ORNETTE COLEMAN SHAPE OF JAZZ TO COME VERY RARE VINTAGE FACTORY SEALED LP

$

108

ORNETTE COLEMAN~SHAPE OF JAZZ TO COME>>VERY RARE VINTAGE FACTORY SEALED LP

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Description :

ORNETTE COLEMAN "THE SHAPE OF JAZZ TO COME" ATLANTIC 1317
INCREDIBLE COLLECTIBLE HERE: A FACTORY SEALED VINTAGE PRESSING OF THIS CLASSIC JAZZ LP ISSUED IN 1959! THOUGH WE DON'T HAVE X-RAY VISION, EVERYTHING ABOUT THIS SEALED COPY INDICATES THAT IT IS AT LEAST 40 YEARS OLD. THERE IS NO BARCODE ON THE COVER AND IT IS CONSTRUCTED OF TRADITIONAL CARDBOARD.  THE ALBUM FEELS QUITE STIFF, NOT FLEXIBLE, AND IS QUITE HEAVY. THE COVER IS IN ITS ORIGINAL SHRINKWRAP AND IS NOT A RE-WRAP. THE SHRINK AND THE COVER IS 99% PERFECT.
YOU WON'T FIND ANOTHER SEALED COPY OF THIS GREAT JAZZ LP ANYTIME SOON!
Ornette Coleman's Atlantic debut, The Shape of Jazz to Come, was a watershed event in the genesis of avant-garde jazz, profoundly steering its future course and throwing down a gauntlet that some still haven't come to grips with. The record shattered traditional concepts of harmony in jazz, getting rid of not only the piano player but the whole idea of concretely outlined chord changes. The pieces here follow almost no predetermined harmonic structure, which allows Coleman and partner Don Cherry an unprecedented freedom to take the melodies of their solo lines wherever they felt like going in the moment, regardless of what the piece's tonal center had seemed to be. Plus, this was the first time Coleman recorded with a rhythm section -- bassist Charlie Haden and drummer Billy Higgins -- that was loose and open-eared enough to follow his already controversial conception. Coleman's ideals of freedom in jazz made him a feared radical in some quarters; there was much carping about his music flying off in all directions, with little direct relation to the original theme statements. If only those critics could have known how far out things would get in just a few short years; in hindsight, it's hard to see just what the fuss was about, since this is an accessible, frequently swinging record. It's true that Coleman's piercing, wailing alto squeals and vocalized effects weren't much beholden to conventional technique, and that his themes often followed unpredictable courses, and that the group's improvisations were very free-associative. But at this point, Coleman's desire for freedom was directly related to his sense of melody -- which was free-flowing, yes, but still very melodic. Of the individual pieces, the haunting "Lonely Woman" is a stone-cold classic, and "Congeniality" and "Peace" aren't far behind. Any understanding of jazz's avant-garde should begin here.

The image included with the auction is a scan of the actual item but, due to size limitations of the scanner, the edges of the item may have been cropped.
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In Your Ear has been selling music to the masses since 1982. We carry new and used LPs, CDs, DVDs, 45s, 12" singles, posters and who-knows-what-else! We have 2 physical locations in Massachusetts and 1 in Rhode Island:

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