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assengers ?– Original Soundtracks 1

Label: Island Records ?– 524 166-1, Island Records ?– ILPS 8043 Format: Vinyl, LP 
Country: Europe Released: 06 Nov 1995 Genre: Electronic, Rock Style: Alternative Rock, Pop Rock, Experimental, Ambient

condition: Sleeve:EX+ Vinyl: EX+

THE SLEEVE SHOWS VERY LIGHT CREASING  WHILE THE VINYL  GOT ONLY A FEW LIGHT PAPER SCUFFS AND SOME  THIN SUPERFICIAL LINE SCRATCHES PER SIDE. NOT ANY HARD FEELABLE SCRATCH. HAS ONLY SOME PAPER SLEEVE'S HAIRLINES, THE RECORD STILL KEEPS NICE GLOSS AND SHINE, CLEAR SOUNDS, WITHOUT ANY SCRATCH OR ANY BACKGROUND OR SURFACE WEAR ANNOYING NOISE, EXCEPT MAYBE SOME LIGHT CLICKS HERE AND THERE OR BETWEEN SOME TRACKS, SOUND IS SOLID, CLEAN AND  LOUD WITHOUT ANY OF THE SLIGHTEST DISTRACTED NOISE OR ANNOYING SCRATCH!!! 

 

Tracklist

A1 United Colours Saxophone – David Herbert (2)Synthesizer – Larry Mullen Jr.* A2 Slug A3 Your Blue Room Narrator – Adam ClaytonOrgan – Edge, The A4 Always Forever Now Arranged By [Strings] – Paul BarrettSequenced By – Des Broadbery A5 A Different Kind Of Blue Vocals – Brian Eno A6 Beach Sequence Piano – Bono B1 Miss Sarajevo Arranged By [Strings] – Craig ArmstrongVocals – Luciano Pavarotti B2 Ito Okashi Vocals, Written-By – Holi (2) B3 One Minute Warning Synthesizer – Holger ZschenderleinVoice – Holi (2) B4 Corpse (These Chains Are Way Too Long) Saxophone – David Herbert (2)Vocals – Edge, The B5 Elvis Ate America Engineer [Assistant] – Fiach CoolingEngineer, Vocals [Call Vocal], Written-by – Howie B. B6 Plot 180 B7 Theme From The Swan B8 Theme From Let's Go Native

Credits

• Artwork By [Apple Mapping] – Rob Crane
• Artwork By [Cutting Floor] – Richard Baker
• Artwork By [Front Cover Illustration] – Theodor Rotrekl
• Artwork By [Sleeve & Concept] – Brian Eno, Cally
• Bass – Adam Clayton
• Chorus, Sequenced By, Synthesizer, Other [Strategies, Treatments] – Brian Eno
• Coordinator [Studio Co-ordinator] – David Herbert (2)
• Drums, Percussion – Larry Mullen Jr.*
• Edited By – Brian Eno, Rob Kirwan
• Edited By [Digital] – Stewart Whitmore
• Engineer – Danton Supple (tracks: A1 to B4, B6 to B8)
• Engineer [Assistant At Metropolis] – Ruadhri Cushnan
• Engineer [Assistant] – Rob Kirwan
• Guitar, Chorus – Edge, The
• Management [Album Production Manager] – Anne-Louise Kelly
• Management [Assistant Album Production Manager] – Candida Bottaci
• Mastered By – Arnie Acosta
• Mixed By – Brian Eno, Howie B.
• Recorded By [Assistant On Original Recordings] – Lee Philips
• Scratches, Other [Treatmens] – Howie B.
• Technician [Post Production] – Cheryl Engels
• Technician [Studio Crew] – Dallas Schoo, Dennis Sheehan, Des Broadbery, Fraser McAlister, Rab McAllister, Rob Kirwan, Sam O'Sullivan, Stuart Morgan
• Vocals, Guitar – Bono
• Written-By – Adam Clayton, Bono, Brian Eno, Edge, The, Larry Mullen Jr.*

Notes

Original Soundtracks 1: 
1: From The Film "United Colours Of Plutonium" 
2: From "Slug" (Peter Von Heineken, Germany) 
3: From "Par-Delà Les Nuages/Beyond The Clouds" (Michelangelo Antonioni, Wim Wenders, Italy) 
4: End Titles From "Always Forever Now" (John Leng Qi, Hong Kong) 
5: From "An Ordinary Day" (Lurlene Clewman, USA) 
6: From From "Par-Delà Les Nuages/Beyond The Clouds" (Michelangelo Antonioni, Wim Wenders, Italy) 
7: From The Film "Miss Sarajevo" (Bill Carter, USA) 
8: From "Ito Okashi/Something Beautiful" (Rita Takashina, Fukushima) 
9: From "Ghost In The Shell" (Mamuri Oshii, Japan) 
10: From "Gibigiane/Reflections" (Aldo Gianniccolo, Milan) 
11: From The Film "Elvis Ate America" (Jeff Koons, New York) 
12: From "Hypnotize (Love Me 'Til Dawn)" (Peter Sedgeley, London) 
13: From "The Swan" (Joseph Mamat, Hungary) 
14: From "Let's Go Native" (Rodger Vuijkers, South Africa, Unreleased) 

Recorded and mixed at Westside Studios (London) and Hanover, Dublin.

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Post I do offer money guarantee….IF FOR ANY REASON YOU ARE NOT COMPLETELY SATISFIED WITH THE ITEM YOU WON , And You think The Description was not correct, WE GIVE YOU A FULL REFUND ON YOUR MONEY WITHIN 48 HOURS OF ITEM RETURN. I DO NOT REFUND BEFORE ITEM IS BACK. NO EXCEPTIONS ON THIS RULE.

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