PETER GABRIEL 1 THRU SO CLASSIC REDORDS RARE 45 SPEED ORIGINAL Sealed 20 LP'S

$

1,500

PETER GABRIEL - 5 TITLES WITH A TOTAL OF 20 PIECES OF VINYL TITLES INCLUDE ONE THRU FOUR PLUS SO - This Limited Edition Audiophile Mastered SET (from the Original Session Tapes) was mastered by Classic Records. EACH TITLE IS A  45 SPEED 200 Gram Heavy Vinyl 4 LP SET has been critically acclaimed as the finest and quietest ever produced of this recording. It is a new listening experience that will virtually make you feel as if you were in the studio. THESE PRESSING ARE PRICELESS

SOME OF THESE TITLES ARE SO RARE THAT THEY ARE SELLING FOR $500 APIECE.

THESE ARE ALL CLASSIC RECORDS 200 GRAM AUDIOPHILE FIRST EDITIONS ORIGINAL SEALED LP SET - TREMENDOUSLY RARE NOW & WENT IMMEDIATELY OUT OF PRINT VERY LIMITED EDITION PRESSING RUN IN THESE 45 SPEED SETS - THIS IS OUR LAST SET FOREVER AT THIS PRICE RANGE.

THE WORD IN THE INDUSTRY IS THAT CLASSIC RECORDS PREVIOUSLY RELEASED TITLES ARE NOW OUT OF PRINT. IF THAT IS TRUE THESE MASTERPIECES ARE GOING TO BE PRICELESS.

E-BAY STORE.  FOR YOUR INDIVIDUAL GENESIS OR PETER GABRIEL MEMBERS  SELECTIONS - INDIVIDUAL TITLE INFORMATION OR INDIVIDUAL PURCHASE JUST HIT THIS STORES TAB >. & TYPE IN  GENESIS  INTO THE SEARCH FIELD WITHIN OUR STORES SECTION AS YOUR PERSONAL CODE AND ALL INDIVIDUAL TITLES + INFORMATION WILL APPEAR

There have been so few vinyl LPs produced over the last 5 years that you should never pass up the opportunity to upgrade your collection. They're each very limited in their pressings and disappear with extraordinary quickness from the vinyl market. This causes prices to skyrocket because once they are gone, they are gone forever! Don't second-guess yourself with this chance to upgrade your collection because before you know it, the opportunity will have passed forever.

TITLES ARE -

ONE/CAR - (this plastic wrap seal has a small tear if the perferation other then that perfect) The first of three solo albums by the ex-Genesis singer, all to be officially released as only "Peter Gabriel". In time, the three would take on "also-known-as" nicknames based on the front-cover artwork of each. This volume is usually referred to as Peter Gabriel (I, Car). In 1977 there was much anticipation for the first solo effort from the flamboyant Gabriel. Three years had passed since his swan song with Genesis. He had certainly exited on a high note indeed with The Lamb Lies Down on Broadway. While fans shouldn't have worried about the survival of Genesis without their original lead singer, neither would they be disappointed in his solo debut. Produced by Bob Ezrin (Pink Floyd, Alice Cooper), he addressed the split with his band mates in the allegoric hit "Solsbury Hill", while retaining the art-rock sensibilities he had pioneered. The balance of the album, transferred from the artist's personal original master tapes, includes other concert favorites, such as "Moribund The Burgermeister", "Modern Love", "Excuse Me", "Humdrum", "Slowburn", "Waiting For the Big One", "Down The Dolce Vita" (featuring the London Symphony Orchestra) and "Here Comes The Flood". .

TWO - The pairing is ideal -- the former front man of Genisis, as produced by the leading light of King Crimson. On this, Peter Gabriel's second album, the songs "On the Air" and "D.I.Y." are stunning slices of modern rock circa 1978, bubbling with streamlined production that nevertheless sounds as large as a stadium. Other tunes include "A Wonderful Day in a One-Way World," "White Shadow," "Animal Magic," the tense-yet-catchy "Perspective" and the reflective closer "Home Sweet Home."

1.  

THREE - Generally regarded as Peter Gabriel's finest record, his third album finds him crafting material that's artier, stronger, more song oriented than before. Consider its ominous opener, the controlled menace of "Intruder." He's never found such a scary sound, yet it's a sexy scare, one that is undeniably alluring, and he keeps this going throughout the record. Even radio favorites like "I Don't Remember" and "Games Without Frontiers" are hardly cheerful, spiked with paranoia and suspicion. He wound up having albums that sold more, or generated bigger hits, but this third Peter Gabriel album remains a masterpiece. Transferred, for the first time ever, from the original 30-ips 1/4" master on Bernie Grundman's all-tube cutting system, this Classic 200-gram pressing, packaged in a deluxe gatefold die-cut jacket with printed inner sleeves, is the definitive LP version of this giant album.

FOUR - Gabriel’s fourth album, which was titled Security in the U.S., continues where the third album left off, sharing some of the same dense production and sense of cohesion, yet lightening the atmosphere and expanding the sonic palette somewhat. The gloom that permeates the third album has been alleviated. and while this is still decidedly somber and serious music, it has a brighter feel, partially derived from Gabriel’s dabbling in African and Latin rhythms. These are generally used as tonal coloring, enhancing the synthesizers that form the basic musical bed of the record. 4 flows easily and enticingly with songs like the eerie “San Jacinto,” “I Have the Touch” and “Shock the Monkey.” It remains a powerful listen, one of the better records in Gabriel’s catalog.

SO - Peter Gabriel introduced his fifth studio album So with “Sledgehammer,” an Otis Redding-inspired soul-pop raver that was easily his catchiest, happiest single to date. Needless to say, it was also his most accessible, and, in that sense it was a good introduction to So, the catchiest, happiest record he ever cut. “Sledgehammer” propelled the record toward blockbuster status, and Gabriel had enough songs with single potential to keep it there. There was “Big Time,” another colorful dance number; “Don’t Give Up,” a moving duet with Kate Bush; “Red Rain,” a stately anthem popular on album rock radio; and “In Your Eyes,” Gabriel’s greatest love song which achieved genuine classic status after being featured in Cameron Crowe’s classic, Say Anything. This release features the additional tune “We Do What We’re Told (Milgrames 37)” that was originally not on the Geffen vinyl issue in 1986.

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