NEW YORK EXPRESS featuring MICKEY DENTON, Hot on the Clue PROMO USA EXC- LP
  $   20

 


$ 20 Sold For
Dec 24, 2017 Sold Date
Dec 23, 2017 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

  New York Express Featuring Mickey Denton ?– Hot On The Clue Label: Cherie ?– CR 19364 Format: Vinyl, LP, Album, SP  Country: US Released: 1982 Genre: Funk / Soul Style: Funk, Disco TracklistHide Credits A1 Show Me Your Good Side Written-By – Mark Morris (9) 4:58 A2 Beauthy And The Beast Written-By – Bill Muller*, Eric Morgeson 4:28 A3 Big Money Written-By – Dave Hendrickson, Mark Morris (9) 3:57 A4 It's All In Your Mind Written-By – LaRom Dionne 4:11 B1 Hot On The Clue Written-By – Mark Morris (9) 5:50 B2 A-Bomb Calling Written-By – Dave Hendrickson, Mark Morris (9), Rondal Gaines 6:01 B3 Kinky Thing Written-By – Dave Hendrickson, Mark Morris (9) 5:54 Companies, etc. Phonographic Copyright (p) – Atlantic Recording Corporation Copyright (c) – Atlantic Recording Corporation Distributed By – Atlantic Recording Corporation Pressed By – Specialty Records Corporation Recorded At – RMJ Studios Credits Alto Saxophone – Pete Kahn* Arranged By – Mike Theodore, N. Y. E.* Art Direction – Bob Defrin Backing Vocals – Brandye, David Hendrickson*, J. J. Barnes, Mark Morris (9), Ron Gaines* Backing Vocals [Brandye Are] – Donna Davis, Pam Vincent, Pam Lawson* Bass – David Hendrickson* Drums – Dave Marraccio Executive-Producer – Norton Stern Guitar – Mark Morris (9) Illustration [Cover] – Nancy Stahl Keyboards – Steve Broughton (4) Lead Vocals – Mickey Denton Percussion – Carl "Butch" Small Photography By – Larry Rich Producer – Mike Theodore, Ron Gaines* Recorded By – Rick Kerr Saxophone – Ron Gaines* Trumpet – Bill Lucas (2), Kalle Nemvalts  

USA PROMO PRESSING VINYL ALBUM WITH ORIGINAL COMPANY INNER SLEEVE.

SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR.  PROMO STAMP AND TIMING STRIP.  STICKER MARK ON FRONT.  INNER SLEEVE HAS MIDDLE SEAM SPLITS.

DISC[S]: EXCELLENT MINUS. NO SCRATCHES, JUST A FEW FINGERPRINTS. CLEAN LABELS.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.

On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.  



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