PINK FLOYD Wish You Were Here - ULTIMATE MINT NIMBUS 'SUPERCUT' UK AUDIOPHILE LP

	£		708
	$		845

ONEADAYRECORDS – Simply Delivering Quality Music to the World in Quality, Safe Packing.

Postage: UK £4.75 (£1 per extra record). Europe (including Russia) £12.50 (£2 per extra record). Rest of World (including ALL parts of the USA) £16.50 (£3 per extra record). All boxes signed for in quality, safe packaging – I NEVER use mailing envelopes that offer virtually no protection at all – in fact I think these things should be banned as records WILL arrived damaged in them at some time. More details on my packing nearer the end of the listing.

Posting to Russia: Yes, I do post to Russia. But delivery can take up to 4 to 6 weeks from the UK. So please be patient. I will submit a tracking number to the winning bidder, and when the packet arrives there it can be followed online using the Russian post website.

ALSO: I now apply the Ebay ‘4-day’ rule for non-payment to keep things moving – cash-flow is important to any small business. I will always keep my P&P prices as low as possible, and even after yet another Royal Mail price hike from April this year, I have NOT raised my prices and will never compromise on solid, safe packing that is invariably heavier than most you will get. My P&P offers probably the best value-for-money for vinyl records available, and I even will pay for full insurance on any record that sells for over £100 at NO extra cost – that is UK and abroad. Also I aim to post the very same day after payment is received. You WILL see the difference when my packet arrives.

Artist or Band: PINK FLOYD

Album Title: Wish You Were Here.

Producer(s): Pink Floyd.

Rarity & Special Information: A standard issue of ‘Wish You Were Here’ is a common record, let’s not pretend otherwise – it proved to be one of Pink Floyd’s most popular ever albums with guaranteed sales after the colossal success of ‘Dark Side of the Moon – both albums sold in massive numbers. But there lies the problem…

This album was mass-produced in double-quick time just to meet pre-orders and the certainty of vast sales. Pressing quality therefore often suffered and clean sound was something of a lottery. Even from brand new, crackle, pops and surface noise was an all too common theme. I have rarely heard anything like a ‘perfect’ pressing of this album, which is a shame as the production, engineering and ultimate sound quality of this album is sublime. Now this copy on offer is a little bit special – IT’S A NIMBUS SUPERCUT – and it is truly STUNNING!!

In all my time as an Ebay pro-dealer, I have heard few more breathtaking albums than this. Nimbus audiophile pressings were made available to readers of Hi-Fi Today magazine via mail-order, they were NOT sold in shops. They were strictly limited and were pressed to the highest quality, but at a fair cost for the time – but still sold out fast. They may look like a standard issue with the same packaging and label – but came with a sticker on the front cover as seen in close-up and the record has the tiny ‘NIMBUS ENGLAND’ stamped into the run-out areas, also seen in close-up. There is NO possible way these supercut records can be faked. In terms of sound quality, there is little comparison: this hardly played record simply blew me away – and I am almost questionining my own sanity even offering it. I can truly state:

“this record plays without any crackle, surface noise, pops, clicks, static or pressing noises or issues whatsoever”.

Yes, this is like being led directly into the recording studio itself and listening to be band play live – this is FLAWLESS analogue sound, and if anyone had ever heard a better example, I sure would like to hear it. I remind, I play all my records on the world-renowned Linn LP12 Sondek, which gleans ever fragment of information from any record’s grooves – all what is good, as well as bad – but believe me, there is not a milli-second of ‘bad’ on this sublimely pressed disc. Quite frankly, it puts standard issue copies to shame, and if all records had been produced to this amazing standard, the decline in vinyl probably would have never happened. This is the ultimate way to experience this legendary album, it more than lives up to it’s reputation, I have never heard better, and I doubt if I ever will. The scale, drama, presentation and ultimate dynamic range is all there with flawless distortion-free sound. All Nimbus pressed records are rare, the classic albums especially seldom seen or offered in this incredible condition. They are massively sort-after and collectable, and if you want to hear this remarkable piece of work (and even your own system) at it’s very best – look no further.

TRACK LIST:

Side 1: a) Shine On You Crazy Diamond parts 1–5; b) Welcome to the Machine.

Side 2: a) Have a Cigar; b) Wish You Were Here; c) Shine On You Crazy Diamond parts 6–9.

Label/Format: Harvest - customised format.

Label Conditions: Both almost as made: very clean, fresh and attractive with any spindle traces tiny, few and faint. The owner of this record with a top-quality hi-fi system and purchased from new.

Mode / Speed: Stereo / 33.3 rpm.

Cat Number: SHVL 814 [these Nimbus ‘Supercuts’ did not have any special fancy numbers].

Weight of this Record: 133 grams.

Country of Manufacture: England.

Original Year of Release: Latter 1970s

Matrix Nos: SHVL 814 - A-1 / SHVL 814 B-1 [scripted with other initial details]

Run Out Message: ‘NIMBUS ENGLAND’ (on both sides). This punched very small detail is crucial for ultimate visual proof this is the genuine article.

Musicians: David Gilmour – vocals, guitars, lap steel guitar, EMS Synthi AKS, keyboards, tape effects; 6 & 12 strings acoustic guitar; Roger Waters – vocals, bass guitar, guitar, VCS3, tape effects; Nick Mason – drums, percussion, tape effects; Richard Wright – keyboards, VCS3, clavinet, background vocals. Guests: Dick Parry – saxophone; Roy Harper – vocal. Backing vocals: Venetta Fields and Carlena Williams.

Brief Info: Few rock fans will not know this album well. Consistently high in all all-time great lists whether compiled by critics or the record-buying public, this album sold in vast numbers but fewer remain in fine overall conditions or play well and have all the original pieces. It’s success and huge demand is, I feel sure, why this record has so many problems. Pressed in vast numbers and most-all on thin vinyl (even the first-made), quality-control was probably not high on the agenda, units in shops was the order-of-the-day, hence so many copies failed to impress for clean sound. Well, this Nimbus ‘Supercut’ specialist pressing puts all that right.

Pink Floyd’s homage to original guitarist/vocalist Syd Barrett, this has always been one of the band’s most popular albums and justifiably so. Many fans will still tolerate less than quiet pressings of this record to enjoy the true drama and impact of this beautifully produced album. Vinyl still has the edge in terms of dynamic range and impact and my LP12 made this record sound truly stunning. The lack of unwanted sound was a triumph and revelation. As already mentioned, I play all my records on a Linn LP12 front end, it is ruthlessly revealing, but this revealed nothing but super clean sound with ultimate dynamic range and detail. The saxophone break on ‘Diamond’ still sends a shiver down the spine as does the effects on ‘Machine’. The original packaging is complete, but this did not include the black plastic on the cover. Most-all buyers removed it all anyway - myself very much included when I bought a copy on the day of issue. I did not even consider keeping it on, I wanted to see the real cover not something that resembled a dustbin liner. What this very special and rare copy is all about is SOUND. And for that, I simply cannot imagine it ever being beaten from the vinyl format. These were strictly limited and sold-out fast, especially the really major issues, they are seldom seen or offered for sale – this is a very rare opportunity for all audiophile Pink Floyd fans.

Cover Grade and Format: MINT(–): a single unlaminated format with a gentle surface sheen and smooth finish. Printed and made in England. This includes the crucial Nimbus Records ‘Supercut’ sticker in pristine Mint condition as seen in close-up.

Cover Front & Back: Both sides little short of immaculate as made. Clean, fresh with no darkening or toning, and barely a crease to be seen. The really crucial element of this cover being the sticker – put simply it is MINT.

Top Edge: Straight with barely any wear – a tiny hairline central crack being critical.

Bottom Edge: Practically the same, the super-fine hairline near the left corner, but look very hard.

Right Edge(s), and Type: Pristine: very clean, ultra sharp with no wear. No thickening or burring at all, even viewed end-on. Record enters on this edge that is guaranteed untrimmed or enhanced in any way.

Spine and Text: Again, practically as made: solid, straight with minimal compression. All text is perfect and unworn, also very well centred.

Corners: Barely any hint of wear with no dinks or knocks. All retain near perfect shape.

Cover Summary: A superb all-round example of this deceptively delicate cover, one that will prove very difficult to find better – but try finding a Nimbus stickered one at all. This beautiful item should please most-all collectors.

The Inner Sleeve & Format: MINT: an unlined card inner, never good for the record’s surface. Most discerning collectors immediately transferred the record to a lined inner to avoid abrasions to the playing surfaces, and this was placed inside a Nagaoka very soft anti-static inner to maximum protection. Hence the superb condition of both disc and inner sleeve – all edges unsplit with no repairs. This is simply as made and little else really to add.

The Post Card: EXCELLENT(++): again almost as made, the merest hint of set-off on the back from the inner sleeve stops a top grading (this being ultra critical). This card has the smooth, non-serrated edges with a slightly less glossy front surface. It has the Q4SHVL 814 number, that more unusual from the Quad version – but guaranteed the some that came with this copy.

Vinyl Condition/Visual Grading: PRACTICALLY MINT: with any surface traces minuscule. No pressing issues or flaws so often seen on the standard issues. The owner told me he played it no more than twice and with utmost care on a top quality system (as seen for myself). One of progressive rock’s most loved masterpieces in sublime condition for looks and sound – there will rarely be another opportunity to own one.

Album Played For Grading: Yes – and this will long remain in the memory. It can hardly be fair to judge future regular issues against this. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippets or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing B&W speakers that include the legendary tweeter from their awesome Nautilus range that reveals every blemish or miniscule sound present on any record.]

Sound Quality and Audio Grading: I can add little to what I have already stated above. This simply offers quite possibly the very best sound you will ever hear from this difficult and challenging record. From stylus placement to lifting off, there is no crackle or unwanted noises at all – how many standard issues can truly offer that? Nimbus manufactured these ‘Supercuts’ to the highest standard using top quality virgin vinyl. The sound is not altered as such, but when this clean all that immaculate detail, clarity, dynamic range and lack of noise makes the world of difference. It proved the ultimate experience and definitive way to listen to ‘Wish You Were Here’. If your system can handle it, Nimbus offers the audiophile listener a masterclass in analogue sound – DO NOT LOSE THIS ONE.

Now one of the most established sellers on Ebay and still offering the finest and most accurately described and graded records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty as I can all items I offer for sale with all the relevant information I can think of to help any potential bidder and collector. You may notice I only submit records sparingly on Ebay - on average ONEADAY, a couple more at weekends if time permits, hence the name - time rarely allows for more as I Play-Grade virtually every record I offer in their entirety, not just bits to guess a grade - visuals alone do not always tell a true or full story. I will mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same - just because an item is rare does not always mean its good. I get just as much pleasure offering a relatively common record in stunning near mint condition as the real rare items. All the pictures I use for your guidance are taken with a digital camera or scanned - they are NOT improved, cleaned-up or made better looking than they are with camera trickery or enhancing with digital programmes. What you see is what you get and scanned labels will give a more accurate representation of the genuine colour than flash photography where light is variable. I cannot guarantee total accuracy for colours however but most will be very close. If any picture I take looks more flattering than the actual item for any reason, I will clearly state the fact in the advert and vice-versa. I hope the item below is to your liking - any questions can be emailed and I will do my very best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items - bid with confidence - excellence comes as standard and so does Near Mint regularly. Please assume all records I offer have NO jumps, sticks, warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.

Deck: Linn LP12/Hercules/Cirkus with Ittok Mk II arm and Ortofon Rondo Red moving coil cartridge (tracks at 2 grams). Amps: Naim Nait 5i with Project USB phono stage and Chord interconnects. Speakers: B&W 704 Floorstanding 3-way Monitors (bi-wired with Terrarium Black terminated cable). All records I offer on Ebay are cleaned on a professional VPI-17 vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too. Pictures taken with a Nikon D5000 SLR Digital Camera.

PACKING - THIS IS WHAT YOU GET.

What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.

I now offer the fastest possible posting, often the very next day after payment is received or within two to three days maximum (unless on holiday). I only use FIRST-CLASS Mail. The record’s cover will be placed within a BRAND NEW soft protective sleeve and the actual record will be professionally cleaned on my new VPI-17 Pro vacuum system to give ultimate clean grooves and playing surfaces and the best possible looks and ultimate sound quality. You will NOT get tired, dull looking, dust infested records inside worn and foggy covers with tatty inners from this seller and that’s a promise and guarantee. All records are posted in professional boxes (NOT Mailers, these do not offer any real protection). The record(s) are REMOVED from their main cover to avoid edge splits and placed within a brand new polylined inner. The record’s original inner will be included if available. The boxes are then reinforced with at least TWO, ULTRA THICK stiffeners for maximum extra protection – these are FOUR TIMES thicker than commercial stiffeners and are custom-made for oneadayrecords. Really rare and expensive albums will even be Double Boxed if deemed necessary and possible. When larger boxes are used, the thick record and stiffener ‘sandwich’ is then thickly embedded into bubble-wrap to bulk out the record inside the box to centre the item inside to reduce the risk of damage still further. Printed address labels are used for clarity as well as a sender label. Customers requests or special needs for P&P will be respected if at all possible but ‘Signed-For’ posting is NOT an option anymore. I do not profit on posting and the cost of this lavish packing is NOT even charged for, I offer probably the best-value and safest shipping possible for ultimate confidence. The boxes and ultra thick double-wall stiffeners and bubble wrap make a near impregnable fortress for safe shipping and this is used inland and overseas for ALL my records, not just the rare and expensive. I will invoice any winning bidder as soon as possible after the auction ends. My ‘loss’ or ‘damage rate’ is less than one in two thousand+ based on over 10,000+ items sold in over 12 years of Ebay trading and I consider that pretty exceptional. The only damage rate acceptable for this seller is ZERO and I think my packets will offer just that. It would take a vicious postman or postal service to damage these for sure. Even one of these stiffeners cannot be bent by hand, so what chance 2 inside a box? Oneadayrecords is a MAILER-FREE ZONE. I discount of course for multiple purchases with a maximum of FIVE records per box (one double can sometimes be included subject to total weight). All postage costs are below and at the top of the listing.

NOTE: First Time Bidders: Please ask me first.

PLEASE NOTE: I now exercise my right to open a dispute after the Ebay rule of FOUR days if no payment is received. I will then cancel the dispute to end the, again after the mandatory FOUR days and then offer the item to the runner-up or relist. The non-payer will also be blocked from my Ebay site and they take the Ebay consequences (a strike or removal from the system). Small businesses need prompt payment to trade and these strict rules WILL be applied.

SHIPPING COSTS & CONDITIONS – THESE comply with EBAY’S RULES - PLEASE READ CAREFULLY:

Posting & Packing: UK & CHANNEL ISLANDS all now sent via Recorded Delivery:

1 LP (FIRST-CLASS Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4.75

1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £8. (this includes insurance of £500). Add £2 per extra LP.

Posting & Packing: EUROPE & SCANDINAVIA. (Airmail Only):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £12.50 (enhanced Royal Mail insurance is an optional extra £3). Add £3 per extra LP.

Posting & Packing: ALL OVERSEAS (non-European) e.g. USA (ANY PART OF); South America; New Zealand; Australia; Canada; Japan and other Far East; (Airmail Only: I NEVER use Surface Mail):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £16.50 (£17.50 for double sets). Add £3 per extra LP. (enhanced Royal Mail insurance is an optional extra £3)

Payment Conditions:

I prefer PayPal or cheque from UK winning bidders. I can accept PayPal from overseas bidders or direct payment into my bank account.

Potential Bidders: I will cancel any bids I feel are time-wasters. A maximum 3 days for communication and 7 days for payment to arrive - if not I will relist the item or offer to the runner-up. Fast deals get great feedback from me. Any questions - please ask and thanks for looking.

My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund. I will not refund if any defect detail is clearly stated on the advert and missed by the buyer, so read the item description carefully. If any overseas collector does not understand anything in my listing, please email and ask me to help. Thank You.

SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE

My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT necessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, actually a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.

The Argument for Vinyl Original sound and mix (mono mixes are rarely available on CD), high quality sound on clean copies (played on a hi-end dedicated analogue system – breathtaking sound!), beautiful, large format covers, artwork, inserts and even full size posters etc; huge investment potential, and the pleasure of owning ‘the real thing’.