Pepper Adams & Jimmy Knepper / Pepper - Knepper Quintet 180 Gram Jazz Workshop
$
19
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Description
Welcome to my Jazz store on e-bay. Here you will find hundreds of Independent Jazz cd's & vinyl. New releases, imports, out of print, and hard to find cd's and vinyl.
The shipping fees are as follows below.
If your total is different at checkout or you have questions please contact us.
Buy 5 or more cds or lp's and I will ship for free in the US. (Overseas & Canada I will only honor free shipping on 5 or more CD's, LP's not included)
$4.00 first cd/ each additional $1.50
$5.00 first lp/ each additional $2.00
NON USA - $9.00 first cd/ each additional 2.00
NON USA - $20.00 first lp/ each additional 3.00
Pepper Adams & Jimmy Knepper / Pepper - Knepper Quintet 180 Gram Jazz Workshop
Personnel:
Pepper Adams (bs), Jimmy Knepper (tb), Wynton Kelly (p, org), Doug Watkins (b), Elvin Jones (d
Reference: JW-003
This JAZZ WORSHOP album is available once again in a very limited edition
Format: LP / 12" / 33rpm / MONO
Label: JAZZ WORKSHOP
Catalogue Reference: JW-003
Recording Year: 1958
Country of Pressing: SPAIN
Comments: Sealed New Copy
Reissue of the original Metrojazz E1004
Cover Grade: MINT
Vinyl Grade: MINT
Side One:
1. Minor Catastrophe (Jon Hendricks) 6:05
2. All Too Soon (Duke Ellington) 5:53
3. Beaubien (Pepper Adams) 6:23
Side Two:
1. Adams in the Apple (jimmy Knepper) 4:49
2. Riverside Drive (Duke Ellington) 4:27
3. I Didn't Know (Jimmy Knepper) 4:27
4. Primrose Path (Jimmy Knepper) 7:04
Originally issued in Mono on METROJAZZ E1004
Personnel
Pepper Adams (baritone sax), Jimmy Knepper (trombone), Wynton Kelly (piano, organ only on 'I Didn't Know'), Doug Watkins (bass), and Elvin Jones (drums).
Recorded at Beltone Studios in New York City, on March 25, 1958.
Recording session supervised by Leonard Feather
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"It would be too easy to characterize this session by pigeonholing its musical nature simply as "hard bop". As anyone knows who has made a close study of the work of these men, they are equipped with far more subtlety and originality than is implied by that overworked, obsolescence-bound phrase. It was a date at wich everyone dug everyone else, with just enough written music to guide and never enough to hamper the participants. In short, a swinging session."
(Taken from the back cover liner-notes)
-Leonard Feather, author of 'The Book of Jazz,' and 'The Encyclopedia of Jazz'
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