PINK FLOYD THE WALL 1979 COLUMBIA 2-LP SET EX+ UNBELIEVABLE CONDITION
$
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Description
PINK FLOYD – THE WALL – ORIGINAL 1979 COLUMBIA RECORDS STEREO 2-LP SET PC2-36183
1979 U.S. PRESSING
THIS IS TRULY ONE OF THE BEST COPIES OF THIS ALBUM I HAVE EVER FOUND. WITHOUT SHRINK OR AN ORIGINAL SEALED COPY.
THIS IS THE 2ND PRESSING FROM 1979 WHICH LISTS THE NAMES OF THE BAND ON THE INSIDE OF THE COVER.
THIS IS THE, AUTHENTIC U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
ORIGINAL INNER SLEEVES
CLEAN, WEAR-FREE LABELS
(Note: The images that I have uploaded photos of the ACTUAL item you are bidding on. What you see is what you'll get. GUARANTEED!)
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"The Wall" is one of Pink Floyd's most iconic and influential albums, and the double vinyl record pressing offers a truly immersive listening experience. The album was released in 1979 and tells the story of a rock star named Pink who becomes increasingly isolated and disillusioned, building a metaphorical wall around himself to shut out the world. The album is divided into two parts, with each side of the double vinyl record corresponding to a different chapter in the story.
One of the first things that stands out about the double vinyl record pressing of "The Wall" is the sheer weight and heft of the package. The album comes housed in a sturdy gatefold sleeve with a striking design that features the distinctive "wall" motif that is central to the album's concept. The vinyl records themselves are heavyweight and thick, with a glossy finish that feels luxurious to the touch.
Once you put the records on the turntable and drop the needle, you're immediately transported into Pink's world. The music on "The Wall" is complex and layered, with a wide range of instrumentation and production techniques that give the album an almost cinematic quality. From the haunting opening strains of "In the Flesh?" to the epic finale of "Outside the Wall," the album is a masterclass in composition and storytelling.
One of the standout tracks on the album is "Another Brick in the Wall, Part 2," which features one of the most memorable guitar riffs in rock history and a catchy sing-along chorus that has become an anthem for generations of fans. The track is a perfect example of Pink Floyd's ability to blend hard-edged rock with lush orchestration and melodic hooks.
Another highlight is "Comfortably Numb," a haunting ballad with a soaring guitar solo that ranks among David Gilmour's finest moments. The track perfectly captures the sense of emotional numbness and detachment that is central to Pink's character, and the guitar solo is a stunning example of Gilmour's virtuosity and emotional depth.
The double vinyl record pressing of "The Wall" also offers a more tactile and immersive listening experience than digital formats. The act of physically handling the records, flipping them over to listen to the other side, and hearing the gentle crackle of the vinyl as the music plays creates a sense of connection and intimacy that is hard to replicate in the digital realm. Listening to "The Wall" on vinyl is an almost meditative experience, as you sink into the album's world and allow yourself to be transported by the music.
Overall, the double vinyl record pressing of Pink Floyd's "The Wall" is a must-have for fans of classic rock and vinyl collectors alike. The album is a masterpiece of songwriting, storytelling, and production, and the vinyl format offers a truly immersive and tactile listening experience that brings the music to life in a whole new way. If you're looking for a way to experience one of the greatest albums of all time in a fresh and exciting way, the double vinyl record pressing of "The Wall" is an essential addition to any collection.
This is the 2nd pressing from 1979. The first pressing excludes the names of the band members.
The first pressings of Pink Floyd's "The Wall" album did not include any images of the band members on the cover or inner sleeve, which led to some confusion among fans at the time of its release. There were a few reasons for this decision.
Firstly, it was a deliberate artistic choice made by the album's designer, Gerald Scarfe, who collaborated closely with Pink Floyd's bassist and lyricist Roger Waters on the album's concept and visual style. Scarfe had created the distinctive animated sequences that were used in the accompanying film version of "The Wall," and his illustrations were an integral part of the album's visual identity.
Secondly, the decision to exclude images of the band members was in keeping with the overall theme of the album, which was a deeply personal exploration of Roger Waters' feelings of alienation, detachment, and isolation. The wall that is referred to in the album's title represents a metaphorical barrier that separates the narrator (who is often assumed to be a stand-in for Waters himself) from the rest of the world, including his fans and bandmates. By leaving the band members out of the visuals, Waters was emphasizing the sense of separation and disconnection that he was trying to convey through the music.
Finally, there was also a sense of rebellion and subversion in the decision to exclude the band members from the cover art. Pink Floyd had already achieved a great deal of success by the time "The Wall" was released, and they were seen by many as part of the musical establishment. By removing themselves from the album's visuals, they were defying expectations and asserting their artistic independence.
While some fans may have been disappointed or confused by the lack of band photos on the album, it ultimately became part of the album's mystique and helped to cement its status as a classic work of art-rock.
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; I grade records under the strong, diffuse room light or discrete sunlight)
Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
The vinyl looks almost perfect. I have looked at both discs several times and cannot find any marks. There is some scuffing from when the records were taken out of the paper sleeves (very light scuffing). I grade all sides of the LPs at EX+.
The cover also has very little wear. There is only a very slight discoloring to the white sleeves. (There is also of course no barcode). There is just a bit of very light ring wear on the back.
The original inner sleeves also have only light wear.
The cover is free of all of the following imperfections:
- No split seams
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No yellowing from aging
- No wrinkles
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No RIAA stamps or stickers.
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