NICK CAVE FROM HER TO ETERNITY ORIG 1st PRESS on MUTE INSERT NM 1984
$
37
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Description
Here is a NEAR MINT MINUS! copy of the THIRD! LP from NICK CAVE titled FROM HER TO ETERNITY. It is an ORIGINAL pressing on the MUTE label, catalog #STUMM 17 in STEREO sound. This ORIGINAL LP was released in 1984. The vinyl is in NEAR MINT! condition, shiny, black and should have superb playback! It comes with its’ UNIQUE INNER LYRICS SLEEVE! The original cardboard cover is in EXCELLENT PLUS conditionwith just some small light creases along the edges, lower right corner bump/bend, light corner and edge wear. It is an NEAR MINT MINUS! copy of this LP for you to own. It is an opportunity to purchase this LP in this condition. It’s a true gem for the ALTERNATIVE / INDIE / POST-PUNK ROCK collector!! Email me with any questions and be sure to look at the pic’s. I DO NOT ACCEPT BIDS FROM OR MAIL TO SOUTH AMERICA, SOUTH AFRICA, ITALY & OTHER COUNTRIES. IF YOU ARE NOT FROM THE USA CONTACT ME BEFORE BIDDING! International bidders can email me for shipping rates. Thanks for Looking & Good Luck!
Music Review from AllMusic.com by Ned Raggett
Nick Cave launched his solo career in style with From Her to Eternity, an accomplished album mixing the frenzy and power of his Birthday Party days with a dank, moody atmosphere that showed he was not interested in simply continuing what the older group had done. To be sure, Mick Harvey joined him from the Party days, as ever playing a variety of instruments, while one-time Party guest Blixa Bargeld now became a permanent Cave partner, splitting his time between the Bad Seeds and Einsturzende Neubaten ever since. The group took wing with a harrowing version of Leonard Cohen's "Avalanche," Cave's wracked, buried tones suiting the Canadian legend's words perfectly, and never looked back. From Her to Eternity is crammed with any number of doom-laden songs, with Cave the understandable center of attention, his commanding vocals turning the blues and rural music into theatrical exhibitionism unmatched since Jim Morrison stalked stages. Songs like "Cabin Fever," with its steadily paced drumming and relentless piano line, and the more restrained and moody "The Moon Is in the Gutter" sound like cabarets in hell. "In the Ghetto," already perfectly suited to such a treatment, shows the underlying sense of beauty that defines the Seeds as much as drama. Even though it's a Presley cover, the sense of Scott Walker's influence isn't far away at all. The title track is and remains a Bad Seeds classic, played at shows up through the present, a tense piano/organ beginning then accompanied by the edgy build of the band, pounding drums, stabbing feedback and keyboard parts and more.
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