Otomo Yoshihide's New Jazz Orchestra ‎– Out To Lunch 2LP NEW Aguirre

$

32

First-time vinyl release. Old-style gatefold LP with liner notes by Kahimi Karie, Otomo Yoshihide & Tonoyama Taiji. 
Eric Dolphy's final studio album is hailed as one of the finest examples of mid-'60s post bop. Its reputation is purely one of backwards significance. Dolphy, having recorded the album in February 1964, was in Europe less than six weeks later and his all-too-brief life ended less than two months after that. Though likely he never held a copy in his hands or heard any critical opinion of it, it marked his last flurry of original compositions and is considered his apex. It is fascinating to consider whether he would had moved past or away from the album in 1965, had he lived.
Though Dolphy should not be considered an avant-garde musician by the term's most common definitions, most interpretations of Out To Lunch have been done by players working squarely in that area. So it is with this album, the most ambitious in its recreation of the five-tune disc (with one original added to the final "Straight Up and Down, extending the piece to almost thirty minutes). All five compositions from the original quintet LP are revisited in the same order, the record sleeve even duplicates the old album jacket, down to the typeface and black-and-blue color scheme, although a photo taken by Daidō Moriyama inside Tokyo's massive (and massively busy) Shinjuku railway station replaces the Dolphy's album's enigmatic "Will Be Back" sign, whose clock hands indicated no conventional time of expected return.
Otomo Yoshihide first came to international prominence in the 1990s as the leader of the experimental rock group Ground Zero, and has since worked in a variety of contexts, ranging from free improvisation to noise, jazz, avant-garde and contemporary classical. The always surprising and sometimes confounding turntablist, sound artist, onkyo improviser and now avant jazzer heading up a 15-piece aggregation of Japanese and European experimentalists. Who better to grapple with Dolphy's legacy -- so idiosyncratic in its day and yet so influential to creative improvisers who followed -- than a musician with his own singular take on how sounds can be organized in the jazz realm over 40 years later and half a world away? In other words don't expect the conventional from Otomo any more than you would from Dolphy himself. That's not to say that recognizable themes ("Hat and Beard," "Out to Lunch," "Straight Up and Down") don't appear, or that individual players -- including Alfred Harth on bass clarinet bursting into the mix and leaping across the instrument's tonal range in a way that recalls the master himself -- don't carry forward echoes from the past in the spirit of a sincere and heartfelt homage.
However, a good deal of the time all bets are off; in addition to the usual brass, reeds, bass, and drums (and of course a bit of vibraphone, here played by Takara Kumiko in far less prominent role than that of Bobby Hutcherson) are such sonic paraphernalia as sine waves, contact mike, no-input mixing board, and, of course, "computer." (Otomo himself plays skronky electric guitar.) From composition to composition and even during episodes within compositions, the band takes radically different approaches. There are blasts of free jazz energy not too far removed from the Peter Brötzmann Tentet, an impression reinforced by the presence of spluttering wildman Mats Gustafsson on baritone sax. Not surprisingly and often in contrast with the Dolphy original, the music is dense and filled to overflowing with sounds -- sometimes due to fundamental reworkings in structure rather than just the larger size of the ensemble. The middle section of "Something Sweet, Something Tender" somewhat belies the original's title with elongated howls and cries from the horns over slo-mo bass, drums, and electronic noise poised somewhere between dirge and drone, and the sudden explosion of punk-ish rock energy in the following "Gazzelloni" is a startling contrast.
At times, the feeling is that of listening to the original Out To Lunch while a séance is going on to contact Dolphy's ghost, with supernatural sounds swirling around the stereo. The effect is disconcerting, as is the post-apocalyptic cloud hanging over the arrangements, but it makes the effort more than an unnecessary tribute album. Instead, Dolphy is transported into the 21st Century and allowed to romp through modern developments in music. An inspiring concept and an album that will stretch the boundaries of anyone who comes into contact with it. SHIPPING / ORDER INFORMATION: Orders with a value of $30 or less: $5.50 per order: USPS Media Mail (includes tracking).  Orders with a value of $30 or greater: $6.50: USPS Media Mail (includes tracking, insurance). In either case, if you paid multiple shipping charges when checking out, all overage will be refunded to you! 
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All packages ship media mail unless requested by the buyer to ship another method (the difference for upgrading will be covered by the buyer). Orders are shipped out twice per week, but not on set days - it just depends on the volume. You will not see tracking info posted until the package is ready to go out the door (from which point they get dropped off that night or the following day depending on when they're being worked on).
SHIPPING and PACKAGING (updated 10/09/22): Shipping is a flat $5.50 per order (apologies on the $4.50 referenced on the listings - these will slowly be changed). Orders over $50 include insurance. Orders over $100 ship for free. All packages ship media mail unless requested by the buyer to ship another method (the difference for upgrading will be covered by the buyer). Orders are shipped out twice per week, but not on set days - it just depends on the volume. You will not see tracking info posted until the package is ready to go out the door (from which point they get dropped off that night or the following day depending on when they're being worked on). Records that are shrink-wrapped will ship sealed unless otherwise requested by the buyer. Records that are in poly-sleeves or resealable sleeves will be removed from the jacket to prevent damage. For LPs, we use brand new mailers, Bags Unlimited's standard- design heavy duty mailers. Please note we do not do refunds for minor wear that occurs during transit (corner dings, seam split on a sealed record, etc). The orders are packed with quality supplies and a lot of care, but once in awhile we all get packages that get have been roughly handled along the way. If you're preferring your order to be packed a specific way, just send over a message and we can sort it out!
TRACKING ISSUES (updated 05/15/22): All packages are dropped off at the Phoenix, AZ hub. The benefit of this is it will save a couple of days of transit (as all AZ mail is processed through the hub before leaving state). The disadvantage is that they are not consistent in doing a receival scan. With many packages, your first scan may not pop up until it arrives at another distribution center (sometimes with a phantom AZ scan minutes before it). Some packages are making it to buyers across the country in three days, some are sitting for a month on end in various USPS black holes (Phoenix Annex, Jersey City, Bell Gardens - if you ever look at tracking info, these names are surely familiar to you)! Because of this very abnormal and sporadic delay, orders will need to be considered "in transit" for the duration of the time that USPS indicates the order is still "in transit" which is an annoyance that requires patience from everyone involved.
CONDITION (updated 05/15/22): Almost all of the records for sale are NEW. Although there's been records made new without being sealed for decades, some people are convinced that all records come sealed - of course they do not, but as a precaution it's being disclosed. (Believe it or not I have had PayPal claims come through because of a record being "new" but not sealed). When the records are NEW, but not sealed, the record is not removed from the inner sleeve to inspect for quality. The first time it is pulled out will be when the buyer pulls it out. This is important to note as increasingly, new records frequently come with light surface marks, finger prints - etc - doesn't matter if it's DIY release or a professionally packaged-at-the-plant release, these things are packaged by hand. If you're unhappy with the quality of a NEW release, the suggestion will be to contact the label that released it. There is always the potential for minor wear to the corners to occur during shipping even though the Bags Unlimited mailers are heavy duty and nice. If a release arrives from a distributor with observable wear, it will be noted in the listing.