Miles Davis "'Round About Midnight" new sealed vinyl LP MoFi Mobile Fidelity OOP

$

36

One 12” 33 rpm SEALED black vinyl music record:
Miles Davis " 'Round About Midnight "

Label:  Mobile Fidelity Sound Lab – MFSL 1-373, Columbia – 88697943731 Series:  GAIN 2™ Ultra Analog LP 180g Series, Original Master Recording Format:  Vinyl, LP, Album, Limited Edition, Numbered, Reissue, Remastered, Special Edition, Mono, 180 gram Country:  US Released:  2013 Genre:  Jazz Style:  Hard Bop
A1 'Round Midnight A2 Ah-Leu-Cha A3 All Of You
B1 Bye Bye Blackbird B2 Tadd's Delight B3 Dear Old Stockholm
SPECIAL NOTE: This is the numbered edition. I am selling numbers 7677 and 7678. Lowest number ships first.
MOBILE FIDELITY SOUND LAB -MFSL 
In 1977, Mobile Fidelity began to produce a line of records known as "Original Master Recording" vinyl LPs. These albums were previously released by other companies, licensed by Mobile Fidelity, and remastered using half-speed mastering. During mastering, sound was transferred from magnetic tape to disc while the cutting lathe moved at half speed. The albums were remastered from the original analog master tapes, without compression, and with minimal equalization. The recordings were pressed in Japan on "Supervinyl", a plastic compound invented by JVC to compensate for the demands of quadraphonic Compatible Discrete 4 records, which had been introduced in 1972. JVC Supervinyl was more durable than regular vinyl, with lower surface noise and fewer pops and clicks. Mobile Fidelity packaged their albums in heavy cardboard sleeves, inner cardboard stiffeners, and plastic liners.   Half-speed mastering had been done before. Decca Records used the same process on its classical albums from 1958 to 1967. MFSL revived the practice, refined it, and made it the company's selling point. Half-speed mastering took more time than typical mastering, and it presented technical challenges. Its use was never widespread by other companies despite sonic advantages.   Stan Ricker (né Stanley Forbes Ricker; 1935–2015) mastered early Mobile Fidelity LPs. Ricker's work can be recognized by the signature "SR/2" carved in the dead wax. Jack Hunt ("JH/2") mastered many of MFSL's LP releases in the 1970s and 1980s. Some later titles were mastered by John LeMay and Paul Stubblebine, with a few uncredited releases. Currently, Shawn R. Britton and Rob LoVerde are mastering most LPs for MFSL. The company has had only a handful of engineers in its history. 
CONDITION:  BRAND NEW FACTORY SEALED
All contents are presumed to be included and in mint condition. No signs of warping, no cutouts, no stains, no stickers (except for hype and price stickers), no stamps, no writing on jacket. No flaws. “Gift Quality”.
Since this record is still sealed, label details, color of vinyl or matrix numbers cannot be verified.
Photo is the actual item you will receive; feel free to ask for more pics.
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