New Music From London MAXWELL DAVIES, BIRTWISTLE, BEDFORD, ORTON LP NM/NM WLP
$
25
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Description
Condition: To my non US customers. Do not ask me to falsify or alter customs forms values of your items. I will not do so.
Peter Maxwell Davies, Harrison Birtwistle, David Bedford, Richard Orton (2) ?– New Music From London
Label: Mainstream Records ?– MS/5001 Format: Vinyl, LP, Promo, GatefoldCountry: US Released: 1970 Genre: Classical Style: Contemporary
TracklistHide Credits
A1 –Peter Maxwell Davies Antechrist Cello – Jennifer Ward ClarkeClarinet, Bass Clarinet, Clarinet [E-flat] – Alan HackerConductor – Peter Maxwell DaviesFlute, Flute [Alto], Piccolo Flute – Judith PearceKeyboards [Keyboard Instruments] – Stephen PruslinPercussion – Barry QuinnPerformer – Pierrot Players, TheViolin, Viola – Duncan Druce 5:59 A2 –Harrison Birtwistle Ring A Dumb Carillon Clarinet – Alan HackerLyrics By – Christopher LoguePercussion – Barry QuinnSoprano Vocals – Mary Thomas 15:14 B1 –David Bedford Come In Here Child Lyrics By – Kenneth PatchenPiano – John TilburySoprano Vocals – Jane Manning 8:21 B2 –Richard Orton (2) Cycle, For 2 Or 4 Players Cello – Moray WelshPiano, Percussion – Richard Orton (2) 12:05Credits
- A&R, Photography By – Earle Brown
- Coordinator [Album Coordination] – Audrey Portnoy
- Design [Album] – Ely Besalel
- Engineer [Original Recording] – Mike Claydon
- Liner Notes – David Bedford, Harrison Birtwistle, Peter Maxwell Davies, Richard Orton (2)
- Mastered By – Eugene Thompson
- Typography – Composing Room, Inc., The
Notes
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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