O.V. WRIGHT A Nickel And A Nail REISSUE-MEMPHIS STYLE R&B IN THE GRAND TRADITION
$
35
$ 35
Sold For
Jun 15, 2018
Sold Date
$ 40
Start price
1
Number Of Bids
USA
Country Of Seller
eBay
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Description
O.V. WRIGHT A Nickel And A Nail REISSUE-MEMPHIS STYLE R&B IN THE GRAND TRADITION
A VG++ LP ON MCA BB 70FROM 1980 AN MCA REISSUE OF HIS SEMINAL 1970 RELEASE ON BACK BEAT
PRODUCED BY WILLIE MITCHELL AND RECORDED ON MEMPHIS
WITH RHODES CHALMERS & RHODES ON VOCAL BACKGROUNDS
WITH THE MEMPHIS AND THE HODGE BROTHERS IN RHYTHM
TRACKS AS SHOWN ON THE LABEL PHOTOS
MORE INFO FROM ALLMUSIC.COM
The golden era of Southern soul was essentially over by 1971, but thankfully no one told O.V. Wright about this; this album, which as the title suggests featured two of his biggest hits, showed that his gifts as a vocalist were near the peak of their strength, and this is Memphis-style R&B in the grand tradition. Willie Mitchell produced these sessions at his Royal Recording Studio in Memphis, with the Hi Records Rhythm Section and the Memphis Horns providing the backing, and their performances lend the music a smooth, glorious burn like fine brandy, and are not unlike the work they did with Al Green, but reveal a darker and bluesier tone. Great as the band is, Wright headlines this show, and when he sings he dominates these sessions with grace and authority; the longing and hurt in his voice are a wonder to behold, and the burnished gospel influences in his voice meld the secular and the sacred with a powerful common belief, particularly on "He Made Woman for Man." The lovers' ache of "Don't Take It Away" and "When You Took Your Love from Me," and the blues-shot laments of "A Nickel and a Nail" and "Afflicted" are as powerful as Southern soul got in the early '70s. Wright was a master of this form, and while he would lose his life only nine years after this album was released, A Nickel and a Nail and Ace of Spades sounds like the work of an artist as powerful and vital as you could ask for. Brilliant music, despite cover art that makes this look like a low-budget bootleg.
COVER STOCK WITH OBVIOUS RUB AND RING WEAR AND AGE DISCOLORATION. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. PUNCH CUT HOLE BOTTOM LEFT CORNER AS WELL AS A NOTCH CUT. PRICE CODE STICKERS TOP LEFT FRONT (YELLOW ROUND CIRCLE OVER A WHITE STICKER AND WHICH ARE IMPOSSIBLE TO REMOVE WITHOUT TEARS).NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.
SPINDLE HOLE WITH SOME FAINT RUB MARKS. THE HIGH LUSTER VINYL BLANK AT FIRST GLANCE OUT OF THE SLEEVE APPEARS UNUSUALLY PRISTINE AND TO HAVE NOT BEEN PLAYED, MUCH LESS TOUCHED, BEFORE NOW. UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION A FEW LIGHT SURFACE RUB MARKS AND OR PAPER SLEEVE STORAGE IMPRESSIONS. SIDE TWO WITH TWO SMALL SURFACE RUB SCUFF LINES IN THE 1ST TRACK. WE'VE TEST PLAYED THIS LP BY SAMPLING EACH TRACK 2-3 TIMES ON A VPI TURNTABLE WITH A GRADO REFERENCE ONE WOOD CARTRIDGE WITHOUT NOTICE OF THE ABOVE ITEMS AND SOUNDING QUITE FINE HERE.
⁂PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
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837 (GS 7.0.15 (837))
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