NONESUCH LP H-71127: G.F. HANDEL - Water Music - Pierre Boulez - 1966 USA SEALED
  $   30

 


$ 30 Sold For
Jun 22, 2020 Sold Date
Mar 25, 2020 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
save auction  

Description

****Welcome to our listing, thanks very much for looking!

****See our own website! We have lots of out of print LPs and CDs! Find us on the web at -

                 hearthedifference.net

****Shipping cost is only an estimate - it depends on the actual weight and size of the package as well as the service required. We do not profit from shipping costs, so if we overcharge, we will refund the difference back to you. It's always best to wait for our invoice before paying for your item. We will combine shipping for multiple items purchased.

****Please see our other listings - new items added daily!

****To access our eBay store click on the little red door at the top right section of any of our eBay listings or, click on -

http://stores.ebay.com/Hear-The-Difference

Background -

Pierre Boulez, French composer, conductor, and music theorist, was regarded as a leading composer of the post-Webern serialist movement who also embraced aleatory elements and electronics.

As a child, Boulez demonstrated a formidable aptitude in mathematics, but in 1942 enrolled at the Paris Conservatoire. His studies there often ran into difficulties, as he rapidly developed revolutionary attitudes toward all things traditional. Two decisive influences during those years helped to shape his musical personality. The first was Olivier Messiaen, the other was René Leibowitz, who introduced him to serial music, where Boulez found "a harmonic and contrapuntal richness and a capacity for development an extension of a kind I have never found anywhere else."

By the late 1940s, Boulez began using a technique known as total serialization. One of his earliest works to gain public notice was his Second Piano Sonata (1948), following its performance in concert at Darmstadt in 1952 by Yvonne Loriod, Messiaen's wife. The piece from the 1950s that sealed his reputation was Le Marteau sans Maître from 1954 (revised in 1955), for singer and chamber ensemble. The instrumentation gives prominence to exotic percussion, extended vocal techniques, and textures that are often brittle, but also lyrical. Rigorously organized, Le Marteau nonetheless goes beyond strict serialism to a more personal style. The premiere took place in Germany in 1955 under Hans Rosbaud, after the Südwestfunk Radio underwrote an astounding 50 rehearsals in order that the piece be performed properly.

During the latter 1950s he began allowing greater freedom for the performer in works like Improvisations sur Mallarmé for soprano and chamber ensemble. In his Third Piano Sonata (1957), the pianist can reorder the five movements in a variety of ways, and certain passages within the movements offer alternate paths, thereby making the artist select which to play and which to omit. In 1957, Boulez embarked on Pli Selon Pli, a work in five movements for soprano and orchestra to texts by Mallarmé, making use of a more restrained open-form technique. Boulez was also known for withdrawing and rewriting his compositions, making nearly everything he wrote a work in progress. For instance, ...explosante-fixe..., first sketched in 1971, engendered a number of works and transitory phases over approximately 25 years, including a 1996 version for solo MIDI flute and chamber ensemble. In 2000, he received the prestigious Grawemeyer Award in Composition for his 40-minute chamber piece Sur Incises for three pianos, three harps, and three percussionists.

Boulez was also one of the 20th century's most influential conductors, known for extraordinarily precise performances of contemporary works by Bartók, Ligeti, Messiaen, and Varèse, among many others. He debuted in America in 1965 with the Cleveland Orchestra, and in 1966 conducted his first operas, Wozzeck and Parsifal, and made his first orchestral recordings. In 1968 he was named music director of both the BBC Symphony Orchestra and New York Philharmonic, where his programs of modern music were often met with harsh criticism. In 1970 French President Pompidou announced the experimental electronic music institute Institut de Recherche et de Coordination Acoustique/Musique (IRCAM) to be under Boulez's administration, where he remained until the mid-1990s. In 1975, he formed the Ensemble InterContemporain, an ensemble devoted entirely to performing new music, including his own Repons (1980). The following year, Boulez was invited to lead the centenary performances of Wagner's Ring Cycle at the Bayreuth Festival. Around the same time, Boulez left his permanent conducting appointments, but continued to guest conduct many leading orchestras often. As a conductor, Boulez made many notable recordings; in 1996 he won a Grammy for his recording of Debussy's La Mer with the Cleveland Orchestra. Active into his eighties, Boulez's repertoire expanded to include works by such composers as Mahler, Janácek, and Szymanowski. Health issues limited his engagements after 2012, and he unfortunately was too ill to attend celebrations in honor of his 90th birthday. Boulez passed away at his home in Baden-Baden in January 2016. - Rovi Staff

  • LP made by NONESUCH Records, in the USA

  • LP released in 1966

  • LP is recorded in STEREO

  • Record Catalog Number: H-71127

This listing is for a rare, out of print LP title - a FACTORY SEALED assumed to be MINT condition LP PRESSED and ISSUED by NONESUCH Records of a highly collectible title from their catalog - a superb title featuring -

George Frederick Handle // Pierre Boulez

LP Title -

Water Music

Track Listing -

Water Music:
Suite No. 1 In F Major
Suite No. 2 In D Major
Suite No. 3 In G Major

Performers / Other Information -
• Mastered At – Sterling Sound
• Made By – Tono (Zürich)
• Composed By – George Frederick Handel (1685-1759)
• Conductor – Pierre Boulez
• Orchestra – The Hague Philharmonic Orchestra
• Sleeve Notes – Bernard Jacobson
• A Tono (Zürich) Production. Licensed for Sale in U.S.A. and Canada only.

CONDITION Details:

The LP jacket is in mint condition! The jacket is tight and clean, with NO seam splits, NO cut out marks and NO discoloration. The corners are solid, with just a bit of shelf wear the seams and corners. The original shrink wrap is still on the jacket. The colors on the jacket are clean and sharp - a superb, collector's grade example.

The LP is assumed to be in mint condition as this item is FACTORY SEALED!

A Short Note About LP GRADING -

  • Mint = Only used for sealed items.
  • Near Mint = Virtually flawless in every way.
  • Near Mint Minus = Item has some minor imperfections, some audible.
  • Excellent = Item obviously played and enjoyed with some noise.
  • Very Good Plus = Many more imperfections which are noticeable and obtrusive.

For best results, always thoroughly clean your LPs before playing them.

LPs can be audiophile quality pressings (any collector of fine MFSL, half speeds, direct to discs, Japanese/UK pressings etc., can attest to the difference a quality pressing can make to an audio system).

Don't let this rarity slip by!!!


price rating