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Mötley Crüe ?– Shout At The Devil

Label: Elektra ?– 9 60289-1, Elektra ?– 60289-1 Format: Vinyl, LP, Album, Gatefold
Country: US Released: 1983 Genre: Rock Style: Hard Rock, Heavy Metal

Tracklist

A1 In The Beginning Music By – Geoff WorkmanNarrator – Allister Fiend, Nikki Sixx 1:13 A2 Shout At The Devil 3:16 A3 Looks That Kill 4:07 A4 Bastard 2:54 A5 God Bless The Children Of The Beast 1:33 A6 Helter Skelter Words By, Music By – Lennon-McCartney 3:09 B1 Red Hot 2:20 B2 Too Young To Fall In Love 3:34 B3 Knock 'Em Dead, Kid 3:40 B4 Ten Seconds To Love 4:17 B5 Danger 4:44

Companies, etc.

• Recorded At – Cherokee Studios
• Produced For – Julia's Music, Inc.
• Published By – Warner-Tamerlane Publishing Corp.
• Published By – Mötley Crüe Publishing
• Published By – Maclen Music, Inc.
• Mastered At – Sterling Sound

Credits

• A&R, Product Manager – Tom Zutaut
• Bass, Pedalboard [Bass Pedals], Vocals – Nikki Sixx
• Composed By [Instrumental] – Mick Mars (tracks: A5)
• Design [Album Cover] – Bob Defrin
• Drums, Electronic Drums [Simmons], Vocals – Tommy Lee
• Electric Guitar, Acoustic Guitar, Vocals – Mick Mars
• Engineer [Second] – Doug Schwartz
• Lead Vocals – Vince Neil
• Lyrics By – Sixx* (tracks: B1, B3, B5), Vince Neil (tracks: B4)
• Management – Doc McGhee, Doug Thaler
• Mastered By – George Marino
• Music By – Mars* (tracks: B1, B5), Sixx* (tracks: B1), Neil* (tracks: B1, B3, B5)
• Music By, Lyrics By – Nikki Sixx (tracks: A2 to A4, B2 to B4)
• Photography By [Album Cover And Gatefold, All Studio], Design Concept [Video, Album Cover], Choreography – Barry Levine
• Producer – Tom Werman
• Recorded By, Mixed By – Geoff Workman

Notes

Recorded at Cherokee Studios, Hollywood, California
Management: Doc McGhee and Doug Thaler for McGhee Enterprises, Inc.

Gatefold spine catalog #: 9 60289-1
Back cover catalog #: 60289-1
Record label catalog #: 60289-1

Back cover has band photo and "CAUTION: THIS RECORD MAY CONTAIN BACKWARD MESSAGES."

Sleeve says Allister Fiend is the narrater for A1, record label says Nikki Sixx

"Knock 'Em Dead, Kid" is dedicated to the LAPD

Published By – Warner-Tamerlane Publishing Corp. – All except B6
Published By – Mötley Crüe Publishing – All except B6
Published By – Maclen Music, Inc. – B6

Barcode and Other Identifiers

• Barcode (Text): 0 7559-60289-1
• Barcode (Scanned): 075596028912
• Matrix / Runout (Side A Label): ST-E-60289-A-AR
• Matrix / Runout (Side B Label): ST-E-60289-B-AR
• Matrix / Runout (Side A, variant 1): 1-2 SPAR STE-60289-A-3 B-18619 STERLING ?5385 0- SRC
• Matrix / Runout (Side B, variant 1): 1-2 SPAR SRC STE-60289-B-2 B-18620 -B2 ?5385-X O-SM1-1 STERLING
• Matrix / Runout (Side A, variant 2): 1-2 SPAR STE-60289-A-3 B-18619 STERLING ?5385 0- SRC
• Matrix / Runout (Side B, variant 2): 1-2 SPAR SRC STE-60289-B-2 B-18620 -B2 ?5385-X 0- STERLING
• Rights Society: BMI

       *Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.   *Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
*Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
 *Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.   Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear.