NINA SIMONE PASTEL BLUES SEALED ORIG'65 PHILIPS MONO LP
$
260
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· NINA SIMONE – PASTEL BLUES – ORIGINAL 1965 PHILIPS RECORDS MONO LP PHM-200-187
· ORIGINAL U.S. PRESSING
*** STILL SEALED GUARANTEED ORIGINAL FIRST PRESSING ***
· BELIEVED TO BE PRESSED ON THE ORIGINAL BLACK PHILLIPS LABEL WITH BLUE LOGO ON TOP (NO OTHER STOCK MONO LABELS EXIST)
· THE THICKNESS OF THE VINYL, THE APPEARANCE AND THE CONSTRUCTION OF THE COVER, LABEL’S LOGO AND OTHER PERIPHERAL ELEMENTS OF THE COVER, ARE ALL PERFECTLY CONSISTENT WITH THE ORIGINAL, FIRST PRESSING OF THIS TITLE.
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· THICK, HEAVY VINYL PRESSING
· MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Released in 1965, Pastel Blues was one of Nina Simone's better titles for Philips.. While recording for Philips, Simone was -- as were most singers of the era -- surrounded by crowded studio production. She shed most of it, though, on this set. Evidence is in the opening cut: "Be My Husband" (co-written with her then-husband, Andy Stroud) is nearly an a cappella performance. Simone, singing in a classic field chant blues style, is accompanied only by Bobby Hamilton's hi-hat drenched in reverb. Simone's piano, thankfully, is front and center. She is a fine stylist, and the strange mix that pushes the piano to the same level as her voice is arresting. Other tracks that make this a keeper include her wonderful reading of "Nobody Knows You When You're Down and Out," her jazz-gospel version of "Trouble in Mind," and the striking New Orleans blues-styled barrelhouse piano she plays on "Chilly Winds Don't Blow." Her piano is font and center in "Ain't No Use," written by her guitarist, Rudy Stevenson. There is also her excellent cover of Lewis Allan's "Strange Fruit," which is very different in approach from Billie Holiday's version. The set ends with the traditional gospel tune "Sinnerman," which is frenetic, skittering, and full of fury. It's over ten minutes long and it never loses its urgent stride. The band comes in with a vengeance and the tension becomes nearly unbearable until the track explodes with a chorus of male backing singers chanting back to Simone, pushing the tune into the red. There are instrumental solos in the center, though the tautness of the track never loses its power. It is a finish that is utterly dramatic and even stunning.
(EXCERPT FROM AN ONLINE REVIEW BY THOM JUREK, ALL MUSIC GUIDE /ALLMUSIC.COM/)
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THIS IS A NO-RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID).
(b) The record is believed to come in its original stock inner sleeve.
(c) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(d) Mono pressing of this title is much rarer, and by far more preferable to its stereo counterpart. We think that the mix is more natural, humane, "organic" and that the mixes are somewhat different than on the stereo version. We estimate that stereo copies of this album outnumber mono pressings by a ratio of at least 3:1.
(e) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
COVER IS STRONG NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP
The following flaws or imperfections are noted on the cover:
- Cover has a small quality control (inspection) stamp on the back panel
- Cover has a tiny, barely visible. peel-off mark on the front side (less than 1/16th square inch in size)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No ring wear
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No wrinkles or creases
- No yellowing from aging
- No writing
- No tearing: no chips, dents or nicks on the seams
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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OUR REFUND POLICY :
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