New Trolls / Atomic System N.T. 73 Italian prog on 1st press Magma rec EX++/EX
  $   99

 


$ 99 Sold For
May 1, 2014 Sold Date
Apr 24, 2014 Start Date
1 Number Of Bids
  Italy Country Of Seller
eBay Sold at
 
 
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Description

 

 

Note for US buyers. The exact postage rate is not $4, postage rates are specified below.

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CONDITIONS (VISUAL) (REC./COV.): .EX++/EX

INSERT: VG+

YOUTUBE VIDEO: http://www.youtube.com/watch?v=yMpYE3UGRrU

NOTE: .N.T. ATOMIC SYSTEM released their first album in 1973, a splendid album very rich in the vein of classic Ital-Prog culture with Vittorio De Scalzi himself playing flute and keyboards along with guitar... The music on this album is fully of beautiful melodies and dramatic instrumentation. On this album they have added the female vocals of Anna e Giulietta whose voice sounds great along with De Scalzi's. This album contains the bands rendition of Mussorgsky's "A night on Bare Mountain" (Una notte sul Monte Calvo),... a short but great instrumental track, sounding a bit evil and creepy. One of the standout aspects of this album for me is the great keyboard playing of Renato Rosset (piano, Hammond organ, moog, mellotron and electric piano). This album has it all.lots of sound dynamics, the special 70's Italian passion with great theme dynamics and great instrumentation. My personal favourite is track 6 "Quando L'Erba Vestiva La Terra" which carries a strong PROCOL HARUM feel with dense yet lush symphonic organ and keyboards as well as a beautiful melody. The last song "Butterfly" is surprisingly sung in English and sounds like Ian ANDERSON (JETHRO TULLl) with a heavy MOODY BLUES feel to this last track. For me this is definitely not only the best NEW TROLLS album but also would have to rank IMHO as one of the very best albums from the 70's Ital-Prog scene. An essential Ital-prog album deserving to be in your collection !




Released at a time when Vittorio de Scalzi was not sure if he was able to use the NEW TROLLS name, so the original LP was released simply as N.T. ATOMIC SYSTEM. What happened was, shortly after the release of UT at the closing weeks of 1972, there was a split in the band. Vittorio de Scalzi wanted the band to go the prog rock route, which Nico di Palo wanted the band to go the hard rock direction. So NEW TROLLS broke up, and di Palo went to form a group that was to be called IBIS (they had an album released in 1973 with a big question mark on the cover, which the name eludes me at the point). During legal battles over NEW TROLLS and IBIS, de Scalzi formed a new band called N.T. ATOMIC SYSTEM with him on keyboards and vocals, Giorgio D'Adamo on bass, Renato Rosset on keyboards, Giorgio Baiocco on sax and Eminent, Tullio D'Episcopo on drums, and Ramasandiran Somusundaran on percussion. This helped de Scazli pursue the prog rock direction he wanted. And also he launched the Magma label, in which this band, as well as ALPHATAURUS, LATTE E MIELLE, the totally obcure but wonderful "Pholas Dactylus", and even Ramasandiran Somusundaran all recorded for.

Many people regard N.T. ATOMIC SYSTYEM as one of the greatest Italian prog rock albums, but I am not one of them. I rate this album up there with SEMIRAMIS' "Dedicato a Frazz", and IL BALLETTO DI BRONZO's "YS", as being overrated and a bit overhyped, but still worth having. Without a doubt the two best songs on this album, "La Nuova Predica di Padra O'Brein" and "Ibernazione", five stars all the way for those songs, they can rival many of the Italian greats such as BANCO or MUSEO ROSENBACH. I've also really grown to like "Ho Visto Poi", which reminds me of PFM. But there are some pieces I think drag on, bogging down the album a bit. One is "Tornare a Credere", which sounds is more pop-oriented, except for the middle part, which is much more prog, and a killer passage. "Butterfly", the only piece sung in English, finds the band moving away from prog rock and to West Coast folk rock, late '60s style, almost having more in common with JEFFERSON AIRPLANE or IT'S A BEAUTIFUL DAY (minus the violin) than NEW TROLLS, SEMIRAMIS, MUSEO ROSENBACH, etc. The problem I have is with the crap lyrics, telling the story of a kid getting lost in the woods catching butterflies. Basically this kind of music should've been left for the California bands of the late '60s, not an Italian prog band of 1973. Again, this is still a worthwhile album, but doesn't quite live up to the status of "Greatest Italian Prog Album" to me. 

(progarchives.com)


Magma Records (Italy/1973) MAGL 18003


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The record is located in Italy

My grading scale is :  M-, EX, VG+,VG, G

 

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COSTI SPEDIZIONE: SHIPPING

ITALIA : POSTA RACCOMANDATA - € 9,00 (EURO).

 ( Per acquisti multipli fino a 7 lp il prezzo per la spedizione è  €  9,00 – Anche se si acquistano dischi in vendita su EBAY.FR o  EBAY.COM  con il prezzo espresso in dollari USA, la spedizione per l’Italia è sempre di € 9 complessivamente )

 

EUROPE/ RUSSIAN FEDERATION : international (Registered Shipping) 

1 TO 3 LPs --------------------  € 13,00 (EURO)        (about $ 17)  

4 TO 6 LPs --------------------  € 19,00 (EURO)        (about $ 25)  

REST OF THE WORLD: international (Registered Shipping)

1 TO 3 LPs ______________  $ 24,00 (US Dollar)         (about € 18)  

4 TO 6 LPs ------------------  $ 38,00 (US Dollar)     (about € 29)  

OCEANIA : international (Registered Shipping)

1 TO 3 LPs ______________  $ 32,00 (US Dollar)         (about € 24)  

4 TO 6 LPs ------------------  $ 45,00 (US Dollar)       (about € 34)  

 

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Record Collector Magazine Grading System

MINT The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint. 

EXCELLENT The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. 

VERY GOOD The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable. 

GOOD The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc. 

FAIR The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced. 

POOR The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing. 

BAD The record is unplayable or might even be broken, and is only of use as a collection-filler.

 




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