NILSSON, Nilsson Schmilsson [with poster] USA EXCELLENT- LP Without You/Coconut

$

39

  Nilsson* ?– Nilsson Schmilsson Label: RCA Victor ?– LSP-4515 Format: Vinyl, LP, Album, Repress, Rockaway Pressing  Country: US Released: 1971 Genre: Rock, Pop Style: Pop Rock TracklistHide Credits A1 Gotta Get Up Accordion – Henry Krein Bass – Klaus Voormann Drums – Jim Gordon Guitar – Cris Speddin* Percussion – Richard Perry Piano, Vocals – Harry Nilsson Trumpet, Trombone, Arranged By [Horns] – Jim Price Written-By – Nilsson* 2:24 A2 Driving Along Acoustic Guitar, Lead Guitar – John Uribe Bass – Herbie Flowers Drums – Jim Gordon Mellotron – Harry Nilsson, Richard Perry Rhythm Guitar – Klaus Voormann Vocals – Harry Nilsson Written-By – Nilsson* 2:02 A3 Early In The Morning Engineer – Rich Schmitt Organ, Vocals – Harry Nilsson Recorded By [Recordist] – Dennis Smith Written-By – Bartley*, Hickman*, Jordan* 2:48 A4 The Moonbeam Song Acoustic Guitar – John Uribe, Klaus Voormann Bass – Herbie Flowers Vocals, Mellotron – Moonbeam Harry* Written-By – Nilsson* 3:18 A5 Down Bass – Klaus Voormann Drums – Jim Gordon, Jim Keltner Guitar – Cris Speddin* Organ – Roger Coolan* Piano, Vocals – Harry Nilsson Saxophone – Bobby Keys Trumpet, Trombone, Arranged By [Horns] – Jim Price Written-By – Nilsson* 3:24 B1 Without You Acoustic Guitar – John Uribe Arranged By [Strings, Horns], Conductor [Strings, Horns] – Paul Buckmaster Bass – Klaus Voormann Drums – Jim Keltner Piano – Gary Wright Vocals – Harry Nilsson Written-By – Ham*, Evans* 3:17 B2 Coconut Acoustic Guitar – Ian Duck Bass – Herbie Flowers Drums – Jim Gordon, Roger Pope Guitar – Caleb Quaye Percussion – Jim Gordon Vocals – Harry Nilsson Written-By – Nilsson* 3:48 B3 Let The Good Times Roll Bass – Klaus Voormann Guitar – Cris Speddin* Organ – Gary Wright Piano, Harmonica, Vocals – Harry Nilsson Written-By – Lee* 2:42 B4 Jump Into The Fire Bass – Herbie Flowers Drums, Percussion – Jim Gordon Lead Guitar – John Uribe Piano [Acoustic] – Jim Webb* Rhythm Guitar – Cris Speddin*, Klaus Voormann Vocals, Electric Piano – Harry Nilsson Written-By – Nilsson* 6:54 B5 I'll Never Leave You Arranged By [Strings, Horns], Conductor [Strings, Horns] – George Tipton Engineer – Rich Schmitt Piano, Vocals – Harry Nilsson Recorded By [Recordist] – Dennis Smith Written-By – Nilsson* 4:11 Companies, etc. Copyright (c) – RCA Records Recorded At – Trident Studios Recorded At – RCA Studios, Hollywood Recorded At – Island Studios Remixed At – Air Studios Remixed At – Island Studios Remixed At – Trident Studios Remixed At – RCA Studios, Hollywood Mastered At – The Mastering Lab Pressed By – RCA Records Pressing Plant, Rockaway Credits Engineer [Island Studios] – Phil Brown* Engineer [Trident Studios] – Robin Geoffrey Cable Graphics – Acy Lehman Photography By – Dean Torrance* Producer – Richard Perry Vocals – Harry Nilsson Notes "RE" printed on front and back covers. Orange "dynaflex" labels Dynaflex vinyl Jim Price, Caleb Quaye, John Uribe and Gary Wright appear through the courtesy of A&M Records, Inc. Bobby Keys appears through the courtesy of Warner Bros. Records Ltd. Jim Webb appears through the courtesy of Reprise Records, Inc. A Nilsson House Production Recorded at Trident Studios, London - June, 1971 "I'll Never Leave You" and "Early In The Morning" recorded in RCA Studios, Hollywood Additional recording at Island Studios, London Remixed at Air, Island, Trident Studios, London and RCA Studios, Hollywood. A very special thanks to Doug Sax Thanks to David Katz, Bill Price, Steve from Trident and to all who helped in the making of this album Public performance clearance - BMI except "Without You" - ASCAP TMK(s) ® by RCA Corporation © 1971 RCA Records, New York, N.Y. - Printed in U.S.A. Made in U.S.A. Has 12 x 24 Poster of Nilsson  

USA FIRST PRESSING VINYL ALBUM WITH ORIGINAL COMPANY INNER SLEEVE.

MATRIX:  SIDE A:  APRS-8010-4s-A23J R TML /  SIDE B:  APRS-8011-4s-A2AE3 R TML.

SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR.  EDGE/CORNER NICKS.  POSTER EXCELLENT MINUS,  INNER SLEEVE[S] VERY GOOD+ WITH NO SEAM SPLITS.

DISC[S]: EXCELLENT MINUS. NO SCRATCHES, JUST A FEW LIGHT HAIRLINES. CLEAN LABELS.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.

On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.  

     
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