PRETTY THINGS S.F.Sorrow NEAR MINT ORIG 1969 Rare Earth LP TOMBSTONE COVER PSYCH
$
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Description
PRETTY THINGS~S.F.Sorrow~NEAR MINT ORIG 1969 Rare Earth LP~TOMBSTONE COVER~PSYCH
Product Description
THE PRETTY THINGS "S.F. SORROW" RARE EARTH RS 506 VERY RARE ORIGINAL 1969 RELEASE ON THE RARE EARTH LABEL! DIE-CUT TOMBSTONE SHAPED COVER! GREAT ENGLISH PSYCH LP IN AMAZING CONDITION FOR ITS AGE OF 44 YEARS!! GATEFOLD COVER IS IN EXCELLENT CONDITION WITH ONLY VERY LIGHT WEAR! EDGES ARE CRISP AND SEAMS ARE STRONG! VINYL IS NEAR MINT!! THIS RARE LP HAS BEEN CAREFULLY STORED FOR OVER 40 YEARS NAD PROBABLY NEVER PLAYED!! Who could ever have thought, going back to the Pretty Things' first recording session in 1965 -- which started out so disastrously that their original producer quit in frustration -- that it would come to this? the Pretty Things' early history in the studio featured the band with its amps seemingly turned up to 11, but for much of S.F. Sorrow the band is turned down to seven or four, or even two, or not amplified at all (except for Wally Allen's bass -- natch), and they're doing all kinds of folkish things here that are still bluesy enough so you never forget who they are, amid weird little digressions on percussion and chorus; harmony vocals that are spooky, trippy, strange, and delightful; sitars included in the array of stringed instruments; and an organ trying hard to sound like a Mellotron. Sometimes one gets an echo of Pink Floyd's Piper at the Gates of Dawn or A Saucerful of Secrets, and it all straddles the worlds of British blues and British psychedelia better than almost any record you can name. The album, for those unfamiliar, tells the story of "S.F. Sorrow," a sort of British Everyman -- think of a working-class, luckless equivalent to the Kinks' Arthur, from cradle to grave. The tale and the songs are a bit downbeat and no amount of scrutiny can disguise the fact that the rock opera S.F. Sorrow is ultimately a bit of a confusing effort -- these boys were musicians, not authors or dramatists. Although it may have helped inspire Tommy, it is, simply, not nearly as good. That said, it was first and has quite a few nifty ideas and production touches. And it does show a pathway between blues and psychedelia that the Rolling Stones, somewhere between Satanic Majesties, "We Love You," "Child of the Moon," and Beggars Banquet, missed entirely. From the collection of a late music industry veteran who received a generous amount of material from the record labels, and was extremely active during the 1970s. Most of this collection appears unplayed, as they have been filed away remaining untouched for over 30 years. Most are PROMO copies, and are also the earliest pressings. This is a rare opportunity to own the earliest pressings of classic material.The image included with the auction is a scan of the actual item but, due to size limitations of the scanner, the edges of the item may have been cropped.
If you have questions, BEFORE you buy, email us.
In Your Ear has been selling music to the masses since 1982. We carry new and used LPs, CDs, DVDs, 45s, 12" singles, posters and who-knows-what-else! We have 2 physical locations in Massachusetts and 1 in Rhode Island:
957 Commonwealth Avenue, Boston, MA. 02215
72 Mt. Auburn Street, Cambridge, MA. 02138
462 Main Street, Warren, RI 02885
SHIPPING PRICES ARE AUTOMATICALLY CALCULATED BASED ON YOUR GEOGRAPHIC LOCATION. PLEASE NOTE: WE PACK OUR LPs WITH LOTS OF ADDED PADDING, USING OTHER EMPTY LPs SLEEVES TO REINFORCE THE MAILER AND PROTECT THE ITEM BEING SHIPPED. THIS ADDS CONSIDERABLY TO THE WEIGHT AND, THEREFORE, TO THE COST OF SHIPPING.
RECORD GRADING POLICY
MINT = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
EXCELLENT = Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially affect play
VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.
VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.
Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
Fair = you are getting this record just to own but not to play
Poor = the sky's the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest
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For additional listings for our Rhode Island store, CLICK HERE.
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