Miles Davis - On The Corner - 180 Gram Vinyl LP CBS 31906

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26

***Record is in very good condition as shown in the photos. There are light scratches as I tried to show in the photos but plays and sounds great. Sleeve is in very good to excellent condition.***

Limited 180gm vinyl LP pressing of this 1972 album from the Jazz great. Music on Vinyl.

1 On the Corner (2:58)

2 New York Girl (1:32)

3 Thinkin' One Thing and Doin' Another (6:45)

4 Vote for Miles (8:45)

5 Black Satin (5:16)

6 One and One (6:09)

7 Helen Butte (16:06)

8 Mr. Freedom X (7:13)

Released in 1972, Miles Davis’ On the Corner is a pioneering, polarizing album blending funk, free jazz, and electronic soundscapes. It features dense, hypnotic, and loop-based rhythms influenced by James Brown and Sly Stone, with experimental, discordant textures reminiscent of Karlheinz Stockhausen.

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On the Corner - Wikipedia

Released in 1972, Miles Davis’ On the Corner is a pioneering, polarizing album blending funk, free jazz, and electronic soundscapes. It features dense, hypnotic, and loop-based rhythms influenced by James Brown and Sly Stone, with experimental, discordant textures reminiscent of Karlheinz Stockhausen.

Key details about the album include:

Genre-Bending Sound: The album moves away from traditional jazz, focusing on heavy, vamping bass lines, wah-wah trumpet, electric guitars, and multiple keyboards.

Production Technique: Produced by Teo Macero, the album uses editing-room techniques, tape loops, and studio manipulations to create an "aural collage".

Experimental Rhythms: It incorporates Indian classical music elements (tabla) alongside funk, creating a "jungle sound" often described as a "streetwise" sonic portrait of 1970s New York City.

Musicians Involved: The album features a large, varied ensemble of artists, including Herbie Hancock, Chick Corea, John McLaughlin, and Jack DeJohnette, though specific personnel were not listed on the original release to emphasize the collective sound over individual solos.

Controversial Reception: Initially panned by critics as "repetitious" or "crap" upon release, it is now considered a visionary masterpiece, anticipating funk, ambient, electronic, and hip-hop music.