PATTI SMITH HORSES LP on ARISTA ROBERT LUDWIG DEBUT IN SHRINK NM 1975
$
30
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Description
Here is a NEAR MINT MINUS / EXCELLENT PLUS! copy of the FIRST LP from PATTI SMITH titled HORSES. It is an US pressing on the ARISTA label, catalog #AL 4066 in STEREO sound. This LP was released in 1975. The vinyl is in NEAR MINT MINUS! condition shiny and black and should have excellent playback. MASTERED BY ROBERT LUDWIG his INITIALS IN DEAD WAX! The original cardboard cover is in NEAR MINT MINUS / EXCELLENT PLUS! condition with some light wear to some corners. It is a NEAR MINT MINUS / EXCELLENT PLUS! copy of this LP for you to own. It is an opportunity to purchase this LP in this condition. It’s a true gem for the NEW YORK PUNK ROCK collector! Email me with any questions and be sure to look at the pic’s. I DO NOT ACCEPT BIDS FROM OR MAIL TO SOUTH AMERICA, SOUTH AFRICA, ITALY & OTHER COUNTRIES. IF YOU ARE NOT FROM THE USA CONTACT ME BEFORE BIDDING! International bidders can email me for shipping rates. Thanks for Looking & Good Luck!
Music Review from AllMusic.com by William Ruhlmann
It isn't hard to make the case for Patti Smith as a punk rock progenitor based on her debut album, which anticipated the new wave by a year or so: the simple, crudely played rock & roll, featuring Lenny Kaye's rudimentary guitar work, the anarchic spirit of Smith's vocals, and the emotional and imaginative nature of her lyrics -- all prefigure the coming movement as it evolved on both sides of the Atlantic. Smith is a rock critic's dream, a poet as steeped in '60s garage rock as she is in French Symbolism; "Land" carries on from the Doors' "The End," marking her as a successor to Jim Morrison, while the borrowed choruses of "Gloria" and "Land of a Thousand Dances" are more in tune with the era of sampling than they were in the '70s. Producer John Cale respected Smith's primitivism in a way that later producers did not, and the loose, improvisatory song structures worked with her free verse to create something like a new spoken word/musical art form: Horses was a hybrid, the sound of a post-Beat poet, as she put it, "dancing around to the simple rock & roll song."price rating
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