OSCAR PETERSON PLAYS THE JEROME KERN SONG BOOK MONO VERVE LP NMM 1959

$

73

Here is a NEAR MINT MINUS/EXCELLENT PLUS! LP by OSCAR PETERSON titled OSCAR PETERSON PLAYS THE JEROME KERN SONG BOOK. It is an ORIGINAL! US pressing on the VERVE  label, catalog #MG V 2056 in MONO and released in 1959. The vinyl is in NEAR MINT MINUS! condition shiny and black and should have excellent playback. The cover is in EXCELLENT PLUS! condition with a small owner’s catalog sticker top left front, light pencil top left rear, very light surface/ring wear, corner and edge wear. It is an opportunity to purchase this LP by OSCAR PETERSON in this condition. It’s a true gem for the JAZZ collector! Email me with any questions and be sure to look at the pic’s. I DO NOT ACCEPT BIDS FROM OR MAIL TO SOUTH AMERICA, SOUTH AFRICA, ITALY & OTHER COUNTRIES. IF YOU ARE NOT FROM THE USA CONTACT ME BEFORE BIDDING! International bidders can email me for shipping rates. SHIPPING IN THE US IS $4.00 for MEDIA MAIL. I COMBINE SHIPPING SO US BUYERS PLEASE WAIT FOR INVOICE! Thanks for Looking & Good Luck!

Music Review from AllMusic.com by Michael G. Nastos

Jerome Kern's stage tunes -- going back to the late '20s with the acclaimed presentation Show Boat -- right up to the '40s, will forever be at the core of quintessential American popular songs that hold a dear place in the heart of all straight-ahead jazz performers. Oscar Peterson's immortal trio with bassist Ray Brown and drummer Ed Thigpen play Kern's themes expertly, with no small degree of interpretation, and a clever angle on these well-worn songs that only Peterson can self-identify with his genius mindset. The title should be more accurately "The Jerome Kern & Friends Songbook," as he always co-wrote with such notables as Oscar Hammerstein II, Otto Harbach, Ira Gershwin, and Dorothy Fields, but these are all instrumental versions of his priceless musical scores and are immediately familiar without lyrics. From the actual Show Boat set list, "Ol' Man River" has endured the longest, and here it rumbles with Thigpen's incredible drums, rambles via Peterson, then has the pianist and bassist in cross talk with space. "Can't Help Lovin' Dat Man" is a tender ballad, slowly unfolding as the chiming chords of Peterson's reflect a melodic comparison of "Stairway to the Stars." The third Show Boat revision, "Bill," is so downplayed and minimal that it is reduced to a steamy crawl. Most astute listeners will easily recognize the perky and hopped up "I Won't Dance" due to Thigpen's expert brush work, while Peterson changes up the harmonic insides of the tune and speeds along on a death-defying solo. "The Song Is You" stops and starts fearlessly then jams into fourth gear immediately, "The Way You Look Tonight" is standard, reliable fare remade in Peterson's image with no strain, and his girthy chords block out "A Fine Romance." There's always a regal side to the pianist in his ability to perceptively tone down his wilder notions; the effortless, serene, and supremely confident take of "Long Ago," a British-styled "Lovely to Look at You," and purely tender "Smoke Gets in Your Eyes" act as final answer evidence. Of the many recordings this great jazz trio made, this is one of the top three, and even though it clocks in at under thirty five minutes with no alternate takes. It remains a monument to the Peterson trio's timeless quality, and is a fitting tribute to Jerome Kern's everlasting genius as one of the true great American popular songwriters.