PINK FLOYD THE DIVISION BELL ORIG COLUMBIA LP SEALED MINT BLUE VINYL 1994
$
89
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Description
Here is a MINT! SEALED! ORIGINAL! LP by PINK FLOYD titled THE DIVISION BELL. It is an US pressing on the COLUMBIA label, catalog #7464 – 64200 - 1 in STEREO sound on BLUE!!! VINYL and released in 1994. The vinyl is in presumed MINT! condition since it is SEALED!, shiny and black with SUPERB! playback. The cover is in MINT! condition in IT’S ORIGINAL SEALED SHRINK! It is an opportunity to purchase this LP by PINK FLOYD in SEALED! MINT! condition. It’s a true gem for the ALBUM / ART / PROG-ROCK collector! TRY AND FIND ANOTHER SEALED COPY! Email me with any questions and be sure to look at the pic’s. I DO NOT ACCEPT BIDS FROM OR MAIL TO SOUTH AMERICA, SOUTH AFRICA, ITALY & OTHER COUNTRIES. IF YOU ARE NOT FROM THE USA CONTACT ME BEFORE BIDDING! International bidders can email me for shipping rates. SHIPPING IN THE US IS $5.00 for MEDIA MAIL (IT IS NOT $4.00). US BUYERS PLEASE WAIT FOR INVOICE! Thanks for Looking & Good Luck!
Music Review from AllMusic.com by William Ruhlman
The second post-Roger Waters Pink Floyd album is less forced and more of a group effort than A Momentary Lapse of Reason -- keyboard player Rick Wright is back to full band member status and has co-writing credits on five of the 11 songs, even getting lead vocals on "Wearing the Inside Out." Some of David Gilmour's lyrics (co-written by Polly Samson and Nick Laird-Clowes of the Dream Academy) might be directed at Waters, notably "Lost for Words" and "A Great Day for Freedom," with its references to "the wall" coming down, although the more specific subject is the Berlin Wall and the fall of Communism. In any case, there is a vindictive, accusatory tone to songs such as "What Do You Want From Me" and "Poles Apart," and the overarching theme, from the album title to the graphics to the "I-you" pronouns in most of the lyrics, has to do with dichotomies and distinctions, with "I" always having the upper hand. Musically, Gilmour, Nick Mason, and Wright have largely turned the clock back to the pre-Dark Side of the Moon Floyd, with slow tempos, sustained keyboard chords, and guitar solos with a lot of echo.
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