Pink Floyd The Division Bell 1994 Original Blue/Clear Color Vinyl VG++ Promo

$ 80

$ 80 Sold For

Dec 6, 2013 Sold Date

1 Number Of Bids

USA Country Of Seller

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Description

Pink Floyd The Division Bell

Made in the U.S.A.

Sony / Columbia Records - C6 4200 / AL 64200 / 0746464200-1(bar code)

1994 Original Colored-Vinyl pressing. Has a slight, pink-colored streak through part of it.

Record was received as a Promo from Sony/BMG in 1994 through Sony rep in Salt Lake City.

Clear/Light-BlueVinyl is VG++; Vinyl has a long, slow-warp and raises about .25" to .5" during one full rotation; plays through fine on both sides; warp does not affect play.

Gatefold cover is VG+ to VG++, promo cut-corner on top-left, minor corner bends and wear, very minor cover and edge-wear.

Custom, lyric inner-sleeve is VG to VG++, bends and creases, and one edge is detached, the glue is not present or failed.

Out of Print, Original Promotional Copy.

"Some bands turn into shorthand for a certain sound or style, and Pink Floyd belongs among that elite group. The very name connotes something specific: an elastic, echoing, mind-bending sound that evokes the chasms of space. Pink Floyd grounded that limitless sound with exacting explorations of mundane matters of ego, mind, memory, and heart, touching upon madness, alienation, narcissism, and society on their concept albums of the '70s."...

"The second post-Roger Waters Pink Floyd album is less forced and more of a group effort than A Momentary Lapse of Reason -- keyboard player Rick Wright is back to full bandmember status and has co-writing credits on five of the 11 songs, even getting lead vocals on "Wearing the Inside Out." Some of David Gilmour's lyrics (co-written by Polly Samson and Nick Laird-Clowes of the Dream Academy) might be directed at Waters, notably "Lost for Words" and "A Great Day for Freedom," with its references to "the wall" coming down, although the more specific subject is the Berlin Wall and the fall of Communism. In any case, there is a vindictive, accusatory tone to songs such as "What Do You Want From Me" and "Poles Apart," and the overarching theme, from the album title to the graphics to the "I-you" pronouns in most of the lyrics, has to do with dichotomies and distinctions, with "I" always having the upper hand. Musically, Gilmour, Nick Mason, and Wright have largely turned the clock back to the pre-Dark Side of the Moon Floyd, with slow tempos, sustained keyboard chords, and guitar solos with a lot of echo. "

-allmusic.com

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Thank You and Have the Best Day ever!

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