PAUL McCARTNEY McCartney SEALED 1970 Apple STAO 3363 1ST PRESS RAREST VARIATION
  $   1,000

 


$ 1000   (best offer accepted)   Sold For
Mar 21, 2024 Sold Date
Jun 24, 2023 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

Vinyl:  FACTORY SEALED!  MINT!  This is the 1970 Apple STAO 3363.  NO BARCODE! 1ST PRINT COVER VARIATION "MANUFACTURED BY APPLE RECORDS INC. 1700 BROADWAY, NEW YORK, N.Y. 10019 PRINTED IN USA" 3-LINE CREDITS. 
This was Paul's "divorce" album from The Beatles and as such it's his own emancipation proclamation, much in tune with George and John's statements of purpose from this tumultuous Beatle year of 1970.  Inside is a fascinating collection of Paul's studio inventions, many in the vein of Singer-Songwriter style that would define much of the most popular music of the 1970s.  Paul presents it, though, in a fascinating Proto-DIY style that presages the way music would go more than 10 years after Paul's effort here.  He sets the tone for Independent Do-It-Yourself individuals and bands, especially on songs like Junk, OO You, Kreen-Akrore, Momma Miss America...And of course, one of his finest Love songs is here, Maybe I'm Amazed...a Crucial album.   Released April 20, 1970.  allmusic gives it 4 stars!!!
See Review Below!
Cover: SEALED!  MINT!  (see photos)   Nice high gloss on cover.  Front and back of cover artwork and text are rich, clear and bright, essentially flawless.  Seams, corners and spine are solid and remarkably clean, essentially flawless, with no bumped corners.  Photos and layout by Linda McCartney, making this a MINT COPY of a Linda McCartney print!

Original 1st US pressing, factory sealed copy of Paul McCartney's debut solo album. I wouldn't want to exaggerate but to come across a copy of this album in such condition is practically impossible. This is the 1970 pressing with the catalog number STAO-3363 and NOT the repressing when the catalog code was changed to SMAS-3363. 
The 1st pressing has 2 cover variations.  The more common variation has the Apple Records address in Hollywood, CA on the back cover.  This copy for sale has the other back cover variation and is the RAREST of them all.  It has the 3-line credits reading "Manufactured by APPLE RECORDS INC. 1700 Broadway, New York, N.Y. 10019 Printed in U.S.A."
Typically, this cover variation contains vinyl pressed at the Capitol Records pressing plant in Scranton, PA and the Dead Wax will indicate that this copy was mastered by Lee Hulko and Robert Ludwig of Sterling Sound having their initials "LH" and "RL" in the Dead Wax, but of course, this is just an assumption and I can't guarantee that.

Usually, this album's covers have severe wear and scuffing. However, this copy is in fantastic Mint condition. It can be said with confidence that it will be the final upgrade of this album in your collection. The factory shrink wrap contains breathe holes and despite some wrinkles and a tiny micro-tear in the shrink the album is in pristine condition.  I looked with a magnifying glass and noted that two of the corners are barely poking through the shrink (see photos--it's difficult to take photos of an album in shrink wrap and I tried to minimize glare.  If you'd like for me to take more photos, just let me know).  There is a vintage price sticker on the Front cover.  The corners are sharp and don't have any bumping.  This record has never been opened.  It has not been opened and resealed.  The record has never seen the light of day.  No writing.  Spine print is crystal clear.  The record appears straight; when I look with one eye down all 4 edges there's no big, ominous bow that would suggest that it's warped.

I will gladly accept the return of Sealed records as long as they have not been opened (i.e. as long as they are still in the condition I sent them in).  Every record has a "fingerprint" of imperfections in the seal and/or the cover and I separately photograph and keep these details to prevent fraudulently returned items...yep, there are a few rotten apples out there!)  I will not accept a previously sealed record that has been opened, even if the complaint is that the record is warped.  This is why I look down the edge of all 4 sides of the record, to assess for potential bowing.  Look for that in the description of the covers of all my Sealed items. Thanks!  By the way, I've never (knock on wood!) had a buyer complain that they received a warped Sealed record.  :)
Goldmine Standards.   


See my other listings for other Beatles & Related items.  I also have a treasure trove of Beatles LPs, 45s and memorabilia yet to be listed.  Let me know what you're looking for.  You can also click on "Save This Seller" and you'll be among the first to be notified when I post new listings.


U.S. Shipping:  FREE domestic shipping!  Includes tracking.  Also includes Signature Confirmation.  I cover the cost for these safeguards, so it doesn't cost you anything extra.  Combine any additional items and they're also shipped FREE!  If you wish to take advantage of my COMBINED SHIPPING deal, simply select your items by clicking on "ADD TO CART" on the main listing page.  Do this for all of your selections and then go to your cart to checkout. Your combined shipping discount will be computed automatically. 

All records are packaged securely.  The record is sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box. 
INTERNATIONAL BUYERS!  EBAY'S PLATFORM DOESN'T ACCOMMODATE FOR COMBINED SHIPPING FOR INTERNATIONAL BUYERS---BUT DON'T LET THAT STOP YOU!!!---I CAN COMBINE SHIP FOR YOU AND MINIMIZE SHIPPING COSTS!!!  TELL ME WHICH ITEMS YOU WANT TO BUY, AND I WILL WEIGH THEM AND THE SHIPPING BOX TOGETHER AND THEN I WILL CREATE A "LOT OF 2..." OR "LOT OF 3...", OR "LOT OF 4...", ETC WITH THE ITEMS YOU WANT, AND CREATE A LISTING WITH THE EXACT WEIGHT OF YOUR LOT.   THIS WILL SAVE YOU A LOT OF MONEY!!!  IF YOU'RE INTERESTED IN THIS, SEND ME A MESSAGE TELLING ME WHICH ITEMS YOU WOULD LIKE TO PURCHASE AND WE'LL GO FROM THERE.  OR, FEEL FREE TO ASK QUESTIONS.
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?  First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.  First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.   On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.   

McCartney Review

by Stephen Thomas Erlewine

 [-]

Paul McCartney retreated from the spotlight of the Beatles by recording his first solo album at his home studio, performing nearly all of the instruments himself. Appropriately, McCartney has an endearingly ragged, homemade quality that makes even its filler rather ingratiating. Only a handful of songs rank as full-fledged McCartney classics, but those songs -- the light folk-pop of "That Would Be Something," the sweet, gentle "Every Night," the ramshackle Beatles leftover "Teddy Boy," and the staggering "Maybe I'm Amazed" (not coincidentally the only rocker on the album) -- are full of all the easy melodic charm that is McCartney's trademark. The rest of the album is charming, especially if it is read as a way to bring Paul back to earth after the heights of the Beatles. At the time the throwaway nature of much of the material was a shock, but it has become charming in retrospect. McCartney has, with time, increased in prestige and is uncannily "modern" in the DIY sense, impressive, considering when it was released, at a time when the direction in popular music, and Rock, in general were headed for a "back to the roots" style.


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