NICK DRAKE - Bryter Layter 1970 UK 1st Press ISLAND A-1U, B-1U EX+ ARCHIVE
  £   384
  $   509

 


£ 384 Sold For
Nov 8, 2020 Sold Date
Nov 1, 2020 Start Date
59   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description


NICK DRAKE -

BRYTER LAYTER


ISLAND

1st UK Press 1970

ILPS 9134

Machined matrices:  A-1U  B-1U

Mother stampers:  incredible earliest day one stampers "G" and "G"




  • Published By – Warlock Music
  • Produced For – Witchseason Productions Ltd.
  • Printed By – E.J. Day Group
  • Made By – E.J. Day Group

Credits

  • Arranged By [Brass, Strings] – Robert Kirby
  • Design [Sleeve Design], Photography By [Front Cover] – Nigel Waymouth
  • Engineer – John Wood
  • Photography By [Back Cover] – Keith Morris (8)
  • Producer – Joe Boyd
  • Vocals, Guitar – Nick Drake
  • Written-By – Nick Drake

Notes

Released in a textured cover on a "palm" pink rim Island label.

 1970

Barcode and Other Identifiers

  • Matrix / Runout (Side A runout, stamped): ILPS 9134 A-1 U
  • Matrix / Runout (Side B runout, stamped): ILPS 9134 B-1 U




One of the very rarest psych folk albums from the UK and any time this album comes up for sale there is a sense of excitement. This one is nice, please read on . Nick only sold 4000 copies for all three albums he did before his untimely demise. It is becoming nearly impossible these days to still find copies of the original first issue of this timeless album. 




 For auction is a rare and all round nice condition 1st U.K. press of Nick Drake’s second album Bryter Layter from 1970 on the Island label.

Matrices A-1U, B-1U.


Record itself in normal daylight is clean with a bright sheen. 

Labels clean and unmarked and EX.

Play test showed superb clear sound.

Here is a chance to own a copy of a very rare and desirable album. 




Musically haunting,  some strangely-strange melodies and great improvisations. This has long been a connoisseurs prog-folk album and highly sought after. I have always found this much harder to find than the first album and only ever seen two copies before and none even in the same class or league as this stunning example. These acid-folk albums are hard to find like this with nowhere for unwanted sounds to hide amongst the delicate acoustic and vocal music, this gave a fantastic performance throughout. Seeing is believing – this amazing and quite beautiful cover is truly as wonderful as it looks.  



This is one that will stick in my mind for sometime long after its gone. rarer even, in my opinion than his first album which I have come across a few times in my collecting time. This album has been truly elusive and I have only once ever seen a copy before. Do not let this most prized Island classic slip the net.



Vinyl: VG+.  There are a few wispy hairlines which are barely visible to the naked eye, unless seen under a strong light source. Under a very strong light just some paper retraction traces which even new vinyls would have. This vinyl sounds great with nothing untoward safe for some light crackle during the first 15 seconds each side. The audio has beautiful separation and there is barely any background noise. This vinyl looks and sounds great with a beautiful  sheen. I played this in full on my Linn Sondek/Rotel system and thoroughly enjoyed it.  I was even tempted to keep this as it will be impossible to find this ever again, it is indeed mega rare these days. Only two or three went up for sale this last year. Needless to say NO jumps or sticks. 



Sleeve: VG. Matt textured single sleeve without any major issues. The sleeve is square and flat but has some shelf wear as is evident from the pictures. The edges also have wear and there was a small 4 cm. spine split which has been professionally repaired. The opening is still very crisp. Apart from the storage wear there are NO creases and there is NO writing. There are no stains either. A phenomenally scarce album and rumoured to only have been pressed in a quantity of 900 to 1000. This is such a vulnerable sleeve and for that reason it is quite remarkable that this copy has remained in such superior condition. How many would have survived over the last 50 years??


With even more of the Fairport Convention crew helping him out -- including bassist Dave Pegg and drummer Dave Mattacks along with, again, a bit of help from Richard Thompson -- as well as John Cale and a variety of others, Drake tackled another excellent selection of songs on his second album. Demonstrating the abilities shown on Five Leaves Left didn't consist of a fluke, Bryter Layter featured another set of exquisitely arranged and performed tunes, with producer Joe Boyd and orchestrator Robert Kirby reprising their roles from the earlier release. Starting with the elegant instrumental "Introduction," as lovely a mood-setting piece as one would want, Bryter Layter indulges in a more playful sound at many points, showing that Drake was far from being a constant king of depression. While his performances remain generally low-key and his voice quietly passionate, the arrangements and surrounding musicians add a considerable amount of pep, as on the jazzy groove of the lengthy "Poor Boy." The argument could be made that this contravenes the spirit of Drake's work, but it feels more like a calmer equivalent to the genre-sliding experiments of Van Morrison at around the same time. Numbers that retain a softer approach, like "At the Chime of a City Clock," still possess a gentle drive to them. Cale's additions unsurprisingly favor the classically trained side of his personality, with particularly brilliant results on "Northern Sky." As his performances on keyboards and celeste help set the atmosphere, Drake reaches for a perfectly artful reflection on loss and loneliness and succeeds wonderfully. (allmusic.com)






International postage will incur an extra fee for tracking if over £30.00. Please wait for me to send you an adjusted invoice before paying. The tracked fee will be at actual Royal Mail grade. I do not profit from postage and actually undercharge.


 

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