the first six decades of the festival, which was founded in 1938 with a special gala concert conducted by Arturo Toscanini. These recordings have been made available by the archives of SRF Swiss Radio and Television, which has broadcast the Lucerne concerts from the outset.

Wilhelm Furtwängler conducted Beethoven's Ninth Symphony more than a hundred times. In August 1954, three months before his death, he directed his last performance in Lucerne which proved to be an "elemental musical event" (Neue Zürcher Zeitung). Alongside the brilliant Phil­harmonia Orchestra and a stellar cast of soloists (Elisabeth Schwarzkopf, Elsa Cavelti, Ernst Haefliger and Otto Edelmann), Furtwängler accentuates the visionary character of this monumental score: he charges the outer movements with an almost unbearable sense of suspense and interprets the lyrical passages, especially the slow third movement, cantabile and in flexible tempi. Comparing this "Lucerne Ninth" to Furtwängler's other benchmark interpretations of the Ninth - such as his famous performances in Berlin (1942) and Bayreuth (1951) - allows for a closer examination of the constants and changes in his very subjective view of Beethoven's final symphony.

For the release of this concert recording as part of the series " Lucerne Festival Historic Performances", the original tapes from the archives of SRF Swiss Radio and Television have been newly re-mastered. The pitch has been adjusted anew so that the recording, for the first time, sounds as close to the original as possible - closer than ever before. This correction in pitch not only changes the lengths of the movements, but also the dramaturgy - the 3rd movement, for example, is almost 17 seconds longer than on comparable recordings, which considerably changes the musical expression.

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