PETER HAMMILL Chameleon In The Shadow Of The Night MINT

	£		110
	$		146

PETER HAMMILL

CHAMELEON IN THE SHADOW OF THE NIGHT

CHARISMA CAS 1067 (UK) 1973

record : mint

unplayed Charisma ‘mad hatter’ label UK original with brand-new super high gloss

matrix numbers : CAS 1067 A-2U and CAS 1067 B-1U

stamper numbers : 1 and 1

side two matrix area has the original hand-inscribed ‘SOFA SOGOOD’ notation

(in reference to Peter’s then home studio ‘Sofa Sound’ in Worth, Sussex)

NEVER played archive 1st pressing

NO hairlines or storage ‘haze’

PERFECT and AS NEW

correct original poly-lined inner bag with mid-blue cautionary lettering is creamy white and mint

labels : mint

NO spindle marks - NEVER on a turntable

bright, clean, sharp, immaculate

NO marking or faults

PERFECT and AS NEW

cover : mint

printed and made by the E.J. Day Group, London and Bedford

textured gatefold sleeve has NEVER been fully opened flat so the spine is PERFECT

lovely tight seams, as-new corners and razor-sharp opening edges

NO interior ‘waves’ or warping  - often a fault with this sleeve

NO exterior or interior wear - NO edge or seam wear - NO circular wear

NO bumped corners - NO fading, tanning or staining - NO sticker marks

fantastic cover artwork by Paul Whitehead

carefully stored in ideal archive conditions for 30 years

PERFECT and AS-NEW

ORIGINAL UK 1st PRESSING IN UNPLAYED ARCHIVE MINT CONDITION

in the early 1970s I visited B&C Records in London at their offices in 37 Soho Square - the shelves in their stockroom were heavy with the weight of hundreds of superb albums issued on various of the B&C offshoots including Stable, Pegasus and, of course, most importantly, Charisma - many of these LPs were already so special to me that I decided to buy spare copies of as many as I could afford - I wanted to add them to an unplayed archive collection of classics from the era on the four main progressive labels: Island, Harvest, Vertigo and Charisma - these records have remained in my care for over 30 years, stored in perfect archival conditions and hardly ever handled or inspected - every so often I release a copy or two for sale and have also endeavoured to increase my stock of mint unplayed records from collections both large and small - there will be those among you who will claim that this is not a particularly rare LP, however I would ask you to try finding a mint as-new original such as this - it is now virtually impossible - one of the most important progressive LPs from those extraordinary times, by one of the most remarkable artists of the genre - a writer of always-powerful music (whether heavy epics or fragile love songs), an extreme, uncompromising, although surprisingly witty lyricist - a richly evocative, tormented singer and a solid, no-nonsense acoustic (as well as electric) guitarist - not to mention a wonderful exponent of the fine art of heavy-handed assault on a grand piano! - I saw him in concert many times during the mid to late 70s and he was genuinely worthy of the description ‘amazing’ - artist, writer, thinker, visionary - PETER HAMMILL

ARGUABLY HIS FINEST AND MOST POWERFUL WORK - IN ESSENCE, ANOTHER VAN DER GRAAF GENERATOR MASTERPIECE - PETER IS JOINED BY THE DEFINITIVE LINE-UP OF DAVE JACKSON, HUGH BANTON, NIC POTTER AND GUY EVANS

German Overalls    Slender Threads    Rock And Rôle    In The End

What’s It Worth    Easy To Slip Away    Dropping The Torch    (In The) Black Room    The Tower

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photos & description © 2004 christophertime