Pink Floyd - The Dark Side Of The Moon 2003 30th Anniversary Edition 180g Vinyl
A$
180
$
115
A$ 180
Sold For
Sep 1, 2022
Sold Date
Aug 31, 2022
Start Date
1
Number Of Bids
Australia
Country Of Seller
eBay
Sold at
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Description
Pink Floyd – The Dark Side Of The Moon
2003 180 gram Special 30th Anniversary EditionGatefold cover. A barcode sticker with copyright and distribution codes applied to the back cover, bottom right.
180 gram vinyl, housed in a die-cut black poly-lined dust sleeve.
Inserts include:
2 small rectangle stickers
3 posters 1 large square insert/sticker, originally positioned over the front cover, under shrink: "Pink Floyd The Dark Side Of The Moon 30th Anniversary Edition Vinyl original packaging including stickers and posters heavyweight virgin vinyl plus new 30th anniversary poster".
Complete The Gatefold cover is VG+ (See pics)
The rest is Near Mint.
Superb audio.
Label: Harvest – SHVL 804, Harvest – 1E 064 ° 05249, Harvest – 582 1361 Format: Vinyl, LP, Album, Reissue, Remastered, Stereo, 180 gram, 30th Anniversary Edition Country: Europe Released: Apr 7, 2003 Genre: Rock Style: Space Rock, Psychedelic Rock, Prog Rock, Classic Rock A1
Speak To Me Written-By – Mason 1:08 A2
Breathe Written-By – Gilmour, Wright, Waters 2:48 A3
On The Run Written-By – Gilmour, Waters 3:31 A4
Time Written-By – Gilmour, Mason, Wright, Waters
7:05 A5
The Great Gig In The Sky Written-By – Wright 4:47 B1
Money Written-By – Waters 6:23 B2
Us And Them Written-By – Wright, Waters 7:48 B3
Any Colour You Like Written-By – Gilmour, Mason, Wright 3:25 B4
Brain Damage Written-By – Waters 3:50 B5
Eclipse Written-By – Waters 2:06
- Record Company – The Gramophone Co. Ltd.
- Marketed By – EMI
- Distributed By – EMI
- Phonographic Copyright ℗ – The Gramophone Co. Ltd.
- Phonographic Copyright ℗ – EMI Records Ltd.
- Copyright © – EMI Records Ltd.
- Recorded At – Abbey Road Studios
- Mastered At – Record Technology Incorporated – 9255
- Mastered At – Record Technology Incorporated – 9256
- Lacquer Cut At – AcousTech Mastering
- Backing Vocals – Barry St John, Doris Troy, Leslie Duncan, Liza Strike
- Bass Guitar, Vocals, Synthesizer [VCS3], Effects [Tape] – Roger Waters
- Design [Sleeve Design], Photography By, Sleeve [Sleeve Design] – Hipgnosis (2)
- Engineer – Alan Parsons
- Engineer [Assistant] – Peter James
- Keyboards, Vocals, Synthesizer [VCS3] – Richard Wright
- Lacquer Cut By – DS, Doug, KPG
- Lyrics By – Roger Waters
- Mixed By [Mixing Supervised By] – Chris Thomas
- Music By – Pink Floyd
- Percussion, Effects [Tape] – Nick Mason
- Producer [Produced By] – Pink Floyd
- Saxophone – Dick Parry (tracks: B1, B2)
- Sleeve [Sleeve Art], Artwork [Stickers Art] – George Hardie
- Vocals – Clare Torry (tracks: A5)
- Vocals, Guitar, Synthesizer [VCS3] – David Gilmour
A few words about condition.
Grade &
score out of 100
GRADING
Mint is a Rigid Band - The next Four Grades are all Narrow Bands, that slightly widen as the condition gradually deteriorates - Good is still Good, but there is a rapid widening of the Grade Bands, as the condition deteriorates over the last Four grades.
MINT
100
The record itself is in brand new condition with no surface marks or deterioration in sound quality.
The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition.
Only graded on records that are sealed or clearly unplayed.
NEAR MINT
97 to 99
EXCELLENT
90 to 96
The record shows virtually no signs of having been played, there is no lessening in sound quality.
The cover and packaging might have the slightest of tiny defects.
The record shows some slight signs of having been played, but there is very little, (if any) lessening in sound quality.
The cover and packaging might have very slight wear.
VERY GOOD PLUS
80 to 89
VERY GOOD
69 to 79
The record shows signs of having been played, but there is very little lessening in sound quality.
The cover and packaging might have slight wear, light creasing.
The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch.
Normal wear and tear on the cover or extra items, without any major defects.
This is an above average used record, that has been well looked after.
GOOD
56 to 68
The record has been played so much that the sound quality has deteriorated, but the record will still play through, and it will not be a completely unpleasant listening experience, even at the bottom of this grade (56).
The cover and contents may suffer from folding, scuffing of edges, spine splits, discolouration, etc.
FAIR
41 to 55
The record is still playable but has not been cared for properly and displays considerable surface noise; it may even stick, skip or jump.. This is starting to be an unpleasant listening experience at the top of the grade (55) and will not be a pleasant listening experience at all by the end of it (41).
The cover and contents will be torn, stained and/or defaced.
POOR
25 to 40
The record will not play properly due to scratches, bad surface noise, etc.
The cover and contents will be badly damaged or partly missing.
BAD
0 - 24
The record is unplayable or might even be broken, and is only of use as a collection-filler.
The Sleeve is non existent (0) or what is left, is only just recognisable.
A few words about postage.
Within Australia, the best value for multiple purchases is a 5KG satchel, where as many as 15 to 20 LPs can be posted for $22.00 registered post. (well packed in a box, inside the satchel)
My Policies on postage are simple.
The user pays.
I package well.
Any item that you purchase without choosing the option of "Signed for" or "Registered" Post, is at your risk.
I do accept that "signed for" can be expensive, especially internationally, but whether you take the option of this insurance, is entirely up to you.
I do not wish to withdraw the option of standard postage for the cheaper records, but it must be at your risk.
price rating
