( NEIL YOUNG -Harvest)-most popular album/jarringly different styles-A0-LP
  A$   50
  $   33

 


A$ 50 Sold For
Jun 5, 2020 Sold Date
Jan 6, 2020 Start Date
1 Number Of Bids
  Australia Country Of Seller
eBay Sold at
 
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Description

ITEM: VINYL 12” LP 33 1/3rpm
ARTIST: NEIL YOUNG
TITLE: Harvest
CAT #: REPRISE, MS 2032
COUNTRY PRINTED: OZ
COVER: Gatefold (Grade at EXCELLENT+ )
LABELS: (Grade at NEAR MINT+)
VINYL: (Grade at NEAR MINT+)
TRACKS:
Side one
"Out on the Weekend" – 4:34
Neil Young - guitar, harmonica, vocal; Ben Keith - pedal steel guitar; Tim Drummond - bass; Kenny Buttrey - drums

"Harvest" – 3:11
Young - guitar, vocal; Keith - pedal steel guitar; John Harris - piano; Drummond - bass; Buttrey - drums

"A Man Needs a Maid" – 4:05
Young - piano, vocal; with the London Symphony Orchestra

"Heart of Gold" – 3:07
Young - guitar, harmonica, vocal; Teddy Irwin - guitar; Keith - pedal steel guitar; Drummond - bass; Buttrey - drums; Linda Ronstadt, James Taylor - backing vocals

"Are You Ready for the Country?" – 3:23
Young - piano, vocal; Keith - pedal steel guitar; Jack Nitzsche - lap steel guitar; Drummond - bass; Buttrey - drums; David Crosby, Graham Nash - backing vocals

Side two
"Old Man" – 3:24
Young - guitar, vocal; Keith - pedal steel guitar; Taylor - banjo guitar, backing vocal; James McMahon - piano; Drummond - bass; Buttrey - drums; Ronstadt - backing vocal

"There's a World" – 2:59
Young - piano, vocal; with the London Symphony Orchestra

"Alabama" – 4:02
Young - electric guitar, vocal; Keith - pedal steel guitar; Nitzsche - piano; Drummond - bass; Buttrey - drums; Crosby, Stephen Stills - backing vocals

"The Needle and the Damage Done" – 2:03 (recorded in concert January 30, 1971)
Young - guitar, vocal

"Words (Between the Lines of Age)" – 6:40
Young - electric guitar, vocal; Keith - pedal steel guitar; Nitzsche - piano; Drummond - bass; Buttrey - drums; Stills, Nash - backing vocals
COMMENT: Review by William Ruhlmann
  Neil Young's most popular album, Harvest employs a number of jarringly different styles. Much of it is country-tinged, although there is also an acoustic track, a couple of electric guitar-drenched rock performances, and two songs on which Young is accompanied by the London Symphony Orchestra. But the album does have an overall mood and an overall lyric content, and they conflict with each other: the mood is melancholic, but the songs mostly describe the longing for and fulfillment of new love. Young's concerns are perhaps most explicit on the controversial "A Man Needs a Maid," which contrasts the fears of committing to a relationship with simply living alone and hiring help. Over and over, he sings of the need for love in such songs as "Out on the Weekend," "Heart of Gold," and "Old Man," and the songs are unusually melodic and accessible; the rock numbers "Are You Ready for the Country" and "Alabama" are in Young's familiar style and unremarkable, and "There's a World" and "Words (Between the Lines of Age)" are ponderous and overdone. But the love songs and the harrowing portrait of a friend's descent into heroin addiction, "The Needle and the Damage Done," remain among Young's most affecting and memorable songs.  

Biography by Stephen Thomas Erlewine
After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic. From the beginning of his solo career in the late '60s until the late '90s, he never stopped writing, recording, and performing; his official catalog only represented a portion of his work, since he kept countless tapes of unreleased songs in his vaults.

Just as importantly, Young continually explored new musical territory, from rockabilly and the blues to electronic music. But these stylistic exercises only gained depth when compared to his two primary styles: gentle folk and country-rock, and crushingly loud electric guitar rock, which he frequently recorded with the Californian garage band Crazy Horse. Throughout his career, Young alternated between these two extremes, and both proved equally influential; there were just as many singer/songwriters as there were grunge and country-rock bands claiming to be influenced by Neil Young. Despite his enormous catalog and influence, Young continued to move forward, writing new songs and exploring new music. That restless spirit ensured that he was one of the few rock veterans as vital in his old age as he was in his youth.

VINYL GRADING SYSTEM

MINT:
RECORD: New condition with no surface marks or loss of sound quality.
COVER: New condition with no surface marks, creases or wear.
NEAR MINT:
RECORD: Barely noticeable surface mark with no loss of sound quality.
COVER: Barely noticeable surface mark/ wear.
EXCELLENT:
RECORD: Some signs of being played with extremely little if no loss of sound quality.
COVER: Slight wear or creasing.
VERY GOOD:
RECORD: Obviously been played with noticeable surface marks & the occasional light scratches but exhibits no major loss of sound quality.
COVER: Noticeable wear on cover, seam or spine.
+(PLUS)/-(MINUS):
Slightly up or down in condition as appears in the comments above.
NOTE:
Gradings are done visually unless there appears to be a questionable surface mark on the vinyl, it is then put on the turntable to check. A comment describing the outcome will appear if this is the case.

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