ORNETTE COLEMAN w/ERIC DOLPHY TWINS INSANELY RARE ORIG ATLANTIC LP TEST PRESSING
$
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Description
WE CURRENTLY HAVE MORE THAN 1,000 LISTED ITEMS
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· ORNETTE COLEMAN with ERIC DOLPHY, FREDDIE HUBBARD, SCOTT LaFARO, DON CHERRY, BILLY HIGGINS, CHARLIE HADEN, and ED BLACKWELL – TWINS – RARE ORIGINAL 1971 ATLANTIC RECORDS STEREO LP SD-1588
· ORIGINAL U.S. PRESSING
· ULTRA-RARE TEST PRESSING
· PLAIN, WHITE, GENERIC TEST PRESSING LABEL WITHOUT ANY IDENTIFICATION MARKS WHATSOEVER EXCEPT FOR THE NAME OF THE LABEL, MATRIX NUMBER AND SCHEDULED DATE OF RELEASE
· THIS TEST PRESSING COMES IN ITS GENERIC, PLAIN, WHITE COVER WITH "HOME-MADE" ARTWORK BY AN ANONYMOUS ARTIST, AND WITH TYPEWRITTEN DATA SHEET AFFIXED TO THE FRONT PANEL ;
· The record has a George Piros’ name or his initials (GP) clearly stamped or hand-etched in the trail-off vinyl (dead wax)
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· THICK, HEAVY VINYL PRESSING
· CLEAN, WEAR-FREE LABELS
· PLEASE NOTE: THE MATRIX NUMBER IN THE TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD IS CONSISTENT WITH THE ORIGINAL, FIRST, 1971 PRESSING OF THIS ALBUM; THIS IS NOT, REPEAT: NOT A TEST PRESSING OF ONE OF THE SUBSEQUENT REISSUES OR REMASTERS.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Amazing !!! An unbelievable piece: What we have here is an unheard-of TEST PRESSING of MAJOR Ornette Coleman release. While many test pressings often have alternate or demo- versions of known, later released songs, and while it is possible that this particular test pressing contains demo or alternate versions of some of the tracks, please don’t take our word that it does:
PLEASE NOTE: THIS TEST PRESSING APPARENTLY NEVER HAD A CUSTOM COVER; THE ALBUM WILL BE SHIPPED IN A PLAIN, GENERIC [WHITE] CARDBOARD COVER. TEST PRESSINGS ARE RARELY – IF EVER – FOUND IN CUSTOM (STOCK) COVERS.
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Ornette Coleman's Twins (first issued on LP in 1971) has been looked at as an afterthought in many respects. A collection of sessions from 1959, 1960, and 1961 with different bands, they are allegedly takes from vinyl LP sessions commercially limited at that time to 40 minutes on vinyl, and not initially released until many years later. Connoisseurs consider this one of his better recordings in that it offers an overview of what Coleman was thinking in those pivotal years of the free bop movement rather than the concentrated efforts of The Art of the Improvisers, Change of the Century, The Shape of Jazz to Come, This Is Our Music, and of course the pivotal Free Jazz. There are three most definitive selections that define Coleman's sound and concept. "Monk & the Nun" is angular like Thelonious Monk, soulful as spiritualism, and golden with the rhythm team of bassist Charlie Haden and drummer Billy Higgins driving the sweet and sour alto sax of Coleman and piquant trumpeting of Don Cherry. "Check Up" is a wild roller coaster ride, mixing meters, tempos, and dynamics in a blender in an unforgettable display of sheer virtuosity, and featuring bassist Scott LaFaro. "Joy of a Toy" displays the playful Ornette Coleman in interval leaps, complicated bungee jumps, in many ways whimsical but not undecipherable. It is one of the most intriguing of all of Coleman's compositions. Less essential, "First Take" showcases his double quartet in a churning composition left off the original release This Is Our Music, loaded with interplay as a showcase for a precocious young trumpeter named Freddie Hubbard, the ribald bass clarinet of Eric Dolphy, and the first appearance with Coleman's groups for New Orleans drummer Ed Blackwell. "Little Symphony" has a great written line with room for solos in a joyful hard bop center with the quartet of Coleman, Cherry, Haden, and Blackwell. All in all an excellent outing for Coleman from a hodgepodge of recordings that gives a broader view of his vision and the music that would come later in the '60s.
(EXCERPT FROM AN ONLINE REVIEW BY MICHAEL G. NASTOS, ALL MUSIC GUIDE /ALLMUSIC.COM/)
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
COVER : This reference pressing comes without any custom jacket, and will be shipped in its original plain, generic, white cardboard cover with a typewritten data sheet attached (NOT GRADED SEPARATELY, BUT IN A NICE CONDITION OVERALL)
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